El encargado de una casa de empeños con un pasado oscuro se enfrenta a una red de tráfico de drogas y de órganos, con la esperanza de salvar a su única amiga: una niña.El encargado de una casa de empeños con un pasado oscuro se enfrenta a una red de tráfico de drogas y de órganos, con la esperanza de salvar a su única amiga: una niña.El encargado de una casa de empeños con un pasado oscuro se enfrenta a una red de tráfico de drogas y de órganos, con la esperanza de salvar a su única amiga: una niña.
- Dirección
- Guionista
- Elenco
- Premios
- 19 premios ganados y 18 nominaciones en total
- Old Woman
- (as Soo-ryeon Baek)
- Section Chief
- (as Kyeong-eup Nam)
- Detective Kim
- (as Kwak Byung-gyu)
- Bear
- (as Sang-Kyeong Son)
- Loan Shark Company Worker
- (as Cheol-woo Han)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
A lot of people are put off by foreign language films and I hope those people don't let that stop them from watching this.
It has all the panache of a typical Hollywood film and I have to disagree with some comments that the back-story aspect is lacking compared with the action; my exact thoughts when watching this film were along the lines of "I cannot believe how genuine the character development is". The bond between the two main characters is extremely believable (huge props to the actress who played the young kid). I thought the fact that the film wasn't edited down to the hour-and-half standard probably gave them more room to develop and for an action film, there was much more intelligence than I was expecting to the story.
One of the best films I have seen in a long time.
9/10
By all accounts, the movie should have evoked little more than a shrug. After all, anyone who has seen even just a moderate amount of action movies will have seen countless movies with variations of this basic plot. One might think of "Leon" or "Man on Fire" for some closer examples, or movies such as "Taken" in other respects.
What made this movie into my favorite action movie in a long while is the execution of that basic plot. "This Man" manages to create just the right dark, gloomy mood to match the story and all the characters are believable. None of the scenes appear contrived or overly tear-jerker. Another vital aspect for an action movie is, of course, that the action sequences are very well done. The movie is quite graphic, but not gratuitously so or for its own sake such as in many a recent horror movie (the Saw series comes to mind).
I guess the movie could be likened to a good apple pie - certainly nothing revolutionary, in fact quite the staple of its genre, but who would want to turn down a really good apple pie with quality ingredients?
" The Man From Nowhere", widely known as "Ajeossi" in South Korea, essentially depicts a man who has withdrawn himself from the society and lost his sense of worth and living due to the lost of his loved ones. However, he finally began to show affection and fondness in the little girl lives down the street; it was just like how tin man finally found his heart. They were each other's only friend. So when she is taken away, he fights with all his might and wit because he cannot possibly handle the loss of his only beloved friend.
This simple plot is very well executed. In terms of the pacing, it was just right and through subtle interactions between Taesik (played by Won Bin) and Somi (played by Kim Sae-ron), they show their high interdependency and chemistry. There was not a single part of the movie that is boring. Your tension is constantly kept at high, and you will be sometimes treated with some tidbits of laughter.
The narrative is definitely not the only attraction to this movie that eventually became the top selling movie in South Korea in the year 2010. Possibly the other main attraction is the film's cinematography. This movie has superb fight choreography (underscores superb). Brace yourself for a bloody massacre, but one that is not just of a bloody mess but of mission and gracefulness. This, coupled with creative angles and excellent sound effects, you get a movie that is of high production value. This alone assures you that the money that you spend on the movie is worthwhile.
How can one forget the other important factor? It's the protagonist. Won Bin has made several breakthroughs in his acting career that started back in 1997. However, this is probably by far the most successful role that he has taken up. With this single role, he has bagged 7 awards. Is that justified? Certainly! From the initial bizarre look and stare, to later on how he soften his look towards the little girl he wants to protect, to the flashback where it depict his downfall and devastation, to the ruthless and merciless look that was fuelled by hatred and despair when he was in search of the little girl they were all effectively delivered to the audience. You can get so drawn into his acting that you may feel the sheer violence is justified. One moment you grief with the man who lost his loved ones, the next moment you crease your forehead at his brutality. The balance of this multi-faceted character is definitely not easy, but Won Bin did it. Also commendable is that there was no stuntman that stood in for the combat scenes. All the fist, knives and guns action were executed by him. His black belt in Taekwondo definitely comes in handy for his role. Indeed he has proved himself to be more than just an eye candy.
As the movie is coming to an end, it takes on a twist that prevented another episode of tragedy. The ending scene was definitely perplexing at first, but it turns out to be the man has finally found his 'home' for his heart, where he can pour out his affection and love once more. With the calming ending track leading into the credits, you cannot help but be affected, that is being moved to tears. To sum it all: great acting, great production, great movie.
- www.moviexclusive.com
It's very Korean in its thinking, which is always refreshing to me. Saying that, I was surprised by how much it reminded me of TAXI DRIVER. It's not a re-tread by any means, but it almost felt like the director was paying tribute to the earlier film in a couple of scenes. I have no idea if this is true. Most people I have talked to about this movie have never seen the other.
This is an action film and it does not disappoint on that level. Some of it is pretty brutal, but by the finale you will most likely feel that everyone gets what they deserve and, if anything, a few deserved more. This is because they manage to build characters we care about with out slowing down too much. The pacing is nicely done with properly placed comic moments as well. Some of the humor was a bit dark, which was also nice.
What surprised me was how much I cared for the main characters. The child was sweet but not overly so. I'm used to the child being inserted for sentimental or "Ahhhh" effects--like in the first RUSH HOUR--but that is mostly avoided here and it feels much more genuine over all.
There are cruel moments in the film but the film itself did not feel cruel. That is why I liked it. So often films are either mindless, or mean-spirited, and this one avoided these pit-falls.
To develop and to show us characters and relationships. Of course it is heightened. Of course the movie takes liberties in many areas. But it is well played and well acted. The action set pieces are quite something - and while there are many characters, it is all digestable enough and condensed to a point where it works like a clockwork ...
¿Sabías que…?
- Citas
Tae-Sik Cha: You live only for tomorrow.
Man-seok: What?
Tae-Sik Cha: The ones that live for tomorrow, get fucked by the ones living for today.
Man-seok: What are you babbling about?
Tae-Sik Cha: I only live for today. I'll show you just how fucked up that can be.
- ConexionesFeatured in WatchMojo: Top 10 Movie Fights in Bathrooms (2014)
- Bandas sonorasDear
by Mad Soul Child
Selecciones populares
- How long is The Man from Nowhere?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- The Man from Nowhere
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 528,175
- Fin de semana de estreno en EE. UU. y Canadá
- USD 35,751
- 3 oct 2010
- Total a nivel mundial
- USD 44,723,232
- Tiempo de ejecución1 hora 59 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1