Agrega una trama en tu idiomaBrooklyn, 1975: two brothers looking for a way out of their working-class neighborhood make a pact to rob a local theater on the night of a Rolling Stones concert.Brooklyn, 1975: two brothers looking for a way out of their working-class neighborhood make a pact to rob a local theater on the night of a Rolling Stones concert.Brooklyn, 1975: two brothers looking for a way out of their working-class neighborhood make a pact to rob a local theater on the night of a Rolling Stones concert.
- Dirección
- Guionista
- Elenco
- Premios
- 3 premios ganados y 3 nominaciones en total
Robbie Sublett
- Ray
- (as Robbie Collier Sublett)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This is an incredibly good movie, the kind they don't seem to make anymore, with a pretty simple, straightforward conflict, amazingly good acting and writing, and it evokes a time and place (Brooklyn 1977) perfectly.
At the top of a long list of very good performances are Stephen Lang as the alcoholic father, Karen Allen as the stoic but deeply-loving mother, the amazing Nick Thurston (who I had not heard of before) as the son, and Leslie Murphy as his love interest.
In smaller roles Peter Reigert and Geoffrey Wigdor are extremely good.
John Gray's script and direction are extremely moving without being overblown or showy.
This movie is very emotionally honest. It clearly was a labor of love for everybody involved.
Lots of movies seem to me to be overly clever and self-regarding, throwing curve ball after curve ball at you while they're looking in the mirror smirking. This movie is a fastball right over the plate.
At the top of a long list of very good performances are Stephen Lang as the alcoholic father, Karen Allen as the stoic but deeply-loving mother, the amazing Nick Thurston (who I had not heard of before) as the son, and Leslie Murphy as his love interest.
In smaller roles Peter Reigert and Geoffrey Wigdor are extremely good.
John Gray's script and direction are extremely moving without being overblown or showy.
This movie is very emotionally honest. It clearly was a labor of love for everybody involved.
Lots of movies seem to me to be overly clever and self-regarding, throwing curve ball after curve ball at you while they're looking in the mirror smirking. This movie is a fastball right over the plate.
Nick Thurston was brilliant as the young, struggling artist. However, it was the writing that made him, as well as the rest of the film so convincing. As an artist (and teacher of young artists), I was impressed with the authenticity of the dialog, the astonishingly beautiful art direction and all the skilled nuances that brought the Brian Leary character to life.It was a spellbinding, compassionate portrait of a creative soul as much as it was a gritty tale of coming of age. I also found the film visually compelling and powerful-which all points back brilliant writing. Kudos to John Gray. Not for nothing, the closing scenes and the powerful gifts of Stephen Lang were spectacularly effective. I can't remember the last time (if ever) a film made me stand up, cheer and pump my fit at the end! I do hope this film receives the broad audience and recognition it and its creators so richly deserve.
At the beginning of this movie, I had a bit of a negative predisposition towards it. However, the longer I watched it, the more I became emotionally involved (I'm not someone who typically cries during movies; I'll occasionally tear up, but nothing like this). The characters develop, the plot improves, everything about it just gets better. This movie is definitely under appreciated by critics and the people who have given it low scores. There were times when things happened so unexpectedly and intensely that I could feel my adrenaline rushing like I was personally involved. I highly recommend White Irish Drinkers. It's a gritty, emotional, and extremely engaging story with a dark, twisted sense of humor providing occasional comic relief.
(I wanted to give 9.5 because almost nothing is a 10, but fractions are not allowed ...)
Invited by a friend of a friend, I saw a preview and was prepared to politely praise the film even if I didn't like it. But I was surprised. This film is sincere, unpretentious, extremely well written and well acted. The story captured my interest from beginning to end. High marks go to all of the actors -- Karen Allen, Peter Riegert, Nick Thurston at an existential crossroads, Geoffrey Wigdor as his older brother who is already lost to the streets, and especially Stephen Lang (the baddie from Avatar), a formidable actor who digs his fingers into your heart. I saw grown men in our audience surreptitiously wiping their eyes!
I don't know much about film-making, but I know what holds me. Whatever the makers did, they did right. Good luck!
Invited by a friend of a friend, I saw a preview and was prepared to politely praise the film even if I didn't like it. But I was surprised. This film is sincere, unpretentious, extremely well written and well acted. The story captured my interest from beginning to end. High marks go to all of the actors -- Karen Allen, Peter Riegert, Nick Thurston at an existential crossroads, Geoffrey Wigdor as his older brother who is already lost to the streets, and especially Stephen Lang (the baddie from Avatar), a formidable actor who digs his fingers into your heart. I saw grown men in our audience surreptitiously wiping their eyes!
I don't know much about film-making, but I know what holds me. Whatever the makers did, they did right. Good luck!
I was invited to an advanced screening of White Irish Drinkers with no expectations of the film, and I must say I was truly impressed.
From the acting of Steven Lang, who, as always - was extraordinary, to the under-appreciated Karen Allen in one of her best roles. And finally to Nick Thurston who delivered a strong, measured performance that anchors the story.
In addition, Seamus Tierney provided some exceptional cinematography shot on location in Bay Ridge, Brooklyn - rarely seen on film since Saturday Night Fever in 1977, which coincidentally is the roughly the year when Drinkers is set.
But it is the director/writer/producer John Gray who's long career of solid work has served him well in bringing this powerful story to life.
From the acting of Steven Lang, who, as always - was extraordinary, to the under-appreciated Karen Allen in one of her best roles. And finally to Nick Thurston who delivered a strong, measured performance that anchors the story.
In addition, Seamus Tierney provided some exceptional cinematography shot on location in Bay Ridge, Brooklyn - rarely seen on film since Saturday Night Fever in 1977, which coincidentally is the roughly the year when Drinkers is set.
But it is the director/writer/producer John Gray who's long career of solid work has served him well in bringing this powerful story to life.
¿Sabías que…?
- TriviaElizabeth Twining's debut.
- ConexionesFeatured in Ebert Presents: At the Movies: Episode #1.13 (2011)
- Bandas sonorasPop
Written by John Duffy
Performed by The Shillaly Brothers
Members:
John Duffy: lead vocals, celtic bouzouki, octave mandolin, mandolin, bass guitar, tin whistle
Chad Carrier: lead and backing vocals, guitar, bass ukulele, acoustic bass guitar
Rex Bailey: ukulele, guitar, drums, lead and backing vocals
Fred Studier: accordion, mandolin, celtic bouzouki, banjo, guitar, backing vocals
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- How long is White Irish Drinkers?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Bilo jednom u Bruklinu
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 31,056
- Fin de semana de estreno en EE. UU. y Canadá
- USD 16,836
- 27 mar 2011
- Total a nivel mundial
- USD 31,056
- Tiempo de ejecución
- 1h 49min(109 min)
- Color
- Relación de aspecto
- 2.35 : 1
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