Fitful

There are so many ways people may fritter away excess time. Watching trash television. Trimming ones toenails. Checking up on old rivals on FaceBook. Ridding their refrigerators of green, fuzzy, slimy things. Smoothing out and folding used pieces of tissue paper. Organizing ones music collection alphabetically (or by genre and then alphabetically). Please believe me when I tell you that all of these things are preferable to wasting even a moment of your life watching this movie.

The storyline is non-existent. It isn't suspenseful – it is irritating. I spent most of the film waiting for a climax that never happened. The characters have no depth and no redeeming value. The wardrobe is dated and odd (I thought it was impossible to make Renee O'Connor look frumpy but it is apparently achievable). Overall the movie is aesthetically unappealing: poor camera work, halting timing, and terrible direction are at the core of the long list of problems.

Deadrise is a case study in what a narcissist who isn't the slightest bit creative or talented may churn out given the time, space and finances to do so. If pumping out garbage like this is what the Michigan film incentive is enabling, then I say do away with it quickly.

Clever and engaging; watch every moment carefully to get the most out of the piece. The details matter. It's fun trying to make sense of the neo-Gothic journey the heroine takes. She willingly enters a world that is visually impressive, spooky, surreal. I was disappointed in the original film's ending and a few of the plot points leading up to it. I didn't predict it for the simple reason that I could not believe so predictable a conclusion for an otherwise engrossing film. Then I saw the revamped version. The retooling pays off; Deadrise tells a stronger, albeit darker, story, and so it is a better movie than in its first incarnation. The acting, which is a bit campy or stagy at times, generally serves the film well and is even quite compelling in places. The characters fit the action, the cinematography is stunning, and a better set would be hard to find. In order to preserve the suspense, I am unwilling to say much more about the plot details, which a movie-goer can find in other reviews. Having come up myself with a more satisfying conclusion to the original film, I'm happy to report that I don't even remember now what it was. Deadrise ends in just the right key.

Although Rich Brauer can be considered a Michigan filmmaker, DEADRISE will appeal to anyone who likes mysteries, or those with a warped sense of humor. Paula goes through a series of odd events while she is trying to get some rest on-board an out-of-service transport ship, that she is inspecting for the Historic trust. Is Captain Vigs who he says he is? Is Paula really dreaming or is this reality? What is really going on here? These are the questions you'll ask yourself as you watch DEADRISE. Although some may compare this to INCEPTION or another Nolan directed film MOMENTO, it is an original, unique and strangely compelling movie experience. I don't recommend this movie for people who do not like eels or big, spooky ships.

Even though our films are small, we compete with mainstream filmmaking, without the resources, so we make films that Hollywood won't. That's the independent spirit. When we offer sneak preview of our new films, we run the risk of the audience thinking that it is the final cut. We listen to the audience react (or not) and make changes as we feel are consistent with the temperament of the film. Having said that, anyone who saw the unreleased sneak preview version of Deadrise, then titled FITFUL, really needs to see the final released product. There are no dogs anymore, and the ending has been changed from a "Oh, you got me" to a "DAM!". The dream sequences have new meaning, and our main character Paula, has a considerably bigger surprise waiting for her at the end of the film. Additional final tweaks also included enhanced music and sound. It is safe to say that the entire context of this non-traditional suspense thriller has been nicely modified prior to its final worldwide release as DEADRISE.

I greatly enjoyed the complexity of this film. This writer/director does such an amazing job with his films. Though they are not the huge, money intense flicks that most of us are accustomed to, they will leave you feeling exactly what Brauer intended, whether it be intrigued, satisfied, on the edge of your seat, or just plain happy. I believe it is much more difficult to create a great film when you do not have millions of dollars to aid in the creation, and for this I admire this movie. I love it when films make you believe you have figured them all out, and then toss a twist into the plot. If you are looking for a suspenseful, clever, and interesting film, look no further.