Leo

First half greater than second half.

Over all movie was mind blowing.

Vijay acting was superb he try to show his different face compare to his previous movies.

Flash back scenes was little down but overall movie was suberb.

Film making was marvellous lokesh done his part well.

Anirudh's music was a backbone of this movie.

All actors done their parts well.

Thrisha and vijay chemistry was fantastic.

I was super excited for this movie. I am completely satisfied with leo.

Anbu ariv action was fantastic.

Cinematography was super manoj parmahamsa done great job.

CGI works was great especially hyena scenes.

Overall this movie gaves me a mindblowing theater experience.

Leo is not up to expectations, several trailers were merged into a single movie. Every 15 minutes a main character is introduced with hype which added some energy to movie so spectators can get some enjoyment. Villains in 2nd half is big let down, Sanjay Dutt and Arjun Sarja roles were not written properly. Only one of them is also sufficient for the movie. They don't have any strong reason to go against main character. Sister sentiment was not well established. First half is better than 2nd half. Vijay, Trisha and Gautam Vasudev Menon did excellent job, others even though big names dont have much to add to the movie.

On the bright side, we get..

• One of Vijay's finest performances (not as a star, but as an actor): The first half is replete with moments where Vijay showcases emotions as a doting father, husband, cafe owner, and animal lover.

• The writing in the first half: Superb, even when it's A History of Violence contextualized for Tamil sensibilities. Every scene carries a decent tempo, and the developments make you sit up. The whole hyena angle is beautifully executed, and its payoff in the climax is wonderful. The title card placement is a nice creative touch on Lokesh's part.

• Brilliant cinematography: Manoj Paramahamsa's frames wonderfully capture the Kashmiri locales (even though the film is "set" in Theog, Himachal Pradesh) with Parthipan's (Vijay) cafe looking remarkably aesthetic in that first fight sequence. When the film gets action-heavy, the use of the mocobot camera is put to fine effect.

• A pretty solid supporting cast: Whether it be Trisha (who looks absolutely dashing), Gautham Menon, Arjun Sarja, Sanjay Dutt, or Mathew Thomas, they deliver what the writing expects them to. It's just that the antagonists (Dutt, Sarja) lack sufficient fleshing out for us to care about their motives.

• Anirudh's music: While I feel he overdid the score a bit in the film, the elevation points (particularly a 10-15 minute pre-interval stretch) are fabulous, courtesy of his compositions. Badass Ma is the clear standout, but Naa Ready also worked thanks to the choreography. The English bits in the score were tremendous, and I can't wait to blast them on Spotify for my workouts once the OST is uploaded.

On the not-so-bright side, we get..

• A lackluster second half: The whole flashback segment suffers from tepid writing. A key character is introduced only to be killed off just a few minutes later. The writing doesn't give us any time to register this character, let alone connect emotionally. This then becomes the driving force for the protagonist's subsequent actions. The whole "identity crisis" aspect also wears out, because there's only so much you can do with it. In totality, this is a 75% Lokesh, 25% Vijay film.

• Some tacky CGI: While this doesn't hamper the viewing experience overall, you'll come across not-so-great CG work in certain parts. This is especially the case in a car chase sequence.

• The LCU connect: Felt somewhat inorganic and forced. Given the film takes place geographically far away from the proceedings of the LCU, I felt it stood a better chance as a standalone piece. There are some interesting cameos yes, but nothing that gives you the wowness of Vikram, or even Kaithi for that matter. Lokesh definitely reserved his best for Aandavar.

Middle-of-the-road aspect: Anbariv masters are quite well-known for their innovative set pieces. I loved the first set piece (at the cafe) - it felt raw and real, with fantastic cuts and zero slo-mo. There are plenty more in various locations, but only the climactic showdown (which also includes a 1v1 between Vijay and Arjun) lingers in my mind after leaving the cinema hall.

P. S. - I enjoyed Loki's tribute to Sly Stallone. If you know, you know.

Lokesh Kanagaraj once again proves his prowess in filmmaking. His name is enough to say that you would have a unique experience in the cinema hall. The single shot fight sequence at the factory made me to leave my mouth wide open for its entirety! I admire Lokesh for the efforts he puts to push the boundaries of tamil cinema.

Vijay really needs a round of applause for his performance and I really appreciate the fact that he agreed to do it in Lokesh's way. I never imagined that Vijay would pull of certain things as these are not something his typical film would have.

Throughout the film you could see the hardwork of the crew be it the cinematography, editing or the CGI. And the result as expected is top notch. Anirudh's score has received a lot of mediocre reviews. Even though it's not upto the mark, I really liked the score made for Arjun and Sanjay Dutt. It's kind of underrated in my opinion.

Having watched David Cronenberg's A History of Violence, I know the twists, turns and whatnot. Despite this, I thoroughly enjoyed Leo. Although I agree that the Das brothers were not intimidating enough and the flashback potion is written poorly, it is not something that would stop the film from being enjoyable.

The central plot of the movie follows a somewhat traditional trajectory, reminiscent of numerous Indian films and works like "A History of Violence," adapted from a graphic novel by John Wagner. Nonetheless, Director Lokesh, in collaboration with his writing team, skillfully injects a rejuvenating dose of suspense into the storyline with brilliantly executed plot twists. It's worth noting that the flashback segments seemed hurried and unconvincing, which affected the second half, and the pacing in the first half could have benefited from some tightening, especially the over-budget hyena sequence.

To avoid revealing any spoilers, I'll conclude my thoughts here.

Vijay delivers a commendable performance in both of his roles. While his appearance as Parthiban, a character in his mid-40s, may not be exceptional, it remains acceptable, and his acting is good. His portrayal of Leo, on the other hand, looks good but doesn't offer much to act on because of the short duration.

Trisha didn't get a meaty role, but as always, she delivers a fantastic performance, radiating beauty even in a role that requires her to portray a woman in her 40s and a mother of a teenager. Her on-screen chemistry with Vijay is superb, a genuine treat for their fans.

Sanjay Dutt's presence in the film is decent, though his acting doesn't quite match up to the overall cast's caliber. Arjun Sarja's role is actually useless, but his appearance and acting are good.

The supporting cast delivers their best efforts, contributing to the film's overall quality. Priya Anand and Anurag Kashyap are underutilized.

The action sequences are well-executed and visually appealing. The cinematography showcases moments of extraordinary brilliance, although it falls short in some areas. The songs may not be remarkable, but the background score is notably strong. The film's locations, sets, and costumes are adequately done, while the VFX work could have been more refined.

Lokesh's direction deserves recognition for steering the film in a positive direction, but he should work on his writing.

In summary, I recommend experiencing this movie in theaters to fully appreciate the cinematic journey it offers. #LCU.