Mukundan Unni Associates

Mukundan unni associates gives a very nightcrawler vibes, but pitches the characters brutality to next level.

A character with no emotional change or arc is something i really enjoy. The movie tries to establish this character who tries to go to any extent for success and Vineeth Sreenivasan plays the character amazingly. The basic theme of the movie is that there are only two types of people in the world, "one who exploits and the one who is exploited". The movie establishes this theme nicely. The extensive use of voiceovers is something new and not used much in Malayalam cinema, but they uses it consistently to work amazing black humor and it also connects the audience much more to the characters psyche.

After a point i never felt rooting for Vineeth Sreenivasan's character as they stretched his brutality a bit too much but did not create enough empathy towards the character to support that.

A nice and different movie.

Insight into the actions and inner monologues of a cold-blooded psychopath. (This is a genre which is not really explored in Indian Cinema, at least not as an attribute of the lead).

The strong point of the movie is the editing, direction and acting (especially Vineeth).

Mukundan Unni as the opening says is not Grey, but Black ! He is a true pyschopath - unapologetic, unremorseful, coldblooded killer. He is true wolf, not a Hyena in sheeps cloth !

The movie proceeds in an almost thriller manner and really just shines light on the characters without really taking any real moral stands.

Deserves a watch.

Imagine a movie featuring Sreenivasan's ultra-despicable character "Viswanathan" from "Mukunthetta Sumitra Vilikkunnu (1988)" as the main protagonist? That is exactly the wacky idea with which editor turned director Abhinav Sundar Nayak has conceived the immensely enjoyable black comedy "Mukundan Unni Associates" that throws caution to the wind and delivers a laugh riot sans any moral sermons or lessons about karma.

Vineeth Sreenivasan stars as a Machiavellian lawyer who stars venturing into ambulance chasing on realizing that conventional methods will not give him the success that he so craves. Standing in his way is veteran ambulance chaser Advocate Venu (a superb Suraj Venjaramoodu) and a host of other roadblocks which he looks to circumvent in typically diabolical ways. The way the director uses fourth-wall breaking and inner monologues to take the narrative forward is nothing short of genius and it is through this that he delivers most of the zany comedy in the film.

The casting is spot on throughout the film, with even minor characters playing their part to perfection, especially Tanvi Ram, George Kora, Sudhi Koppa and a fine Arsha Chandini Baiju, who had earlier caught the eye in the Karikku web series "Average Ambili". The writing from the director himself and co-writer Vimal Gopalakrishnan never let the tension and humor let up, carrying both forward with equal aplomb and even manage deliver some jarring surprises just when we think the film's climax is starting to meander along expected lines.

Just when Basil Joseph was starting to stake a claim for the title of this generation's "Sreenivasan" with his immense performance in "Jaya Jaya Jaya Jaya Hey", Vineeth Sreenivasan produces the goods in "Mukundan Unni Associates", turning in a performance his dad would have been proud of. This is the fourth-wall breaking meta dark comedy that we didn't know we deserved and is, needless to say, highly recommended!

I never imagined Vineeth Sreenivasan surprising me the way he did with his sublime portrayal of an anti-hero in this film. The role of Adv. Mukundan Unni is undoubtedly his career-best thus far. Writer-director Abhinav Sunder Nayak carefully builds up the sadistic, cynical character of Mukundan Unni who goes to any extent to achieve his idea of success. It's the kind of role Jake Gyllenhaal did in Dan Gilroy's Nightcrawler - just a different breed of "bad guy". The screenplay (by Vimal Gopalakrishnan and the director himself) is razor-sharp in its details, and there isn't a single scene that doesn't add to the plot or character development. The darkly humorous approach works wonders here, making us absolutely invested in the sociopathic side of Mukundan Unni and his dramatic rise to prosperity.

Not only does the film prove to be a scathing look at cynicism, but it also gives you an insider look into the bizarre handling of accident cases. Every character taking up screenspace (incl. A snake) is relevant to the plot, and ones that leave a mark include an excellent-as-usual Suraj Venjaramoodu, a confident Arsha Baiju, a beautifully vulnerable Tanvi Ram, and the ever-dependable Sudhi Koppa. One can't help but laud the effective use of background score (by Sibi Mathew Alex, especially that foot-tapping beat), the articulate voice-overs, the insertion of animated sequences to help elaborate certain points, the changing aspect ratio, and the way the makers subtly mock the "thank you" card at the very beginning. This is one of the finest black comedies I've seen in recent times, and you'll connect to its proceedings better if you're an unprejudiced viewer that doesn't seek message-driven, always-positive cinema.

Rating - A solid 8.7/10

I have to say that this movie is underrated in a sense that it hasn't created much of a buzz. Mukundan Unni Associates (2022) has been perfectly casted and the acting from every single one of them is just perfect. I like how the maker's have tried something new by introducing a character like Adv. Mukandan Unni. The greedy, super smart and apathetic Mukundan Unni is so well presented by Vineeth Sreenivasan.

Overall - Yes, the movie feels like Mukundan Unni is very lucky and that he gets away with whatever he does. But the the dark comedy, the character depth, the acting and everything combined with a solid script and direction makes up for that. This is a great movie and is easily one of the best of 2022.

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