Restrepo

"The horror! The horror! " Joseph Conrad's Heart of Darkness.

CNN describes Afghanistan's Korangal Valley as "the most dangerous place in the world." After seeing the powerful documentary Restrepo, I can understand the description, and I can admire an almost new dimension to that type of film: objectivity.

An American company of soldiers spent 15 months in that valley with filmmakers Tom Hetherington and Sebastian Junger recording the soldiers' combat and more importantly their personal reactions. For indeed Restrepo is about soldiers fighting an enemy they can't see, a boredom they can't leave behind, and friendships they will keep forever, depending on how long forever can be in such a hostile environment.

The singular feature of this Oscar-winning film is its attempt to make no judgment about the appropriateness of the war; it just chronicles the lives of young men stretched by fate to an endurance few of us could even imagine. Not that it's all that bloody or manic; it's just that the terror of an enemy hidden by mountains hangs about like a fog to such an extent that when they do kill one far away in the foothills, they rejoice as if they had wiped out a platoon. When the tired soldiers dance to "Touch Me (I Want Your Body)" by Gunther and Samantha Fox, they celebrate life, not killing.

Back to that objectivity: Even a documentary marries fiction when directors choose some images over others. In Restrepo the choices lead me to question how the US could ever win this war, not because that's the directors' statement but because the successes are limited to building a stronghold, Restrepo (named after a fallen comrade), at the top of a mountain among mountains that dare the most powerful army in history to try to win this one when none has ever been won here. Indeed, the army has subsequently withdrawn.

While the fictional Hurt Locker minimized its bloodshed in favor of the representational, Restrepo takes no liberties but goes for the real, which in this case is like waiting around a movie set for something to happen. And when it does, it can win an Academy Award.

I completely disagree with the above review. If the Junger and Hetherington want to make a documentary - they are perfectly entitled to make it the way they see fit, and if they chose not to become the immersed in politics of the conflict then so be it. If you want to see that kind of documentary - switch on the History Channel any night of the week. The viewer gets right into the action in 'Restrepo' with the soldiers and it has given many a young person second thoughts about joining the military. That in itself is praise enough for this awesome documentary on man's inhumanity to man. The action shots are superb and real - you do not want any of the soldiers to be hurt because you get to know them as the film progresses.

It's a strange way to fight, without ever seeing the people you're shooting at and who are shooting at you.

The strongest aspect about this viewpoint documentary is its lack of an opinionated narration. The filmmakers--who deserve commendations of their own for putting themselves in the line of fire for 15 months--let the soldiers and their activities tell the story, the firefights, patrols, attempts to communicate with the Afghans, mundane chores.

And they let the viewer judge for meaning.

It isn't possible, however, to truly capture a year and three months in 90 minutes. I did find it curious that so much interview footage was cut. If you see it on DVD, don't miss the interviews shown under special features. Perhaps the director-cameramen wanted to keep the ratio heavier on footage than interviews.

In one omitted interview, the unit Captain admits that he thought he was responsible for losing even one soldier. He also mentions that one of those killed was the unit Sergeant Major's son. There should have been some way to weave this into the story.

Another soldier says he hates the terms "you did what you had to do" because he doesn't think he really had to do it. Says he doesn't think God will greet him with a playful punch to the shoulder and say "you did what you had to do." It's powerful stuff, the included and the omitted footage. For the most part we fight now with volunteers. The mix of soldiers is a bit different than it was when there was a draft, but "Restrepo" shows that American forces still bring a wide range of backgrounds and reactions.

And it shows that most are still so young that we are still sending kids to do the jobs old men ask them to do. They are brave, fearful, obscene, committed for the wrong reasons, committed for right reasons, and committed for no reason at all.

It's a powerful view.

This is where documentary filmmaking becomes serious. Whatever you are expecting out of this film, chances are you will get a whole lot more. Restrepo follows a platoon of soldiers in Afghanistan who are defending a valley, Korgengal. It is said to be one of the most dangerous valleys in the entire country and these brave men take fire every single day of their brutal campaign. This is a riveting film and it is one of those that you cannot shake. It gives you a glance into the absolute darkest depths of modern warfare and just how demanding the fighting is both physically and mentally. It is a film that gives you a rare look into the horrors of war. And it is absolutely astounding.

Restrepo is shot at a very personal level. The camera never intrudes on the soldiers during their work, and thank God considering some of the harrowing things they go through in this movie. This film hardly even feels like a documentary in the sense of what we think of documentary today. It is filled with interviews, but the bulk of the movie is truly documenting the lives of these soldiers. We get to see all sides of the emotional spectrum that can be afflicted through trauma. We get to look at how different people cope with such horrors as are experienced in this film. And it is all through such respectful eyes. I never once thought, 'Wow, they should really stop filming this.' Every moment of the film feels so important and the fact that all this was so clearly and eloquently caught on camera is astounding.

The unequivocally greatest thing about this film is the fact that it has absolutely no political agenda. It really has no alternative motive other than telling the story of these incredibly brave soldiers. The film only seeks to honor the brave men who served our country in the most dangerous area imaginable. This film isn't for the political leaders responsible for the war. It isn't for the military commanders that send these soldiers into battle. This movie is for the soldiers themselves. It is a true soldier's film in every sense. It has a very stern focus on the individual. It makes such an important point out of this aspect that it could have possibly gone even further. There are a lot of men in this platoon and thus we don't get to know any one person particularly well. We get to know the platoon well as a whole and how each man interacts with his fellow soldiers and how they all deal with loss and tragedy. Each individual soldier in this movie is important and the movie strives to show how meaningful that is. It is a remarkably important aspect of the film.

You won't see many documentaries like this, and there's probably a good reason for this. The kind of footage captured in Restrepo isn't easy to get and you have to be just as brave as the soldiers themselves if you are to accompany them into battle to document their bravery. But thankfully when the opportunity to get such unforgettable footage arose, it was all put together extremely well. This is not an easy film to watch, but in the end it is so remarkably worth it.

¨My personal low point? - Rock Avalanche, I saw a lot of professional tough guys go weak in the knees.¨ Restrepo is one of the five pictures nominated for Best Documentary at the Oscars and it also won the Grand Jury Prize in the 2010 Sundance Film Festival. It's beautifully directed and filmed by Tim Hetherington and Sebastian Junger (writer of The Perfect Storm). The huge success of this film and what separates it from the hundreds of other war pictures is that Junger puts us right in the middle of the action without any political agenda. He simply decides to film these groups of soldiers who have been deployed to one of the most dangerous locations in Afghanistan and lets us experience their day to day lives without making any pro or anti war comments. We are allowed to see a small glimpse of what the American soldiers have to go through and how they live amongst the villagers. In a way Junger allows the soldiers being filmed to tell their own story. We experience what they are going through in this dangerous war zone and how they interact with the local people. The cinematography is actually quite astonishing and I really felt like I was there with the soldiers. Restrepo made me appreciate even more last year's Oscar winning picture: The Hurt Locker, because it showed me how real that film actually was. At one point one of the soldiers even claims that no rush is as high as being shot at in the middle of a war zone. War can be addictive and it actually is for some soldiers.

The camera silently follows an American platoon that is being deployed to one of the most dangerous war zones in Afghanistan known as the Korangal Valley for a period of 15 months during 2007. The film begins while the platoon is arriving at the base and some of the soldiers share their thoughts about beginning their service in such a dangerous zone. We follow these soldiers as they live in tents in the middle of a valley where danger is eminent. They have to experience gun fights almost every day, and at the same time they have to adapt to the environment. When they are not fighting, we see the soldiers digging for protection; we see them burning their own feces, and just goofing around while they wait for next gunfight to take place. A day without action is nonexistent in the Korangal Valley. It is during one of these gunfights that one of the soldiers is mortally wounded, his name was Restrepo and the rest of the soldiers decide to build a resistance camp named O.P. Restrepo on his behalf. Restrepo changed the entire mood of the soldiers and they were ready to have their revenge. At the same time that the soldiers have to fight off the Taliban they also try to improve their relations with the locals who have a difficult time accepting the Americans (especially after they kill one of their cows).

The movie isn't pro or anti war; it simply places the camera in the middle of the action and lets us experience what is going on. No one's opinion about War is going to change: those who favor Americans involvement in Afghanistan will still do so after watching this documentary and those who don't will still feel the same because the directors don't try to manipulate us into thinking the way they do. There aren't any personal opinions about politics or war; it's all about experiencing what these soldiers have to go through every day whether or not they actually understand what they are fighting for. Some of my favorite parts of the documentary were the scenes where the Captain meets with the local villagers and tries to make allies out of them and the Rock Avalanche operation. The Captain really doesn't have a clue of the way the villagers think and goes the wrong way about trying to convince them to help the Americans. The Rock Avalanche Operation was really intense and was the climatic point of the film. I really loved the interviews with the soldiers with the camera closing-up on their faces (The Good, The Bad, and The Ugly style). Restrepo is a really good and memorable documentary that will stay with you for days. It is only 90 minutes long so it is really worth your time.

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