El monje y el rifle

The King abdicates his throne, and the election officials usher the clueless community members of the village of Ura into the age of democracy with a mock election. The story unravels with a family caught up in the new shift, a monk in search of a gun for his Master before the full moon, and an American antique gun collector with his young guide.

The movie features a wide array of Bhutanese artists, talents, and creative individuals on various levels and capacities along with the finest production a Bhutanese movie has ever seen. The cast includes seasoned Bhutanese actors, new faces, and local individuals who are either playing the characters they are or have transformed into a completely different characters. With Bhutanese music in the background, the beautiful valley of Ura, a number of cameos from unexpected stars, and centered around Bhutan's innocent ignorance of the past, we learn so much about Bhutan.

This lovely film depicts Bhutans transition to democracy through portrayals of villagers living peacefully in the remote hills within a humorous story of a visiting American trying to do a business deal with people for whom money is all but meaningless. Gorgeous scenery and terrific performances from a mainly unprofessional cast of locals.the director captures his love of his native country, the only one with a Gross Happiness Index. He greatly respects the simplicity of the villagers life while showing that democracy isn't a given, it must be taught and given meaning to a country whose life under a revered King has been at peace and harmony for centuries.

From the director of Lunana, The Monk & the Gun is gentle in its approach, skilful in its execution and sharp in its political satire. An arresting & amusing comedy-drama that attempts to capture the upheaval in the unassuming ways of Bhutanese life as the nation prepared to transition from monarchy to democracy, the film creates scenes of confusion & hilarity without much effort, and offers an interesting outsider perspective to the country's culture & way of life. Simple, sincere & splendidly photographed, Pawo Choyning Dorji's sophomore feature exhibits more confidence in his direction and beautifully underlines the fragility of democracy through its earnest storytelling.

I went and watched the film in the cinema, and I honestly believe that the film is amazing. With gorgeous scenery, a great story, relatable characters, and amazing acting by the cast, the movie is a true treat that has to be seen in the theatre. The one feature that stands above all is the cinematography by the director.

The cinematography is simply peak cinema, with not a single wasted movement; the movie does it's role of keeping the audience in their seats very well. The cast is distributed throughout the story without too much focus on one character (why do it when the story is of this caliber); something that we do not see in many films today.

The characters are well fleshed out, and the symbolism is quite interesting (although I don't think I got 100% of the allusions). The satire and comedic beats do not miss - again without over exaggeration - the comedy is well timed, generating a response from me and the other viewers at the cinema.

The best thing about the movie is the cinematography, and to see how well-directed it is, an experience at the cinema is not one to miss.

It is a call to make things right before it's too late. I have the potential to set my values and principles right. We have the potential to set our community and country right. Together we can set the course of humanity right.

It was Pawo's way of performing Pacham (dance of heroes) with a modern and powerful tool of filmmaking to enlighten individuals and bring peace to the world, which makes it so transformative and enlightening to watch & experience. It is equally entertaining.

The film captured the real essence of Buddhist principles, the vision of Bhutan, and the richness of Bhutanese culture. A must-watch film to receive the gift of innocence in times of ignorance.