Red Hill

Red Hill follows a police officer who recently transferred from the city to the rural town of Red Hill for the health of his pregnant wife. On his first day, however, an escaped convict threatens the apparent peace in the town.

I loved this movie. The camera work was excellent,the town's characters had-character, and the tense sections were pulled off just right. The main direction the movie would take was discernible early on, but I never knew what would happen next. It played like a western and had a wonderful small town feel.

I would recommend this movie to anyone. It was gripping, fun, and had touching moments. Excellent!

A good film. for cinematography, story and performances. for preserve the rules and atmosphere of old fashion western. proposing a not new but well made story about past traces, revenge and a young officer in a small town front to its crime. one of good motifs for see "Red Hill" is the admirable job of Ryan Kwanten who gives a vulnerable, honest and brave character in precise details of each virtue. and that is the start point for enjoy a film proposing more than a story but being a pledge for small fundamental virtues defining us.

All the stock characters are there, including rookie with a past, hard-boiled boss, scary somewhat indestructible bad guy, and a town full of folks with incredibly bad shooting skills (miss 6 shots at point blank???) and poor judgement (bad guy is silhouetted in the door and you have a rifle, so just hide noisily???). And of course, about half-way through the movie you'll pretty much figure out the rest of story. Just very predictable. The characters, as I said, are no surprises. Not to say it was not a fun movie to watch, even if just to see that your original guess at the ending is correct (trust the force, Luke, it is what you think). Nice filming location, but sometimes the accents are a tad thick too (watched most of it with subtitles).

Red Hill is written and directed by Patrick Hughes. It stars Ryan Kwanten, Steve Bisley, Tom E. Lewis and Claire van der Boom. Music is by Dmitri Golovko and cinematography by Tim Hudson.

Young city cop Shane Cooper (Kwanten) gets a transfer to Red Hill, a place he hopes is a quiet enough town for himself and his pregnant wife to successfully raise a family. But his arrival at work coincides with the escape from prison of aborigine Jimmy Conway (Lewis), who is heading into town with revenge firmly on his mind.

Jimmy Conway has escaped and he's bringing hell into town.

Utterly splendid Neo-Western out of Australia. For his feature film debut, Patrick Hughes has crafted a loving homage to the Western genre whilst also imbuing his film with its own suspenseful blood. Blending Ozploitaton thriller values with Western genre staples of the past, Red Hill unspools on narrative terms as a gritty and rugged revenge piece.

Red Hill the town is fronted by gruff sheriff Old Bill (Bisley), he leads a pack of scuzzy characters who consider it their town and god help anyone who stands in their way. Into this maelstrom comes fresh faced Shane Cooper (yes the name is Alan Ladd and High Noon purposely spliced together), a genuine and honest copper harnessing a tragedy as well as a moral code that's not for shaking.

After quickly finding out that Old Bill is lacking in human graces, Shane finds himself coming face to face with Conway, who is all the horsemen of the apocalypse rolled into one. Face badly scarred and adorned with weapons and duster, Conway seems to have supernatural resources to go with his expert tracking skills and knowledge of the surrounding outback terrain (so think High Plains Drifter & Chato's Land then).

How come, though, that as he callously goes about killing off members of the scuzzy crew, each time he meets up with Shane, who is in full tilt survival mode, Conway refuses to kill Shane? And just what is that symbolic Panther doing stalking the edges of the landscape? One and the same, perhaps? It will of course all be revealed, and in truth it's no great surprise, the beauty is in how Hughes has toyed with our perceptions about Conway, this in turn makes for a cracker-jack finale.

Performances are superbly in tune with the material, Cooper, Lewis and Bisley really manage to steer their respective characters away from being histrionic or cartoonish. Musically it features stabs of delightful grungy rock blending in with Golovko's mournfully ironic score. The widescreen photography is most interesting, in that there's often smart shifting between a washed out palette to emphasise the remoteness of the setting, to opened up capturing of the beautiful vistas (filmed on location in Omeo, Victoria). The Blu-ray is a must for anyone interested in the film.

The sparse location is matched by sparse dialogue, there is no need for extraneous conversations or pointless filler, Hughes knows what he is doing. It's made with love and respect to one of the finest of film genres, and hooray to that! 8/10

Red Hill could best be described as an Australian take on the American Western. It centres on a young policeman who moves to a remote town to work with the local police department. The town is immediately laid under siege by an escaped Aboriginal convict who appears to have a grudge against the local police officers and their lackeys. Dark secrets from the past are gradually revealed.

This is a very well put together film. Cinematography, music and acting are all of a very high calibre. Ryan Kwanten is particularly good as the young policeman with insecurities and fears of his own; Kwanten makes for a very likable lead and injects some moments of humour into the suspenseful narrative. Tommy Lewis is also highly memorable as Jimmy Conway, the silent escaped convict with grimly burned face. The Australian landscape is captured nicely and the score compliments proceedings well.

It has to be said that the storyline is a little predictable. There isn't really anything overly new here. But this is not a significant problem as it really is a very well put together film. It's a solid thriller, and along with Wolf Creek proves that the Australian film industry is more than capable of delivering superior product in this genre. This one is well worth your time.