Bedways

2010
Unrated
1h 16min

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En un miserable apartamento de Berlín, un director poco convencional se esfuerza por capturar los sentimientos puros, la pasión cruda y el sexo sin diluir para un proyecto cinematográfico ex... Leer todoEn un miserable apartamento de Berlín, un director poco convencional se esfuerza por capturar los sentimientos puros, la pasión cruda y el sexo sin diluir para un proyecto cinematográfico experimental sobre el amor.En un miserable apartamento de Berlín, un director poco convencional se esfuerza por capturar los sentimientos puros, la pasión cruda y el sexo sin diluir para un proyecto cinematográfico experimental sobre el amor.

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4.1/10

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Trivia
All the sex scenes in this movie weren't simulated. Director RP Kahl talked about the casting: "I wanted actors who hadn't done much before, because otherwise the explicit scenes would automatically be associated with the familiar face. In the end, we had an open casting call and a few calls on the Internet. Such things don't really exist anymore. We also made it clear right away what the special features of the project would be, and that filtered things out again. And if you then look for people who can really play well, who are interesting as personalities and who dare to do something like that, then in the end there aren't so many left. Surprisingly, I was spoiled for choice with the women, but there weren't too many men besides Matthias. But it was actually not difficult to find someone."

Citas
Marie Traunstein: So it's all about sex?
Nina Bader: No... Yes, some of it.
Marie Traunstein: A porno movie?
Nina Bader: Nonsense.

Conexiones
Remade as Rehearsals (2012)

Bandas sonoras
Spyral
Performed by Hong Dong Music
Musik: Matz Müller

Opiniones de usuarios10

Opinión destacada

5/10

And on the seventh day?

Nina wants to make a film about sex. She has no DP (director of photography), has a rented camera, and a male role. There is no script, little budget, and she only has a concept of what she wants to do. She auditions a female role, and there is a discussion of what names they are to use. The film is broken down into days, with each day being a progression in the script. They settle on Hans and Marie. Each day gets deeper into the film, but it seems clear Nina still does not have an idea of how she wants the film to develop. Some of what happens between Hans and Marie may or may not be part of the script. For instance, Hans is a chain smoker, and Marie mentions he stinks of smoke, and she starts to dislike him. But is that part of the intended tension in the film?