La verdadera historia del capitán Richard Phillips y su secuestro en 2009 por piratas somalíes, el primer buque de carga estadounidense en ser secuestrado en doscientos años.La verdadera historia del capitán Richard Phillips y su secuestro en 2009 por piratas somalíes, el primer buque de carga estadounidense en ser secuestrado en doscientos años.La verdadera historia del capitán Richard Phillips y su secuestro en 2009 por piratas somalíes, el primer buque de carga estadounidense en ser secuestrado en doscientos años.
- Dirección
- Guionistas
- Elenco
- Nominado a 6 premios Óscar
- 17 premios ganados y 155 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
"Captain Phillips" is the Hollywood retelling of the true-to-life 2009 harrowing story of an American container vessel Maersk Alabama (with Captain Richard Phillips at the helm) being held hostage by Somali pirates. The screenplay by Billy Ray was based on the novel "A Captain's Duty: Somali Pirates, Navy SEALs, and Dangerous Days at Sea" written by Captain Richard Phillips himself.
Playing the titular character, Tom Hanks is what this film is all about. He starts off simply, playing Capt. Phillips as a family man and seasoned seaman on a routine delivery. However when the pirates came, you see him transform into a cool-under-pressure leader and shrewd tactician, matching wits with these desperate aggressors. In the last five minutes, Hanks would give us an unexpected display of emotion which may well deliver him another Oscar for Best Actor.
The four Somali-American first-time actors playing the pirates are a very realistic bunch. They play with wild-eyed and feral intensity, really scary. Barkhad Abdi plays their skinny foolhardy leader Muse, engaging Phillips in a deadly chess game, toe-to-toe. Faysal Ahmed plays the hot-headed Najee, who was the loose cannon of the group. Barkhad Abdirahman plays the young recruit Bilal, getting himself a baptism of fire on his first time out.
When I saw the name director Paul Greengrass in the credits, I understood why the sense of tension and urgency were so well-conveyed. This was that familiar sense of excitement we felt in his previous films, like the last two Jason Bourne films or that suspenseful 9/11 drama "United 93". He really knows how to make military operations exciting on screen, as he did for the Army in "Green Zone" and the Navy SEALS in this film.
I have to admit I was on the verge of getting seasick with the shakiness of the camera, but luckily I held on despite the two-hour length of the film set at sea.
Overall, this is a different sort of adventure drama, with a topic not too commonly tackled in a mainstream film. We hear of these events on the news, but this film brings us right in the middle of one. We will feel the tension building as the pirates were approaching. We will feel the fear when the pirates were on board. We will feel the desperation and the frustration of being trapped in the middle of the open ocean with no help immediately forthcoming. If you are up for such a realistic experience, then this film is for you.
Playing the titular character, Tom Hanks is what this film is all about. He starts off simply, playing Capt. Phillips as a family man and seasoned seaman on a routine delivery. However when the pirates came, you see him transform into a cool-under-pressure leader and shrewd tactician, matching wits with these desperate aggressors. In the last five minutes, Hanks would give us an unexpected display of emotion which may well deliver him another Oscar for Best Actor.
The four Somali-American first-time actors playing the pirates are a very realistic bunch. They play with wild-eyed and feral intensity, really scary. Barkhad Abdi plays their skinny foolhardy leader Muse, engaging Phillips in a deadly chess game, toe-to-toe. Faysal Ahmed plays the hot-headed Najee, who was the loose cannon of the group. Barkhad Abdirahman plays the young recruit Bilal, getting himself a baptism of fire on his first time out.
When I saw the name director Paul Greengrass in the credits, I understood why the sense of tension and urgency were so well-conveyed. This was that familiar sense of excitement we felt in his previous films, like the last two Jason Bourne films or that suspenseful 9/11 drama "United 93". He really knows how to make military operations exciting on screen, as he did for the Army in "Green Zone" and the Navy SEALS in this film.
I have to admit I was on the verge of getting seasick with the shakiness of the camera, but luckily I held on despite the two-hour length of the film set at sea.
Overall, this is a different sort of adventure drama, with a topic not too commonly tackled in a mainstream film. We hear of these events on the news, but this film brings us right in the middle of one. We will feel the tension building as the pirates were approaching. We will feel the fear when the pirates were on board. We will feel the desperation and the frustration of being trapped in the middle of the open ocean with no help immediately forthcoming. If you are up for such a realistic experience, then this film is for you.
10Colmo2k4
What a stunning film - the imminent threat of deadly violence tempered with the tragic circumstances that drive people to such desperate actions made for a very human story.
If Hanks is nominated for an Oscar for this, then Barkhad Abdi deserves a nomination too, because their scenes together were electric - never once did Abdi appear the junior party, every bit Hank's equal as two cunning foes trying to outfox one another.
The best lines in the film were perhaps when Phillips beseeched of Muse: "Surely there's something other than fishing and kidnapping people you could do?"
To which Muse replied, sombrely: "In America, maybe".
It's a must see, the best film I've seen this year.
If Hanks is nominated for an Oscar for this, then Barkhad Abdi deserves a nomination too, because their scenes together were electric - never once did Abdi appear the junior party, every bit Hank's equal as two cunning foes trying to outfox one another.
The best lines in the film were perhaps when Phillips beseeched of Muse: "Surely there's something other than fishing and kidnapping people you could do?"
To which Muse replied, sombrely: "In America, maybe".
It's a must see, the best film I've seen this year.
Based on true events, Paul Greengrass' Captain Phillips is the rarest of thrillers, the kind that relies on neither distracting special effects nor circumspect character development. Driven by a powerful, soul-baring performance by the inimitable Tom Hanks, the movie never lags, never oversells the plight of its characters, never reduces anyone or anything to mere caricature.
Hanks is the titular captain of the United States container ship MV Maersk Alabama, cruising along the coast of Somalia with a full load and heading toward the horn of Africa. Two skiffloads of armed Somalis close in, ready to board the vessel. They're pirates, working for a warlord in their impoverished country, and they smell opportunity.
If this were a standard action flick, we might see the heroism of Phillips and his motley crew as they fight the evil pirates and save the world. It's not so here. There are nuances afoot; for once, we get the perspective of the lead pirate (Barkhad Abdi) without falling into the easy trap of feeling empathy toward him.
The pirates board the giant ship, clearly pleased with their find. Muse (Abdi) quickly proves himself to be a strong, humanistic leader; he's single minded (where's the crew? where's the goods?) but not sinister. His gang includes a strong man with a quick temper and Muse's own relative, who'd begged to come along on the mission - a mission that, when successful, would go a long way to improving their lives.
The movie is told in two distinct halves: the time spent by the pirates on the Maersk as they search in vain for treasure and crew, and the time spent in the ship's lifeboat as they make their way to Somalia. The villains are conflicted and desperate. And armed. But they're quickly immersed in an impossible situation.
This is one of the toughest, most naked performances of Hanks' stellar career. It's sometimes painful and heart wrenching to watch. He's an Everyman, per usual, but he's not also a savior or a hero. He doesn't suddenly develop super strength and overpower the bad guys. He's just a guy in charge of a boat and its passengers.
Matching him wit for wit while frantically trying to keep his own wits about him is Abdi as the skinny, intelligent Muse, seemingly a veteran of high piracy (though not against huge container ships). Abdi is a wonder to watch; unpredictable and cunning but a little greedy and rapidly running out of viable options. Truly a talent to look out for, Abdi nails this role.
The ending is predictable only in the most general sense. Bill Ray's screenplay does not duck some plausible consequences to the actions of each main player and leaves us with a scene that is as emotionally overpowering as anything in Hanks' previous Philadelphia.
It seems that every time Tom Hanks makes a good movie, people begin to label it as "Oscar bait," as if the movie were created just as a vehicle to earn an award. Captain Phillips delivers a tight, action-packed story fraught with none of the usual missteps of the genre, and if it is indeed rewarded with the highest of honors, it will be well deserved.
Hanks is the titular captain of the United States container ship MV Maersk Alabama, cruising along the coast of Somalia with a full load and heading toward the horn of Africa. Two skiffloads of armed Somalis close in, ready to board the vessel. They're pirates, working for a warlord in their impoverished country, and they smell opportunity.
If this were a standard action flick, we might see the heroism of Phillips and his motley crew as they fight the evil pirates and save the world. It's not so here. There are nuances afoot; for once, we get the perspective of the lead pirate (Barkhad Abdi) without falling into the easy trap of feeling empathy toward him.
The pirates board the giant ship, clearly pleased with their find. Muse (Abdi) quickly proves himself to be a strong, humanistic leader; he's single minded (where's the crew? where's the goods?) but not sinister. His gang includes a strong man with a quick temper and Muse's own relative, who'd begged to come along on the mission - a mission that, when successful, would go a long way to improving their lives.
The movie is told in two distinct halves: the time spent by the pirates on the Maersk as they search in vain for treasure and crew, and the time spent in the ship's lifeboat as they make their way to Somalia. The villains are conflicted and desperate. And armed. But they're quickly immersed in an impossible situation.
This is one of the toughest, most naked performances of Hanks' stellar career. It's sometimes painful and heart wrenching to watch. He's an Everyman, per usual, but he's not also a savior or a hero. He doesn't suddenly develop super strength and overpower the bad guys. He's just a guy in charge of a boat and its passengers.
Matching him wit for wit while frantically trying to keep his own wits about him is Abdi as the skinny, intelligent Muse, seemingly a veteran of high piracy (though not against huge container ships). Abdi is a wonder to watch; unpredictable and cunning but a little greedy and rapidly running out of viable options. Truly a talent to look out for, Abdi nails this role.
The ending is predictable only in the most general sense. Bill Ray's screenplay does not duck some plausible consequences to the actions of each main player and leaves us with a scene that is as emotionally overpowering as anything in Hanks' previous Philadelphia.
It seems that every time Tom Hanks makes a good movie, people begin to label it as "Oscar bait," as if the movie were created just as a vehicle to earn an award. Captain Phillips delivers a tight, action-packed story fraught with none of the usual missteps of the genre, and if it is indeed rewarded with the highest of honors, it will be well deserved.
It's fair to say that the movies which have been walking away with Box Office numbers this year have been either big superhero movies or big sci-fi movies. If you're wondering whether or not you should go and see this film because it looks like something a little different DO IT! This is a film, regardless if you already know the story, which delivers excellent acting, excellent moments of tension and excellent use of emotion which ,when you leave the theatre, won't be difficult to feel at all. Now if you're still considering whether or not you should go and see this film, let's address the rumours you might have already heard: 1.There's been a lot of talk about Tom Hanks potentially claiming another Oscar - yes he simply HAS to be up for contention after this. True in the first half of the film he doesn't necessarily have to be all out emotional, but he does enough so that when we reach the second half and ultimately the final act, we are in as much shock and awe as the character of Richard Phillips through watching his performance. 2. A few people have said "too much Tom Hanks." There's two sides to this: Obviously he's going to be in the story a lot because he is the star BUT he doesn't give the only good performance here; the Somali pirates are truly terrifying, not just because of what they are but because their characters have a lot of uncertainty making them very unpredictable. 3. Some people are saying it's overrated and we've seen it all before. I'm not claiming its the greatest movie ever made, but what I am saying is its definitely worth a look. So if you're worried about wasting some cash don't be, it's definitely a film you won't regret paying for.
That went a lot higher than my expectations. I was thinking an okay movie, but that was more than just okay. Truly impressive powerful thriller.
The movie's strength points could be summed up:
1. Greengrass's thrillers are really fine, I like his The Bourne Ultimatum with his shaky camera tricks. And here he is doing it again maybe with different techniques. As a thriller, Greengrass managed to make this movie get on your nerves and put so much tension, and that's a success.
2. The Somali crew.. Now, that's some serious impressive sh*t. Some Somali dudes you have never seen their faces in a movie before come and make such spectacular performances, that's something you should admire. It made the movie so believable that you'd sometimes forget it's just a movie. Barkhad Abdi has made a huge step in his career with this movie and that was crowned by his nomination for the best actor in a supporting role. He probably won't get it, but he deserved it.
3. Tom Hanks is just a really fine actor. He was driving the whole thing with his convincing performance. I still can't believe he got my tearing in that scene, or let's just say crying. Greengrass has taken him to squeeze some fine acting skills.
4. Fair screenplay that didn't make you forget that justice should be done, no matter how the conditions the person lives in, but it also pushed the eyes to take a look into the world that would produce such people as pirates.
The movie's strength points could be summed up:
1. Greengrass's thrillers are really fine, I like his The Bourne Ultimatum with his shaky camera tricks. And here he is doing it again maybe with different techniques. As a thriller, Greengrass managed to make this movie get on your nerves and put so much tension, and that's a success.
2. The Somali crew.. Now, that's some serious impressive sh*t. Some Somali dudes you have never seen their faces in a movie before come and make such spectacular performances, that's something you should admire. It made the movie so believable that you'd sometimes forget it's just a movie. Barkhad Abdi has made a huge step in his career with this movie and that was crowned by his nomination for the best actor in a supporting role. He probably won't get it, but he deserved it.
3. Tom Hanks is just a really fine actor. He was driving the whole thing with his convincing performance. I still can't believe he got my tearing in that scene, or let's just say crying. Greengrass has taken him to squeeze some fine acting skills.
4. Fair screenplay that didn't make you forget that justice should be done, no matter how the conditions the person lives in, but it also pushed the eyes to take a look into the world that would produce such people as pirates.
¿Sabías que…?
- TriviaThe line "Look at me! I'm the captain now!", was an ad-lib by Barkhad Abdi.
- ErroresCaptain Phillips unberths and leaves port all by himself. In reality, there would be a local pilot on board giving steering and engine commands which the captain then repeats to his bridge crew.
- Citas
Muse: Look at me.
Captain Richard Phillips: Sure.
Muse: Look at me.
Captain Richard Phillips: Sure.
Muse: I'm the captain now.
- Créditos curiososBefore the end credits, it reads: "Richard Phillips returned to Vermont on April 17, 2009 and was reunited with his family. Abduwali Muse was convicted of piracy and is currently serving 33 years at the Federal Correctional Complex, Terre Haute, Indiana. On July 25, 2010, Captain Phillips went back to sea."
- ConexionesFeatured in The Tonight Show with Jay Leno: Episode #22.48 (2013)
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- Why was the Navy so slow in coming to the ship's aid?
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Captain Phillips
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 55,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 107,100,855
- Fin de semana de estreno en EE. UU. y Canadá
- USD 25,718,314
- 13 oct 2013
- Total a nivel mundial
- USD 218,791,811
- Tiempo de ejecución2 horas 14 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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