La teoría de que verdaderamente fue Edward De Vere, conde de Oxford, quien escribió las obras de Shakespeare. Cuenta con la sucesión de la reina Isabel I y la rebelión de Essex contra ella c... Leer todoLa teoría de que verdaderamente fue Edward De Vere, conde de Oxford, quien escribió las obras de Shakespeare. Cuenta con la sucesión de la reina Isabel I y la rebelión de Essex contra ella como telón de fondo.La teoría de que verdaderamente fue Edward De Vere, conde de Oxford, quien escribió las obras de Shakespeare. Cuenta con la sucesión de la reina Isabel I y la rebelión de Essex contra ella como telón de fondo.
- Dirección
- Guionista
- Elenco
- Nominado a 1 premio Óscar
- 7 premios ganados y 12 nominaciones en total
- Earl of Essex
- (as Sebastian Reid)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
One other point. This movie is a work of fiction and so if it is loose with certain historical facts, so what? This movie is not a documentary. Rather, it is a fictional historical drama that revolves around a controversial and even shocking plot. Whether Shakespeare is the actual author of the works attributed to him is not the point. That is a matter for debate. What is the point is whether the movie works as a movie. The story is complex, yet the movie manages to engage the audience through strong acting and by presenting a story crammed with political intrigue. Who can say for certain what was going on in England 500 years ago? It is all a matter for speculation, based upon the available historical material, all of which is subject to interpretation. The idea of English writers bickering and fighting over the authorship of plays may seem trite and far fetched, but the conflict makes for good drama, even if it is pure fiction.
With apologies to Shakespeare, the true talent, thus, my feeble attempt at (mostly) iambic pentameter:
Anonymous, a film of cheese and ham, Questions the legend of Shakespeare, William, Whose work it claims the sole property of, Edward DeVere's, Earl, and a class above, Theory and conjecture, Will's name to malign, A film not noble, literate, or refined, Its tale quite shallow, protesting too much, Spouting nonsense, drivel, dreck, and such.
A production with much to admire, Before all logic begins to expire, Sensationally, a work of fiction, Unconvincing in its own conviction, Visual spectacle, or farce, perhaps, Intelligence and wit well nigh elapse, Although I may seem to kvetch and complain, This film ultimately doth entertain.
The thespians display their skills and crafts, While unintentionally providing laughs, Over-emoting as they misbehave, The likes of Jacobi and Ladies Redgrave, Rhys Ifans well plays lover and writer, Were only Orloff's script a bit tighter, Rafe Spall's the bard as wretched sot, an eyeful, Poor Will should sue for slander and libel.
Disaster, thine mainstay of Emmerich, Part director, part showman, his prime niche, For depth and clarity, he will not delve, Note: Independence Day and 2012, Whilst not the disaster we've come to expect, The film has little to awe or respect, It plays fast with the facts, and offers nil, Except sets, that in some measure, fulfill.
With all its pomp and expensive wrappings, Lavish costumes doth not disguise its trappings, But thy foul temper and malaise spills forth, Yielding a vile film of lesser worth, A ill-conceived venture, shrill, and unkind, Outlandishly ornate and out of its mind, A stylish film, yet so misbegotten, One hopes Anonymous is soon well forgotten.
GRADE: C
NOTE: Visit my movie blog for more reviews: www.dearmoviegoer.com
7.4/10
If, on the other hand, you want a perfectly entertaining and interesting way to spend a couple of hours then you should go and see it. I thought the story was engaging and original (if, like myself, you're not a pretentious academic). The acting was, on the whole, very accomplished. In particular, I thought Rhys Ifans gave a brilliant performance as De Vere and was perfect for the role. I did find Rafe Spall pretty annoying as Shakespeare, but perhaps I should give him the benefit of the doubt as this was probably the aim of the character.
With regards to the historical rewrite then surely if people are interested in what 'Anonymous' suggests they'll try to find out more about the subject in order to make their own mind up. Nothing wrong with that. And those taking Hollywood's version of history at face value are pretty much beyond help anyway.
Certainly one of the most memorable movies i've seen (for the right reasons) this year.
¿Sabías que…?
- TriviaVanessa Redgrave and Joely Richardson play the older and younger versions of Queen Elizabeth respectively. In real life, they are mother and daughter.
- ErroresThe playwrights in the movie are all astonished that Romeo and Juliet is written in verse, specifically iambic pentameter. In fact, English drama had been written in verse for hundreds of years, and mostly in iambic pentameter for about the previous 25 years. Prose drama, not poetry, was the innovation.
- Citas
Anne De Vere: You, your friends, your blasphemous theater have brought nothing but ruin and dishonor to this family.
Ben Jonson: Ruin? Dishonor? My lady, you, your family, even I, even Queen Elizabeth herself will be remembered solely because we had the honor to live whilst your husband put ink to paper.
- Créditos curiososApart from the production companies, the only opening credit is the movie's title, displayed on the marquee of the prologue's theater.
- ConexionesFeatured in Maltin on Movies: The Rum Diary (2011)
- Bandas sonorasNight of the Long Knives
Written by Byrd & David Hirschfelder (as Hirschfelder)
Performed by David Hirschfelder
Courtesy of The Decca Music Group
Under licence from Universal Music Operations Ltd.
Selecciones populares
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Anonymous
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 30,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 4,463,292
- Fin de semana de estreno en EE. UU. y Canadá
- USD 1,021,768
- 30 oct 2011
- Total a nivel mundial
- USD 15,395,087
- Tiempo de ejecución
- 2h 10min(130 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1