Another Earth

Hammer your expectations down through the rocks. Here, let me help you. There's 1000's of fellow IMDb'ers who thought the movie sucked horribly. A lot of suckage. It's not that great. It's not sci-fi. If you're thinking of another movie to compare this to, no matter what you pick, this one'll fall terribly short.

To the facts, Brit co-wrote the movie, she's gorgeous. I probably would've given up half-way if it wasn't for the mysteriousness she portrays. That face, gawd! Made on a shoestring budget. Heck, Brit had to do her co-star's make-up in between shots. This is a movie made with passion, and a lot of faith that they'd done good stuff.

Well, let me sorta paint my experience watching 'Another Earth'. Glued to my seat, for an hour and a half, almost as if this was a thriller? I'm serious. Captivated by the gorgeous shots of 'earth 2'. Waiting for the little streams of info being released ever so stringently -- the announcement on the radio as they discover earth 2, and a whole bunch more. I've already mentioned how captivating Brit is.

What? No Sci-fi? There's definitely food for the sci-fi enthusiast. The premise comes from a mixture of new-age string theory of the multiverse kind. The ending'll have you wondering about Einsteinian space-time implications.

The core of the movie is largely philosophical. Forgiveness. Rebirth. etc. Kept me struggling throughout with my emotions about the main character. Past the acting. How much forgiveness can the viewer unleash? And is it justified?

Chill out, leave your expectations at the door. You may not like it. It's slow. It demands your attention, so keep away from the caffeine. You might not feel the same way about Brit though. She's gorgeous. She really is. It's just a well-made passion-filled indie-flick. It's got some gorgeous imagery. The atmosphere, constantly thick, with color and emotion. This review's gone on way too long. Indie flick of the year? Gets my vote. Who cares?

Oh BTW, its possible your friends'll hate you for recommending this. Especially if they're the kind that finds it hard to appreciate photography, artsy stuff maybe, and don't have much patience, you know, generally. So there ya go, one final reason for you to dig this flick. The fact that you like it -- yeah it'll be one of those things you look back on and say 'Hey, I really am different. I appreciate interesting deep stuff. I'm like an artist, philosopher, or something. neat!'. Holy hell. What? Is that really why I...

I went to the cinema on the spur of the moment, I had a couple of hours to kill. I scanned the billboard for anything that might seem vaguely interesting - "Another Earth" sounded science fiction-y so I bought my ticket and went in.

It's important I explain this for two reasons: first because I saw this movie "tabula rasa", having not seen trailers, read reviews or having any idea what it was about. Secondly it became evident from the bad- tempered muttering in the back I wasn't the only one to have done this.

At first I struggled with the concept, but I kept an open mind and a very different movie to the one I thought I would see developed, and was actually quite well done. After about 20 minutes I was ready to get up and leave, but giving it time paid back dividends, by the last half-hour I had become too involved to consider leaving.

The story is a slow burner that grips you incrementally, and while the occasionally grainy or out of focus shots give you the strong impression this was made on a shoestring, that is no reason to hold anything against it. Having seen the high budget yawn-fest "Transformers" I can actually say that given the current state of big budget science fiction this is a refreshing, if a bit left-field approach to the genre.

Evidently my companion viewers in the cinema, a small group of guys, were not getting as much out of the deeply troubled love story that forms the basis of the plot, and they made their discontent very audible to my irritation.

In brief, not a film for everyone, but if you're in the mood for an introspective slow-burner and you've got the patience for it, this film will prove a rewarding experience

I am a psychiatrist and psychotherapist who can tell a hawk from a handsaw, and there is a wonderful handsaw in this movie. So, I feel qualified to tell you it is safe to see this movie as it is, without worrying about details like gravity. Do not allow unimaginative naysayers to keep you from enjoying this gem. I mean, we all can enjoy vampire and zombie movies, right? Is any movie any better than "Let the Right One In"? I saw this movie last night in Brookline Mass at a Q&A preview, with director, writers, and an actor -- all combined in two lovely people. No one in our sophisticated audience that included a CETI scientist cared enough about the "laws of physics" problems to mention them in the question period. All we cared about were the endearing characters, the music both acoustic and visual, the plot developments, the shocking climaxes, the compelling emotional plausibility.

The movie is not about anything as terrestrial as gravity. In the world of this movie, something has happened to upset some kind of cosmic symmetry, and the other earth has appeared from a parallel universe. I do wish some character or other had dispelled the physics with "I don't know why our orbits are not affected". But, the metaphor works as a way to discuss looking at oneself. It really does not matter. The acting is perfect, the camera-work perfectly beautiful, the plot deeply affecting with wonderful surprises.

Mike Cahill's film "Another Earth" is less a sci-fi spectacle and more a deeply introspective drama, exploring profound questions about identity, forgiveness, and the possibility of second chances. While the backdrop of a parallel Earth adds intrigue, the heart of the movie lies in the human story of Rhoda Williams, portrayed with haunting sincerity by Brit Marling.

The narrative kicks off with a devastating tragedy. Rhoda, a brilliant young woman accepted into MIT's astrophysics program, drives drunk after a celebration and causes a fatal accident, killing a mother and a child and leaving the father, John Burroughs, in a coma. This event derails her promising future, plunging her into a life of guilt and isolation. Years later, in an attempt to seek atonement, she approaches Burroughs under the guise of offering cleaning services, unaware that her actions will intertwine their lives in ways neither could anticipate.

The central dynamic between Rhoda and John (played by William Mapother) is emotionally charged, as their relationship slowly evolves from a hesitant connection to something deeper. However, Rhoda's hidden guilt creates a poignant tension, underscoring the fragility of their bond. This intimate drama is what drives the film, making it a compelling character study.

The sci-fi element, represented by the discovery of Earth 2-a parallel planet that might house alternate versions of its inhabitants-serves more as a metaphor than a plot device. It symbolizes the potential for a new beginning, a chance to confront our past and imagine lives free of regret. However, the movie wisely avoids delving into the mechanics of this parallel world, focusing instead on the emotional resonance it holds for its characters.

Visually, "Another Earth" embraces the aesthetics of independent cinema with a modest budget. While the handheld camera work occasionally detracts from the reflective tone, it also adds a raw, unpolished feel that matches the emotional states of the characters. A more polished approach might have enhanced its meditative quality.

For those of us expecting a traditional science fiction experience, "Another Earth" might be disappointing, as it turns out to be a deliberately paced indie drama, which might seem slow or even monotonous.

Wow. This is one of those thought-provoking films that will stay with you long after it's over.

It was impeccably co-written by Brit Marling - who's also the lead, and co-written and decently directed by Mike Cahill, in his first full length feature film. The fact a new filmmaker took this vision and gave us this beautiful independent little gem - on a 100k budget, is incredible. This is better than some films I've seen lately put together by seasoned filmmakers.

It's not your typical sci-fi, but it will spark the brain and move your soul. It's a muted story of atonement and forgiveness, in a quietly moving parable of redemption from the choices we make. The ending was perfection, as it answers that question you'll have, and leaves something extra for the imagination. The cinematography was excellent, and the score absolutely fitting and amazing. Casting and performances were spot on.

My only issue was Cahill's annoying and pointless fast zoom-ins, and the unnecessarily slow pacing, that made the normally pleasant 92 min runtime feel much longer. But nevertheless, for a new filmmaker on a limited independent budget, this was a gem to watch. It's a well deserving 8/10 from me.