Rise of the Raven

From the very first episode, I was captivated by its exquisite opening sequence - the breathtaking scene of Hunyadi riding his warhorse through colossal statues on the plains, synchronized with an epic and grand musical composition, was utterly awe-inspiring!

Most crucially, the pacing is masterfully controlled, with brilliantly crafted dialogue sequences and cinematic-level battle scenes in the finale.

The visuals are incredibly textured, boasting superb audiovisual effects and meticulous attention to detail. Every gaze, prop, and movement serves a purpose - not a single frame is wasted!

This marks my first experience watching Hungarian film/television production. I believe this series stands shoulder-to-shoulder with Game of Thrones, achieving comparable excellence without relying on magic or fantasy elements.

Regrettably, the distributor shows no intention of global release for this series, which may condemn this remarkable work to collect dust in obscurity prematurely.

My comments are solely focused on the television program itself, and I hold no personal stance on any other matters.

The series stands out both in its story and execution. From an international perspective, it is a true high-budget quality production. It is worth noting that the story is based on a historical fiction novel series, so the plot is not entirely historically accurate, but the series does not aim to be a documentary either. Regardless, the events are mostly historically accurate. At several points in the plot, modern elements also appear, particularly in terms of the series' strong female characters.

A special merit is that the female characters are truly strong, and this is not due to today's cheap, forced narratives in modern western entertainment. Throughout the plot, every important female character undergoes severe traumas, and rising from these, each of their personalities changes in a unique way. Therefore, we can consider this a positive example of "strong female characters."

The plot is also interesting and full of twists. The first three episodes are mainly introductory, but from the fourth episode onwards, the major political events kick off. The story features interesting character developments (e.g., Sultan Murad, Mehmed, Elizabeth of Luxembourg, or Miklós Újlaki) and layered characters (e.g., János Hunyadi or his real rival, Ulrich of Cilli), making it easy to captivate viewers who are attuned to the style of the series.

Since Rise of the Raven features many interesting characters, the main character Hunyadi often takes a backseat, but this does not detract from the quality of the plot; on the contrary, it enriches the narrative with new threads. Because of this, it is strongly felt in the series that it could have accommodated several more seasons. Nevertheless, the 10-episode format also works. The series gets better with each episode, and its conclusion is epic. The visual world is also of high quality, and the frames presented to the viewer often have a painterly quality. The actors are also excellent, and I would particularly highlight Gellért L. Kádár, Vivien Rujder, Mariann Hermányi, Murathan Muslu and Ulascan Kutlu, but the list could go on.

Another great merit of Rise of the Raven is its international style. The characters (more or less) speak in their own native languages, which makes the series' world even more authentic and complex.

Overall, it is an internationally high-quality production that takes place in one of the most important regions and cross-sections of world history, namely Central and Eastern Europe as well as the Balkans, which are often overlooked in the Western entertainment industry. From this perspective alone, the series pays off an important debt. If you love quality historical fiction (or drama) series like Vikings, Rome or The Last Kingdom, I highly recommend it to you.

First of all, if you are not familiar with the late medieval history of Central- and Eastern Europe, you should know that it was very complex and diverse, with many nations, factions, religions, full of heroes and battles, intrigue and treason. The most serious threat to this part of the world was the Ottoman Empire, the strongest military power of that time occupying countries, massacring and enslaving whole provinces. So choosing the proper allies (or even betraying them in the right moment) was a question of life or death.

All of these offer a great basis for 'Game of Thrones'-like TV series, but with real historical background.

The Hunyadi (Rise of the Raven) TV series is set into this context.

The title character, John Hunyadi (1407-1456) was a nobleman later becoming the regent of the Hungarian Kingdom. He served two years in the army of the Duke of Milan upon King Sigismund's order, he fought the Hussites and adopted their tactics. All these experiences helped him to build up a well organised army, and gain success against the Ottomans. His ultimate victory was at the siege of Belgrade in 1456, which stopped the Ottomans' western expansion for about 70 years.

One of the greatest pros in this series is using many languages altogether, most of the characters speaking their mother tongue. Which is not just very unique in the whole film industry, but gives a lot of authenticity, and it is highly respectful toward the diverse cultural heritage of Europe.

This TV series is based on a long and quite popular historical novel series, "Hunyadi" by Mór Bán, with 12 already published books and 2 more to come later.

And yes, unfortunately this leads to the downside. The Hunyadi TV series was perfect if one season would just treat one or two books of the novel series. But I suppose there was no chance for that, and they rather put it altogether into a 10-episode-long, single season series. And that's sad, because this leaves not much time to get to know all the characters, or understand the exact political and military situation of those times.

Of course there are fictitious parts in the series, but most of the story line is based on real historical events, most of the characters are based on real historical figures, and there are many small details which are actually historically correct.

This series is not without errors, but the subject and the multi-language approach makes it very unique and a "must-see" to anyone interested in medieval history.

A roughly historically accurate series from the 15th century Hungary with monumental battle scenes and traditional male image. During the Osman-Turkish invasion of the Balkan, the vaivode of Transylvania, János Hunyadi tries to expel the muslim conquerors from Europe. Although he has Christian enemies as well (the Habsburgs and their vassal, the sly Count, Ulrik Cillei, who is the "Littlefinger" of the series and Vlad "Dracul" Tepes, the orthodox vaivode of Wallachia), he achieves many legendary victories on the Turks and as the elected Governor of Hungary, he becomes the saviour of Christian Europe and the father of the mightiest Hungarian king, Matthias Corvinus. The castle of János Hunyadi is watchable in Transylvania in our days as well: the Vajdahunyad castle is the most beautiful Gothic fortification in Central Europe.

I've only seen the first three episodes so far.

The film series is an attempt to show the struggle of a people against a conquering enemy.

The period when the Turkish Empire tried to conquer the Kingdom of Hungary.

The action takes place from the late 1420s to 1456, when a Hungarian nobleman, János Hunyadi, takes up arms against the Turkish armies besieging the southern border of the country.

He defends not only his own land but the whole country at a time when the country is in turmoil.

The film follows the life of this man.

I am not a film expert, I cannot tell you about the direction, lighting, cinematography, etc.

But I would recommend it to anyone who loves history and wants to learn about the medieval history of Central Europe, and especially of Hungary.

What makes the film special is that the characters in the series speak in their own anglophone languages, Hungarian, Serbian, Turkish, German, etc., giving a sense of the multilingual world that characterised this part of Europe at the time.