Mei guo nu hai

This is a family drama that is realistic and relatable, at least for me. I resonated deeply with a lot of the main character's experiences - from the deep love-hate mother-daughter relationship and the bond between the sisters, to Fen Liang's stubbornness and intense emotionality. Watched it with my mum and she could "totally understand the feelings of the mother".

A couple of reviewers have noted that the film is quite slow but I feel like the pace, camera angles and scenery make it feel as if the audience is only spectating the real lives of the family, instead of being served some hyper saturated plot-driven story. I respect that it might not be everyone's cup of tea though. All in all, I thought it was a cinematic and greatly truthful film.

When a father and mother got that look and find someone cast their daughter with totally different look, whole thing become less convincing to me. Story is not bad with all the drastic change for a teenage who move back to Taiwan, just find someone more alike and less mean look would make audience to buy more this movie.

I loved the film scenery and background of this story, I felt deeply connected with the characters and understanded the emotions they were going through in each scene.

"Unlike THE FALLS's glossy patina and beneficent ideation, AMERICAN GIRL goes for the jugular in dissecting a nuclear family's internecine strife and support, with a sideswipe leveling at Taiwan education system's approbation of the outmoded corporal punishment. Fen's "American girl" tag is more a source of discrimination than something she can boast of, one of the examples evince Roan's crystal-clear discernment of Fen's predicament. Dexterously shot by Giorgos Valsamis within finite space, AMERICAN GIRL's cinematography reflects an alluring veracity on top of a rich textural substrate, it helps to ease its audience into the the family's early 2000 milieu like a charm. Tellingly, one cannot over-stress the accomplishment of the cast, especially Lam and Fan, grappling with the heavy-lifting with cracking efficacy and potency, Lam's pent-up emotion crackles consistently from scene to scene whereas Fan pulls off the cardinal challenge where a misty-eyed Fen communing with an intractable white horse like a real pro."

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Very ordinary story that everyone would experience, yet no resonance would be generated with audiences due to the extreme annoying performances of the actress. Acting as a mom, the actress was being unrealistically emotional that would make audience wonder if she is acting an psychotic patient as well.

Simple and common plot + slow pace story telling style by director + insensible performance by actress = surely not worth your time.