Brother

Withdrawn, and a bit timid and unsure. Their mother (Marsha Stephanie Blake), a Jamaican immigrant, works long hours to support the boys, so Pierre becomes a de facto guardian for Johnson.

Flashing forward 10 years, we learn that Pierre has died and Blake has been nearly catatonic with grief for a decade. When Johnson's ex-girlfriend Kiana Madeira comes to visit, she initiates a chain of events that breaches the cocoon of grief that Johnson and Blake are living in.

This film is really beautifully shot, creating a really vivid sense of place, and it's wonderfully acted by the three leads. It alternates between the two timelines, showing how Pierre's restless ambition (he's involved with the nascent Toronto hip hop scene) and refusal to be anything less than a person with dignity sends him on a tragic spiral, and how the aftermath of this tragedy impacts his family a decade later.

It's got a few issues. It's really deliberate pace slows down a bit too much in the last half hour, and since we sort of see everything from Johnson's perspective, it has trouble making his motives as clear as everyone else's. Still, it's a powerful story well told and acted, and a really vivid depiction of the Toronto Caribbean community.

Wow. I grew up in Scarborough during that era. Same type of thing. My sister and we're children Jamaican immigrant parents. We lived in several buildings. Super rough areas. It brought back so many memories. We saw a lot of violence. Had a lot of amazing friends in the same situation as me. We all became so close back then. Still are today. I miss the music. They really did the era Justice. The acting was excellent. Story was very believable. I find that hardship can make people's bond in a a way little else does. I wish there were more movies around this time about the way we grew up. Kudos to the actors, director, writer!

I was really excited about this film as I too am an immigrant that grew up in the Toronto suburbs, on the west side, in Mississauga, but the feel and reality of living in the apartment blocks reminded me of my own experiences in such neighborhoods.

The toil, taking multiple buses each and every day to make it on time to sub par underpaid minimum wage job. Working long hours and overtime to get that 1.5x bump... I could totally understand the predicament this family found themselves in and the sacrifices they made to keep their heads above water.

That said, being polish racial profiling was not an extra burden that we had to carry. Still it was easy to feel out of place around those that had big houses multiple cars and seemingly little hardship in comparison...

Luckily, with two working parents doing overtime to the max, we were able to buy a semi-detached house in the burbs. When I turned 16, I could drive the parents car and the old life felt like a bad nightmare.

I remember for 5 years after moving to our new house, in the burbs these recuring dreams of waking up in the old apartment, carpets in the hallway that needed to be changed last decade, garbage chute smelling foul as you got close to it, the stairways reeking of urine you wake up in a cold sweat being glad it was only a nightmare.

Could it have been different with only 1 parent and police profiling, you bet!

It follows a Canadian-Jamaican family in Scarborough, Ontario, over 20 years from 1981 to 2001.

Ruth (Marsha Stephanie Blake) is a Jamaican immigrant to Toronto, Canada. She has two sons--Francis (Jacob Williams/Aaron Pierre) and Michael (David Odion/Sabastian Nigel Singh/Lamar Johnson). Francis is older than Michael by a couple of years and is protective of his family in the father's absence. By his late teens, Francis is a large, physically intimidating man who acts with confidence but has some questionable friends. Michael is smaller, darker, less self-confident, and more studious in school. In high school, Michael is attracted to Aisha (Delia Lisette Chambers/Kiana Madeira), a Canadian-Jamaican neighbor whose father came from the same area of Jamaica as Ruth.

The story jumps back and forth between 1981, 1991, when a tragic event occurs, and 2001 when Michael is trying to hold things together. We see the bleakness of many Caribbean immigrant lives, the aura of violence that is never far away, and the problematic relationship with a lily-white 1991 Scarborough police force.

"Brother" is the story of family love persisting through trauma, shattered dreams of a hopeful Jamaican musician, and territorial conflicts between gangs of similar backgrounds, with a final glimmer of resolution at the end. "Brother" was a hard movie to watch because of its ring of truth and many dark scenes. The chemistry between Blake, Pierre, and Johnson was excellent. Madeira was also good. My biggest complaint was that I found the rapid jumping back and forth in time sometimes confusing. And I wonder if the metaphor of hydro-tower-climbing interspersed throughout the film really worked. Nonetheless, "Brother" is one of the better Canadian movies I've recently seen.

Oh goodie, yet another movie that entirely defines black people by the trauma heaped upon them.

"Brother" has some good things going for it, notably a couple of the performances and a strong directorial vision. But it's too funereally paced and it's just so eager to wallow in everything that's depressing about the black experience and nothing that's joyful about it. It also feels behind the times -- the police brutality that plays a key role in this film has been explored a million times already in countless other ways. It's not that it isn't still relevant and urgent, it's just that this movie doesn't say anything about it that hasn't already been said by better movies.

And the LGBTQ storyline that came out of nowhere and is never commented on felt shoehorned into the film just to tick off another diversity box. It made no sense that it would be such a non-issue in the context of this film or in the world these young men live in.

Grade: B-