Maldoror

Fabrice du Welz's "Maldoror" is a brutal and unflinching dive into a world of moral decay. The film is a visceral and punishing experience. A relentless sense of dread and a suffocatingly grim atmosphere propel the narrative forward. Du Welz masterfully creates a claustrophobic and unsettling environment.

This is not a conventional horror or thriller. Instead, "Maldoror" functions as a psychological endurance test. It explores the darkest aspects of human nature with a cold, direct gaze. At 155 minutes, the film can feel long. However, its unflinching look at systemic issues and moral ambiguity is compelling. The film avoids simple answers. It meditates on how broken systems can push people toward questionable choices.

Is It Worth Watching? Yes, but with a strong warning. This film is a powerful and disturbing work of art. It is a skillfully crafted thriller for viewers who appreciate challenging, morally complex crime dramas. The heavy subject matter and extreme content demand emotional resilience. It is definitely not for the faint of heart.

Another film that I have to recommend. Saw it yesterday. The film is based on real events. A very exciting film that lasts throughout the entire film. Very well-acted film by the entire ensemble and a wonderful reunion of actress Beatrice Dalle. Who dares to forget the film Betty Blue 37.2 sur le matin? Absolutely not me anyway. The film takes us through a police case that eluded Belgium for a time and the cooperation between different police districts that was not the best. The film is exciting throughout and very intense tension in some parts. Very worth seeing if you like this kind of films.

From Belgium comes the new film by one of Europe's most exciting directors today. Fabrice Du Welz recounts one of the crimes that shocked all of Belgium in the 1990s. Based on the brutal murders, rapes, and kidnappings of Marc Dutroux.

The director brings a truly cruel tale to the screen, but intensifies it with a personal look at a young police officer, whose personal story he takes the time to fully present in order to understand his direction throughout the investigation. By making this decision, the director delivers an excessively long film that, despite its 155 minutes, doesn't become tedious, but does feel somewhat redundant in certain areas.

It relies on its cast, who are fully committed, especially Anthony Bajon, who intensely takes hold of his character and demonstrates his talent for delivering raw moments with just a glance. An actor who is quite dedicated in his performances, he makes the most of it here. Along with Sergi López as the cruel man of the show, in a performance worthy of one of Spain's most chameleon-like actors, Alba Gaïa Bellugi, the iconic Béatrice Dalle, and Laurent Lucas also stand out.

Fabrice Du Welz's work is daring, but not explosive. While incisive at times, it doesn't emphasize cruelty to intensify the evil hidden throughout the story. Its director chooses, with mere glances and silences, to make us part of the cruelty hidden by a ruthless and inhuman killer. The mounting tension, the moral dilemmas that cross the line, and the personal consequences address a first-class drama in a solid film that grips you, envelops you, and slaps you in the face in equal measure at every moment.

A great film worth seeing, understanding, comprehension, analysis, and reflection on. A crime that still moves a Belgian society that's learning from its own mistakes, and the film emphasizes the things that went wrong with a bit more dramatization, but ultimately with a touch of reality. A more than interesting filmmaker who positions himself as truly passionate about bringing us closer to human cruelty.

I grew up in Charleroi, along with this story and for a long time, it left me with a sense of disgust.

This film, however, is a fiction 'inspired by the reak events, not a documentary. I appreciated the creative liberties taken with the real story as well as the beautiful depiction of the setting.

Watching it made me realize just how photogenic my childhood city is and how warm ans vibrant its people are.

As for the negative reviews, they likely come from people who lack an understanding of cinematic art or the complexities of this period in our lives.

Maldoror succeeds in capturing both the soul of the city and the emotional depth of its story.

So we watched it in French with Nederlands subtitles. I don't understand french and clearly my nederlands is not good enough on these subjects.

I also don't know much of the pedophiles and the police system in Belgium that happened in the 90s.

Is it good film? Not for me.

What it looked like was a film that followed some kind of police officer that was on the case for missing children.

He looks young and shows a good memory when he recalled 21 number plates after an incident with the other police department.

Although he is rather emotional and loses his temper a lot.

All the characters look rather incompetent.

Just hard to follow for me.

I won't add any more to not spoil it for you.