Una serie de terror contemporánea basada en múltiples obras de Edgar Allan Poe.Una serie de terror contemporánea basada en múltiples obras de Edgar Allan Poe.Una serie de terror contemporánea basada en múltiples obras de Edgar Allan Poe.
- Premios
- 4 premios ganados y 27 nominaciones en total
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Opiniones destacadas
Mike Flanagan is clearly a Poe fan. The fall of the house of usher is my favorite Poe story. The 1960 Vincent Price film of that story is one of my favorite movies of all time. I came into this expecting a similar story told longer. That is not what I got.
After the first episode I was actually kind of annoyed because I wasn't getting it. I didn't get how this was the house of usher. I thought it was beautiful and it definitely grabbed my attention but it wasn't what I was expecting to be. And then after a few episodes I realized what was happening. Every episode is a modern retelling of an Edgar Allan Poe story. And then tying each of those stories into the house of usher. It was genius. Some people will catch that by reading the titles of each episode but I honestly didn't pay any attention to that until I was four episodes in. Obviously the episode title does give away what the story in that episode will be but then the creative journey will show us how it ties to our main story.
I think from start to finish this entire project was so well done. The acting is outstanding. Every special effect was marvelous. The sets were beautiful and unique. The writing and the directing are top knots. There are definitely some beautiful and unique shots in this work. I could honestly write a book about how much I loved this. This is something I will watch again and again.
After the first episode I was actually kind of annoyed because I wasn't getting it. I didn't get how this was the house of usher. I thought it was beautiful and it definitely grabbed my attention but it wasn't what I was expecting to be. And then after a few episodes I realized what was happening. Every episode is a modern retelling of an Edgar Allan Poe story. And then tying each of those stories into the house of usher. It was genius. Some people will catch that by reading the titles of each episode but I honestly didn't pay any attention to that until I was four episodes in. Obviously the episode title does give away what the story in that episode will be but then the creative journey will show us how it ties to our main story.
I think from start to finish this entire project was so well done. The acting is outstanding. Every special effect was marvelous. The sets were beautiful and unique. The writing and the directing are top knots. There are definitely some beautiful and unique shots in this work. I could honestly write a book about how much I loved this. This is something I will watch again and again.
In my opinion, polarising creations are always fascinating, and generally I don't think ill of people who happen to dislike what I enjoy very much. I'm not particularly fond of being meta in my reviews either, but I feel that in the case of "The Fall of the House of Usher" something needs to be said on this matter.
I'm not going to question personal taste when it comes to the technical aspects of this show, such as acting, directing, and production value. Personally, I think is an excellent TV series graced by some seriously spectacular money shots (the rave party's abrupt ending comes to mind), but that's just my take.
The hill I'm ready to die on is about whether or not Flanagan did justice to Poe's work, and I'm afraid I won't be very forgiving to whoever says he didn't.
Poe didn't just write Gothic literature, he added heavy personal touches to it that would eventually become genre-defying, and ultimately, the most iconic aspects of his work. If you ask Chat GPT to write like Poe, that's what you'll get.
But whilst extremely picturesque and entertaining - and tempting, from a Production's pov (the costumes, the Victorian gloomy setting, the riddles, it's a guaranteed spectacle) - those elements are the proverbial arabesques on top of something infinitely more substantial.
The deep psychological implications of his work is what makes Poe a genius, and not just a good writer. The man described illnesses and neuro-divergences centuries before there was even a name for them. He delved in universal fears and anxieties that not only have transcended his time, they couldn't be more relevant today: the unhealthy approach toward death, living in an alienating society that has lost its human touch, feeling the constant pressure of uncertainty.
The core of Poe's work is bleak and modern, and Flanagan captured it to perfection with "The Fall of the House of Usher". Above the must-have iconic references, he resisted the easy road of a shallow costume piece, and focused his script to what's underneath instead. I, for once, can't praise him enough for it.
The only reservation I may have with this TV series is about the title's choice, which may have mislead some spectator to believe that this was going to be an adaptation of the eponymous short novel instead of a broad homage to Poe's greatest hits.
Other than that, as a longtime fan of Poe's work, I won't shy from stating that "The Fall of the House of Usher" is storytelling at its best, and nothing short of one of the most quintessential Poe-esque piece of content in existence.
I'm not going to question personal taste when it comes to the technical aspects of this show, such as acting, directing, and production value. Personally, I think is an excellent TV series graced by some seriously spectacular money shots (the rave party's abrupt ending comes to mind), but that's just my take.
The hill I'm ready to die on is about whether or not Flanagan did justice to Poe's work, and I'm afraid I won't be very forgiving to whoever says he didn't.
Poe didn't just write Gothic literature, he added heavy personal touches to it that would eventually become genre-defying, and ultimately, the most iconic aspects of his work. If you ask Chat GPT to write like Poe, that's what you'll get.
But whilst extremely picturesque and entertaining - and tempting, from a Production's pov (the costumes, the Victorian gloomy setting, the riddles, it's a guaranteed spectacle) - those elements are the proverbial arabesques on top of something infinitely more substantial.
The deep psychological implications of his work is what makes Poe a genius, and not just a good writer. The man described illnesses and neuro-divergences centuries before there was even a name for them. He delved in universal fears and anxieties that not only have transcended his time, they couldn't be more relevant today: the unhealthy approach toward death, living in an alienating society that has lost its human touch, feeling the constant pressure of uncertainty.
The core of Poe's work is bleak and modern, and Flanagan captured it to perfection with "The Fall of the House of Usher". Above the must-have iconic references, he resisted the easy road of a shallow costume piece, and focused his script to what's underneath instead. I, for once, can't praise him enough for it.
The only reservation I may have with this TV series is about the title's choice, which may have mislead some spectator to believe that this was going to be an adaptation of the eponymous short novel instead of a broad homage to Poe's greatest hits.
Other than that, as a longtime fan of Poe's work, I won't shy from stating that "The Fall of the House of Usher" is storytelling at its best, and nothing short of one of the most quintessential Poe-esque piece of content in existence.
In the vast realm of storytelling, some tales strike us silent, and this is undoubtedly one of those.
"The Fall of the House of Usher" transports us to a world of opulent elites, drowning in their vices without remorse, willing to sacrifice their own kin for vanity. They believe their wealth can shield them from consequences, but as with all tales, reckoning awaits. This series, a true marvel to my eyes, sparks deep thoughts with its superb direction and unforgettable performances.
Bruce Greenwood, already a talented actor, truly shines in this series, though he's not the only star. The entire cast delivers exceptional performances.
The writing is beyond the usual small screen fare, exquisite and captivating.
I can't definitively say if this is Mike Flanagan's best work, but it's undoubtedly among his finest.
"The Fall of the House of Usher" transports us to a world of opulent elites, drowning in their vices without remorse, willing to sacrifice their own kin for vanity. They believe their wealth can shield them from consequences, but as with all tales, reckoning awaits. This series, a true marvel to my eyes, sparks deep thoughts with its superb direction and unforgettable performances.
Bruce Greenwood, already a talented actor, truly shines in this series, though he's not the only star. The entire cast delivers exceptional performances.
The writing is beyond the usual small screen fare, exquisite and captivating.
I can't definitively say if this is Mike Flanagan's best work, but it's undoubtedly among his finest.
The bulk of the reviews seem to have this polarized Mike Flannagan hate going on. So you can really write off half the reviews. If you havent liked Flannagan's work, why are you people watching it?
What you need to know, is that this is a homage to all of Poe's work. Rating it poorly because it isn't a prevoius remake, seems extremely short sighted.
By now you've read the story is set around the house of Usher. Like many of Flannagan's stories, they are designed to be end to end stories. Which is what I prefer. The Usher house hold is the story of rich people, greed, and overall evil people.
Many people cite the parallels of Succession, and they feel like it's underwhelming by comparison. I, however, do not. I actually don't like Succession. Just like many of HBO's series they are drawn out wwwwaaaayyyy to long. This is not. You get what you get for the 8 episodes.
Mike gets a lot of the actors he continues to work with,and Carla Gugino absolutely kills it in this role. She uses a myriad of accents, and makes the central theme of the series take on a life of it's own.
Many persons point to predictability in the plot, but if you've read The Raven, or any of Poe's other works you'll know how things are going to go down. This is a homage again. Looking for something new and exciting other than story telling and visuals will set you up for disappointment.
What you need to know, is that this is a homage to all of Poe's work. Rating it poorly because it isn't a prevoius remake, seems extremely short sighted.
By now you've read the story is set around the house of Usher. Like many of Flannagan's stories, they are designed to be end to end stories. Which is what I prefer. The Usher house hold is the story of rich people, greed, and overall evil people.
Many people cite the parallels of Succession, and they feel like it's underwhelming by comparison. I, however, do not. I actually don't like Succession. Just like many of HBO's series they are drawn out wwwwaaaayyyy to long. This is not. You get what you get for the 8 episodes.
Mike gets a lot of the actors he continues to work with,and Carla Gugino absolutely kills it in this role. She uses a myriad of accents, and makes the central theme of the series take on a life of it's own.
Many persons point to predictability in the plot, but if you've read The Raven, or any of Poe's other works you'll know how things are going to go down. This is a homage again. Looking for something new and exciting other than story telling and visuals will set you up for disappointment.
I enjoyed pretty much everything about this series. The creative way the Poe stories were integrated to each episode and then tied all together with one big Usher bow. Just great.
However, the standout for me was Bruce Greenwood's performance. He, to me, really rose above the rest. I think it lies within the fact that he played against what we normally see from him: strong, stoic, often aloof characters. Seeing him as a sometimes pathetic soul: crying, crawling on the ground in terror, etc. Was fresh, unexpected and played perfectly (In my not so humble opinion). This will be a Halloween season classic for me from now on. Loved it.
However, the standout for me was Bruce Greenwood's performance. He, to me, really rose above the rest. I think it lies within the fact that he played against what we normally see from him: strong, stoic, often aloof characters. Seeing him as a sometimes pathetic soul: crying, crawling on the ground in terror, etc. Was fresh, unexpected and played perfectly (In my not so humble opinion). This will be a Halloween season classic for me from now on. Loved it.
¿Sabías que…?
- TriviaThe lawyer, Arthur Pym, is a reference to the only full length 1838 novel by E. A. Poe: The Narrative of Arthur Gordon Pym of Nantucket, in which Pym travels the oceans and lives through shipwreck, mutiny, and cannibals. Clever wordplay was used at one point when Arthur mentions that he'll be "having Richard Parker for dinner," directly referencing a character in the story.
- ErroresIn nearly every episode there are multiple scenes showing that Zach Gilford, who plays the 70's - 80's era Roderick Usher, is right handed and Bruce Greenwood, who play current day Roderick Usher, is left handed.
- ConexionesFeatured in WatchMojo: Top 10 2023 TV Shows You Need to Binge (2023)
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