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TU CALIFICACIÓN
Adaptación del cortometraje de animación entrevistando a un molusco llamado Marcel.Adaptación del cortometraje de animación entrevistando a un molusco llamado Marcel.Adaptación del cortometraje de animación entrevistando a un molusco llamado Marcel.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 38 premios ganados y 67 nominaciones en total
Jenny Slate
- Marcel
- (voz)
Sarah Thyre
- Catherine
- (voz)
Andy Richter
- Mario
- (voz)
Nathan Fielder
- Justin
- (voz)
Jessi Klein
- Judy
- (voz)
Opiniones destacadas
Marcel the Shell with Shoes On is remarkably somber for a film so cute; it is a film about small adorable characters and animated inanimate objects spawned from the idea that (to quote the director) "if an object is neglected long enough, it develops a spirit of its own".
Based on Jenny Slate's and Dean Fleischer Camp's beloved web series about a tiny shell with a big heart and even bigger shoes (the popularity of which is acknowledged by the characters/"interviewees" in this film), it's a stop-motion/live-action mockumentary that is sure to make you cry tears of sadness and even more certain to inspire tears of "MY GOD, THIS IS SO PURE AND PRECIOUS". Something to that effect.
Some of you might worry that the film is merely cutesy (which is different than being genuinely cute). But the picture is actually rather interesting on a technical level.
I'd love to see a featurette on just how much of the stop-motion animation is truly stop-motion, and how they made said animations interact so seamlessly with the live-action footage (which is filmed to make the world that surrounds Marcel seem a large and confusing one indeed). Another noteworthy behind-the-scenes detail -- that might have influenced the themes and tone of the film in some way -- is the fact that, whereas Fleischer-Camp and Slate were married when they created the original web series together, they worked on the movie as exes.
Last but not least: like all great things, Marcel the Shell with Shoes On also contains an appearance by Nathan Fielder. Why are you still here?
Based on Jenny Slate's and Dean Fleischer Camp's beloved web series about a tiny shell with a big heart and even bigger shoes (the popularity of which is acknowledged by the characters/"interviewees" in this film), it's a stop-motion/live-action mockumentary that is sure to make you cry tears of sadness and even more certain to inspire tears of "MY GOD, THIS IS SO PURE AND PRECIOUS". Something to that effect.
Some of you might worry that the film is merely cutesy (which is different than being genuinely cute). But the picture is actually rather interesting on a technical level.
I'd love to see a featurette on just how much of the stop-motion animation is truly stop-motion, and how they made said animations interact so seamlessly with the live-action footage (which is filmed to make the world that surrounds Marcel seem a large and confusing one indeed). Another noteworthy behind-the-scenes detail -- that might have influenced the themes and tone of the film in some way -- is the fact that, whereas Fleischer-Camp and Slate were married when they created the original web series together, they worked on the movie as exes.
Last but not least: like all great things, Marcel the Shell with Shoes On also contains an appearance by Nathan Fielder. Why are you still here?
Greetings again from the darkness. For proof that social media and the internet can be used for good, I offer as evidence this film from writer-director Dean Fleisher-Camp and co-writers Elizabeth Holm, Nick Paley, and Jenny Slate. The first 'Marcel' short film hit the internet in 2010 and was such a hit that there were two follow-up short films and a best-selling picture book. Now expanded to a feature length film of 90 minutes, the innovative and curious premise holds up due to the fully-formed character of a precious one-googly-eyed mollusk shell wearing ... yes ... shoes.
Why do we connect with Marcel? Well, the instantly recognized voice created by Jenny Slate plays a huge part. There is a welcoming innocence in the wispy tone, and when combined with the exceptional writing, the result is a relatable character full of warmth and wit, and pain and humor. Marcel is naïve, yet persistent. He's someone we like and pull for. The story is told via faux-documentary as a filmmaker (played by director Fleisher-Camp) stays in the Airbnb where Marcel lives with his aging grandmother Connie (voiced by Isabella Rossellini). During interviews, we learn that Marcel longs for his family and community that was disrupted when the home's original owners broke up and moved out. Since then, Marcel has looked after his grandmother and helped her tend the garden. They have been quite creative in their use of household resources, including a tennis ball for transportation.
The filmmaker posts the interviews online and soon Marcel has a huge following, giving him hope that his family can be tracked down. This leads to a terrific "60 Minutes" segment with journalist Leslie Stahl. The best description I can offer of Marcel is adorable - not a word I use very often. Marcel forces us to view the world through a child's eye, but it's important to note, that while young children may find Marcel cute, the dialogue, wit, and life issues covered will be way over their heads (though not offensive in the least). Young kids (under 10) should probably stick to the shorts. The sad and painful context is balanced by sweetness and optimism. Marcel's story inspires us to embrace all stages of life with an open heart and mind - dealing with grief and sadness, while coming out the other side with spirit intact.
A24 specializes in distributing innovative and creative movies, and this certainly qualifies. It's not really a mockumentary because it's not mocking anything. The stop-motion approach in documentary style may initially seem like whimsy, but we quickly realize it's more substantive. Individual strength and the power of community are on full display, and somehow Marcel the Shell teaches us ... while wearing shoes.
Opens in theaters on July 8, 2022.
Why do we connect with Marcel? Well, the instantly recognized voice created by Jenny Slate plays a huge part. There is a welcoming innocence in the wispy tone, and when combined with the exceptional writing, the result is a relatable character full of warmth and wit, and pain and humor. Marcel is naïve, yet persistent. He's someone we like and pull for. The story is told via faux-documentary as a filmmaker (played by director Fleisher-Camp) stays in the Airbnb where Marcel lives with his aging grandmother Connie (voiced by Isabella Rossellini). During interviews, we learn that Marcel longs for his family and community that was disrupted when the home's original owners broke up and moved out. Since then, Marcel has looked after his grandmother and helped her tend the garden. They have been quite creative in their use of household resources, including a tennis ball for transportation.
The filmmaker posts the interviews online and soon Marcel has a huge following, giving him hope that his family can be tracked down. This leads to a terrific "60 Minutes" segment with journalist Leslie Stahl. The best description I can offer of Marcel is adorable - not a word I use very often. Marcel forces us to view the world through a child's eye, but it's important to note, that while young children may find Marcel cute, the dialogue, wit, and life issues covered will be way over their heads (though not offensive in the least). Young kids (under 10) should probably stick to the shorts. The sad and painful context is balanced by sweetness and optimism. Marcel's story inspires us to embrace all stages of life with an open heart and mind - dealing with grief and sadness, while coming out the other side with spirit intact.
A24 specializes in distributing innovative and creative movies, and this certainly qualifies. It's not really a mockumentary because it's not mocking anything. The stop-motion approach in documentary style may initially seem like whimsy, but we quickly realize it's more substantive. Individual strength and the power of community are on full display, and somehow Marcel the Shell teaches us ... while wearing shoes.
Opens in theaters on July 8, 2022.
That almost says it all--though I admit I was actually fairly invested in the documentary-making bachelor, as well.
I'm not sure what I was expecting heading into a movie like this, but what I got was a lovely, tight story about companionship, loss, and the importance of meaningful connections. It all felt pretty magical, to be honest, and I was in a pretty grumpy mood going in.
Highly recommended.
I'm not sure what I was expecting heading into a movie like this, but what I got was a lovely, tight story about companionship, loss, and the importance of meaningful connections. It all felt pretty magical, to be honest, and I was in a pretty grumpy mood going in.
Highly recommended.
My cold, black, cynical core was absolutely melted by this adorable story. Given this, I believe it is truly impossible to watch this film and still hold negativity in your soul by the time the credits roll.
Jaw-droppingly fluid stop-motion animation adds such a vibrant life to the world of Marcel the shell and his grandmother. It feels lived-in, yet at the same time, lonely, and this production design adds a great deal to Marcel's emotional journey.
The comedy is constant and absolutely spectacular. The witty dialogue takes jabs at the oddities of both human and "shell" behavior, but also often carries a surprisingly poignant depth that I did not expect.
Marcel's world is small, and thus the things he finds joy in are small. I don't think I have ever seen a film so effectively portray the beauty of the "little things" in life.
This is a film with such a pervasive sense of gratitude for the gift of life-for the gift of opportunities to change, progress, and grow that we are often presented with in this life. It's a story about family and the necessity of the simple sharing of experiences with other people.
Coming out of the theater, I felt such a profound sense of love for the people around me and for the beautiful things both natural and man-made in this world. And if giving someone a feeling like that isn't the mark of a master artist, I don't know what is.
It's a masterpiece of creativity and simplicity. It's one of the best films of the year.
Jaw-droppingly fluid stop-motion animation adds such a vibrant life to the world of Marcel the shell and his grandmother. It feels lived-in, yet at the same time, lonely, and this production design adds a great deal to Marcel's emotional journey.
The comedy is constant and absolutely spectacular. The witty dialogue takes jabs at the oddities of both human and "shell" behavior, but also often carries a surprisingly poignant depth that I did not expect.
Marcel's world is small, and thus the things he finds joy in are small. I don't think I have ever seen a film so effectively portray the beauty of the "little things" in life.
This is a film with such a pervasive sense of gratitude for the gift of life-for the gift of opportunities to change, progress, and grow that we are often presented with in this life. It's a story about family and the necessity of the simple sharing of experiences with other people.
Coming out of the theater, I felt such a profound sense of love for the people around me and for the beautiful things both natural and man-made in this world. And if giving someone a feeling like that isn't the mark of a master artist, I don't know what is.
It's a masterpiece of creativity and simplicity. It's one of the best films of the year.
Marcel the Shell with Shoes On is an absolute joy from start to finish. It's really funny, incredibly moving and extremely deep whilst exploring the need to connect with others and the safety in community as well as the highs and lows of being an internet success.
Jenny Slate is perfect as Marcel, imbuing the character with an innocence and earnesty that would melt the coldest of hearts. Director Dean Fleischer-Camp essentially being co lead is a risky move that thankfully pays off and it's honestly really impressive how genuine his bond with Marcel feels.
Dean's direction is equally impressive with the documentary style construction of the film blending with the stop motion animation as seamlessly as possible. The tone is well handled overall however there's just one scene that really didn't need a joke, even if it was pretty funny.
Jenny Slate is perfect as Marcel, imbuing the character with an innocence and earnesty that would melt the coldest of hearts. Director Dean Fleischer-Camp essentially being co lead is a risky move that thankfully pays off and it's honestly really impressive how genuine his bond with Marcel feels.
Dean's direction is equally impressive with the documentary style construction of the film blending with the stop motion animation as seamlessly as possible. The tone is well handled overall however there's just one scene that really didn't need a joke, even if it was pretty funny.
¿Sabías que…?
- TriviaMarcel's original shell was purchased in a hobby store. When Fleischer-Camp discovered he needed additional shells during shooting, he learned that, even if the shells were of the same species and purchased at the same store, the difference between them was strikingly noticeable. Eventually, he created additional shells using 3-D printing techniques.
- ConexionesFeatured in AniMat's Crazy Cartoon Cast: Remembering the True Batman (2022)
- Bandas sonorasAsagao
Written and Performed by Hiroshi Yoshimura
Courtesy of Nuvola / Yoko Yoshimura
Under License from Nuvola / Yoko Yoshimura
By arrangement with Light in the Attic Records & Distribution, LLC
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- How long is Marcel the Shell with Shoes On?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Marcel the Shell with Shoes On
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 6,333,702
- Fin de semana de estreno en EE. UU. y Canadá
- USD 159,403
- 26 jun 2022
- Total a nivel mundial
- USD 6,916,437
- Tiempo de ejecución1 hora 30 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.55 : 1
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