Gravity

I'd like to think that if I were a TV exec, I would create a subgenre of TV, and call it something like 'indie TV'. There's TV comedies, TV dramas...but no genre to underscore the offbeat vibe of indie film. Sometimes I wonder, if there was such a thing, would the quirkier or more cerebral shows gain the traction they deserve?

Anyway, if 'indie TV' was a genre, "Gravity" would certainly qualify. Alas, it also places on my list of "Shows Canceled Too Soon/Unexpectedly". This rates among "Wonderfalls", "Pushing Daisies" or "Dead Like Me", though definitely lower on the quality side. If you liked these, if you don't mind cynical characters or unconventional- sometimes-outrageous humor; this show just might be for you. The best I can say about the tone of "Gravity" is that it doesn't really have a genre, which is why I think 'indie' is a perfect match for it. Not only are the characters struggling with labels (being suicidal in the past, maybe still, maybe not anymore,) the show struggles to define itself as one thing. Such is life, which is basically why I love the indie vibe so much. "Gravity" is not straight comedy, but it's not exactly grim enough to be a drama - yet, weird as it is - something about this show works. The character of Jorge is my least-favorite (he's just too outrageous for me to like); but Ivan Sergei's character, along with the character of Lily (Krysten Ritter, in one of her first roles) makes "Gravity" just fascinating enough...and Miller? Well, who knows what's up with that guy...too many questions surround him.

I will say that if nothing else - if you do check this one out and you watch it all the way through...prepare to do a double-take toward the end of the last episode.

I thought this was a great show about a band of no longer suicidal misfits. I love that broken people can fix themselves and find ways to fit with others who also feel out of place in this world.

It took me a second to get used to the way it's shot but something about it adds to the feeling that you're peeking into a part of people's lives that you're not supposed to see. There are definitely absurdest topics and jokes (see all sex scenes with the character Jorge and many of Miller's lines) but it just added another thing to look forward to in each new episode.

I'm probably biased because I identify with a lot of the sentiments on the show and the dark parts that it explored are rarely brought to life.

I am so p!ssed that it is now gone and there is another show that leaves me with lifelong questions as to the fate of beloved characters. Damn you Starz! Can we at least get a mini series or 2 hour wrap up or something?

From the first episode onward, this series got my attention. It's original, deals with a powerful subject (suicide), has excellent characters, and the comedy is hysterical in places you'd least expect. This series held nothing back, it covered sex, obsession, death, inward thoughts, depression, jokes, conflicts and a cop (one of the directors), who you'd probably think is on meth the entire time. The finale, while having not a large audience, left a major cliff hanger to a mystery that was throughout the 10 episodes: Who the heck is that cop, anyways?

There are not that many people that watch shows like these with the assumption that "bird poop" is a sign of a bad series, but these people usually tend to stick with pathetic, uneducated, unoriginal TV shows like Honey boo-boo.

i've just finished the season and sad to find it didn't had a 2nd- what the hell happened??? i found it to b weird, funny and a really good drama (that Miller is a piece of work)the actors are good and the story lines r interesting...its a nice insight to life after,

i don't wanna give away any of the show but along the episodes u find each of the character's suicide story while discovering new things on Miller - i think he is the weirdest-craziest-scary and even touching character... Krysten Ritter proves she's great.

i think i'll look up now why is this been cancelled;

anyway even tough it is brutally cut at the end - u should see it :)

We're mid way through the first season of Gravity and not surprisingly comments are very diverse. I say it is not surprising because Gravity is a subtle, cognitive, emotional and non-formulaic show which can take some time to get a handle on, but once you do it's a deep-cool trip well worth your while, but you must stay with it like with any relationship of substance that grows at almost imperceptible intervals until its virtues appear in gratifying surprises.

Take the main theme of the show: suicide. Who hasn't contemplated checking out of this dimension from time to time, at least when at the motor vehicle department or more importantly when in a hellish place within our own interior? These are dark, scary places, but it's very cathartic and important to look under the rocks of despair and confront the rawest and most tormented areas of life where the full gamut of emotions and thoughts run wildly, often on a collision course with mortality itself.

For those still on the fence, perhaps some of your angst comes from the non-formulaic nature of the show. There's no shame in admitting that we expect railings and handles in certain places, especially when shambling along in the dim light of a new series that dodges convention at many turns. It takes a while for any show to get traction, but with a little faith there is no doubt in my mind that Gravity will take you on an interesting and fun journey. I know this because Jill Franklyn, the creator, whom I consider a sort of nouveau female incarnate of Woody Allen, is not going to let this thing ever get hum drum. No, no. She has just begun laying down her roller coaster track, not to physically flail you about, but to cavort your heart and mind subtly. And you need to watch carefully to stay on the ride, one that Starz will hopefully allow to continue on its wonderful course.