Diabolik - Ginko all'attacco!
- 2022
- 1h 56min
CALIFICACIÓN DE IMDb
5.4/10
1.4 k
TU CALIFICACIÓN
Sigue a Diabolik y a su cómplice Eva Kant en una nueva aventura contra un inspector Ginko aún más combativo que antes.Sigue a Diabolik y a su cómplice Eva Kant en una nueva aventura contra un inspector Ginko aún más combativo que antes.Sigue a Diabolik y a su cómplice Eva Kant en una nueva aventura contra un inspector Ginko aún más combativo que antes.
- Dirección
- Guionistas
- Elenco
- Premios
- 6 nominaciones en total
Opiniones destacadas
I'm not a big fan of the character, but I like the dark and mature universe of the comic. The adaptation seems to me quite faithful to what I have read.
The costumes, the location, the actors, the script, all the ingredients were there to make a descent movie.
The only problem is the lack of talent of the directors (although two). The acting is not very coherent. There are a lot of weird and uninspired shots and the cutting reminds me of Sam Raimi's early work.
It's less mature and violent than the previous one, it has lost some of the toxic mood there was with it's psychopath hero and most murders are off-screen. The actor has been replaced by another with a more pleasant physique, but without the nuances of his predecessor.
Monica Bellucci doesn't bring much to the film, Miriam Leone (the hero's girlfriend) and Valerio Mastandrea (the inspector) do a good job.
The costumes, the location, the actors, the script, all the ingredients were there to make a descent movie.
The only problem is the lack of talent of the directors (although two). The acting is not very coherent. There are a lot of weird and uninspired shots and the cutting reminds me of Sam Raimi's early work.
It's less mature and violent than the previous one, it has lost some of the toxic mood there was with it's psychopath hero and most murders are off-screen. The actor has been replaced by another with a more pleasant physique, but without the nuances of his predecessor.
Monica Bellucci doesn't bring much to the film, Miriam Leone (the hero's girlfriend) and Valerio Mastandrea (the inspector) do a good job.
When the first movie came out, I reviewed it as an interesting experiment with its evident flaws, but not worthy of the way too harsh comments from both critics and viewers.
With this 2nd one, I didn't know what to expect: for various reasons I couldn't watch it in theaters, and also I couldn't find it anywhere 'til now, but still I was very curious to see if I would've found the same results as the first one, if not better, or I would've come to agree with its detractors.
And now that I've finally seen it, I can say ... that there's still too much severity in judging movies that surely are not as good as they could've been, but that still manage to stay far away from total disaster
Starting with the good things, the technical side is always perfectly staged; and also, while in the first one I couldn't picture Mastandrea as Ginko, here he manages to give the role a bit more credibility, and Miriam Leone is still good as Eva, though less impactful and magnetic than before.
But alas, for the rest I cannot really say much more: the first movie tried to balance, not always perfectly, a more grounded approach with a more stylized one, directly referencing the 60s-70s Italian action movies ( the so called "poliziotteschi")
Here, they want to embrace a fully comic book-like atmosphere, and sadly it doesn't build up, resulting too alienating and difficult to accept, even for ones like me more used to movies like this (to quote another Italian title, "5 è il Numero Perfetto" managed to do this way better).
This is reflected especially in the dialogues and the acting of the supporting cast, way too set and "artificial", not to say too marked by dialects that just don't appeal to this kind of story.
Even newcomers like Alessio Lapice and especially Linda Caridi, an actress I grew to admire with each movie I saw her in, are heavily limited by this approach, resulting too much caricatured.
Special Mention to Ester Pantano which appears just at the beginning with a scene that wants to quote as I said a certain kind of movie, but in the end is just a waste of time and characters that could've used way more.
And of course, the most evident change: unfortunately my biggest fear became true, and Giacomo Gianniotti doesn't manage to be as charismatic as the King of Terror should be, nor as cold and lethal, despite many not agreeing with this either.
So, definitely a step back from the imperfect but intriguing and much better built first chapter, but despite anything still nice enough to watch.
With this 2nd one, I didn't know what to expect: for various reasons I couldn't watch it in theaters, and also I couldn't find it anywhere 'til now, but still I was very curious to see if I would've found the same results as the first one, if not better, or I would've come to agree with its detractors.
And now that I've finally seen it, I can say ... that there's still too much severity in judging movies that surely are not as good as they could've been, but that still manage to stay far away from total disaster
Starting with the good things, the technical side is always perfectly staged; and also, while in the first one I couldn't picture Mastandrea as Ginko, here he manages to give the role a bit more credibility, and Miriam Leone is still good as Eva, though less impactful and magnetic than before.
But alas, for the rest I cannot really say much more: the first movie tried to balance, not always perfectly, a more grounded approach with a more stylized one, directly referencing the 60s-70s Italian action movies ( the so called "poliziotteschi")
Here, they want to embrace a fully comic book-like atmosphere, and sadly it doesn't build up, resulting too alienating and difficult to accept, even for ones like me more used to movies like this (to quote another Italian title, "5 è il Numero Perfetto" managed to do this way better).
This is reflected especially in the dialogues and the acting of the supporting cast, way too set and "artificial", not to say too marked by dialects that just don't appeal to this kind of story.
Even newcomers like Alessio Lapice and especially Linda Caridi, an actress I grew to admire with each movie I saw her in, are heavily limited by this approach, resulting too much caricatured.
Special Mention to Ester Pantano which appears just at the beginning with a scene that wants to quote as I said a certain kind of movie, but in the end is just a waste of time and characters that could've used way more.
And of course, the most evident change: unfortunately my biggest fear became true, and Giacomo Gianniotti doesn't manage to be as charismatic as the King of Terror should be, nor as cold and lethal, despite many not agreeing with this either.
So, definitely a step back from the imperfect but intriguing and much better built first chapter, but despite anything still nice enough to watch.
The movie is overall very nice and enjoyable. Nice reconstruction of the Diabolik world. Nice costumes. Nice cartoonish scenography. Good overall acting for such kind of film. Just one big stain on it... and therefore a big question..... why to ruin an overall well made movie with the horrible acting of Monica Bellucci and why choose (or accept) to soft focus (or photoshop) her face (and only her) all around the movie when she appear in the scenes? I know... her presence will probably open additional markets to the movie... but I stil don't understand.... Maybe she paid to be in the film if soft focused?
As a real fan of Diabolik (I still hold the first 690 original set of comics books), I can say that I preferred the first movie, this second episodes ok has the same noir/comic slow action which is good, it brings a new actor as Diabolik (vote: 8) and I say he is perfect, cute guy like in the comic books and the eyes and the face reminds the original character, Miriam Leone again as a perfect Eva Kant (vote:8) .. but what is missing: ... the refuge is the same as in the 1st movie, too many shots are on Ginko (we have to digest actor Mastandrea with his Roman accent.. vote 5.... and Ginko was a cute man in the comics!), then a catastrofing acting by Monica Bellucci (vote 3 for me ... the actress is the anthitesis of the high class of Altea...). The overall rating is just as flat as a six.
No doubt, this movie is very bad, much worse than predecessor, even worse than the worst comic-book episode. Plot is naïve with lot of illogical points. One has to invest a lot of suspension of disbelief if wants to endure it. But... If you do not take it seriously, you can relax and enjoy it. So bad that it is good, great guilty pleasure, genuine camp. By the way, reconstruction of 1960s is nice, with great accessories and, of course, Italian cars and Italian cities (with my favorite Trieste).
Ms. Bellucci's acting was so bad that I think she was self-ironical and intentionally making fun of the movie. I prefer Mr. Marinelli from the first movie as Diabolik. Better actor with charisma and better looks for main character. Mr. Gianniotti luckily does not have a lot of screen time what is kind of ironic too. Ms. Leone is gorgeous as always.
Ms. Bellucci's acting was so bad that I think she was self-ironical and intentionally making fun of the movie. I prefer Mr. Marinelli from the first movie as Diabolik. Better actor with charisma and better looks for main character. Mr. Gianniotti luckily does not have a lot of screen time what is kind of ironic too. Ms. Leone is gorgeous as always.
¿Sabías que…?
- ErroresGinko Citroen car plate (CLV 991466) has been later used also on a police motorbike.
- ConexionesFollowed by Diabolik: Chi sei? (2023)
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Detalles
Taquilla
- Presupuesto
- EUR 7,700,000 (estimado)
- Total a nivel mundial
- USD 1,376,312
- Tiempo de ejecución1 hora 56 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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