Good Day for It

If you enjoy the minimalistic independent movies popular in the 70's you should give this film a try. At first glance, i thought this might have been the greatest collection of has-been actors in one movie in ages. First Robert Patrick, then Lance Henrickson, then Kathy ...what the hell's her last name...oh yeah Baker!. But... slowly... (the pacing is a bit lugubrious, but hey, i said it did have a 70's vibe) the movie grabs you. The cinematography, editing and soundtrack are all above average and the acting ranges from excellent ( Patrick and Hendrickson) to spotty (Samantha Mathis). Overall the level of suspense was consistently high and the story UNFOLDS, which i love. The payoff is pretty good though it strains credulity a bit. This movie reminds me of Lucky Mckee's 'Red' with Brian Cox (a film i HIGHLY recommend) in that it's a very simple story told with style and integrity and isn't that the bottom line in film art.

Hats off to Robert Patrick, Hal Holbrook and writer/director/producer Nick Stagliano for an engaging, entertaining and very original film, GOOD DAY FOR IT. Without revealing too much, the movie lures you in with one possibility and then unfolds many others as it evolves. A simple, beautifully shot tale of how life can force you to make tough choices but that, occasionally, love can prevail. With an outstanding supporting cast (Kathy Baker, Mika Boorem, Lance Henriksen, Robert Englund, Joe Flanigan, Richard Brake AND Christian Kane), the movie artfully combines humor, drama, captivating cinematography and a terrific soundtrack by alternative country singer/songwriter Matthew Ryan. See the film - I'm sure you'll be glad that you did!

Don't get me wrong. I thought this was better than most of the films I have seen this year, and I would recommend it wholeheartedly. The problem is the issue of time. Several issues, to be exact.

First, there is the problem of the antagonistic gangster characters, who, with one younger exception, all appear to be in the middle-aged or geriatric age groups. To be a credible violent felon, you should not look as though you depend on Medicare for fracture treatment and bullet extraction.

Second, the young girl uses a sleek wireless laptop to arrange a reunion with her estranged father, and yet she does not seem to possess that device which is organically attached to the fingers of the modern teen, namely, a cell phone with texting capability. Worse still, she uses rotary dial phones and pay phones, both of which suit a modern teen about as much as a corset and a bonnet.

Finally, in this film with sleek wireless laptops, nobody but the police officer seems to be driving a car made after the 1970s.

Aside from these annoying anachronisms, the film was superb!

This film is truly original and intriguing. Great performances throughout. Strong narrative. All stars like Hal Holbrook and more. Don't miss this movie.

I put 'Good Day for It' in my queue solely because of Robert Patrick, Lance Henriksen. Imagine my surprise when opening credits sprung more familiar names. Hal Halbrook, Robert Englund, Samantha Mathis & Kathy Baker. Cast aside, there's elements to appreciate here. It has a down to earth feel and the people ring true, but you gotta know it's a low budget slow burn affair. Deep dark crime saga this is not.

Emily (Mika Boorem) plans to meet up with her estranged dad Luke Cain (Patrick) unbeknownst to her mom (Mathis). At Rose's Cafe, they bond under the friendly eyes of owners Rose (Baker) & Hec (Halbrook) as the daughter finds out why he left them over fifteen years ago. Luke also comes face to face with cronies of Lyle Tyrus (Henriksen). One of which reports back to his criminal boss. Turns out the two share a past association and Lyle has a score to settle with Luke.

A tale of broken pasts, bad decisions and being in the wrong place at the wrong time in rural America coming to a head. 'A Good Day For It' has some real heart, but also a high dose of predictability, a few cliches and surface level characters. Fans of Patrick, Henriksen should give it a go to see the two men share the screen together in a real way, but it never rises above merely average.