El encargado de una casa de empeños con un pasado oscuro se enfrenta a una red de tráfico de drogas y de órganos, con la esperanza de salvar a su única amiga: una niña.El encargado de una casa de empeños con un pasado oscuro se enfrenta a una red de tráfico de drogas y de órganos, con la esperanza de salvar a su única amiga: una niña.El encargado de una casa de empeños con un pasado oscuro se enfrenta a una red de tráfico de drogas y de órganos, con la esperanza de salvar a su única amiga: una niña.
- Dirección
- Guionista
- Elenco
- Premios
- 19 premios ganados y 18 nominaciones en total
- Old Woman
- (as Soo-ryeon Baek)
- Section Chief
- (as Kyeong-eup Nam)
- Detective Kim
- (as Kwak Byung-gyu)
- Bear
- (as Sang-Kyeong Son)
- Loan Shark Company Worker
- (as Cheol-woo Han)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
If you fear the same thing: Don't worry! This movie is exactly what you would expect from great Korean cinema, comparable to the likes of "The Chaser", "Memories of Murder" and "A Bittersweet Life". In this movie, there is lots of rather believable tragedy, little kitsch (there is the occasional unsuitable one-liner and the girl sometimes says things that in my opinion are too mature for her age and yank a little too much at the emotional chain - these are basically the things that brought my rating down to 9/10) and a fair amount of graphic violence and realism in the fighting scenes. There are also some wacky characters just like they appear somewhat frequently in east Asian productions but I think they fit in quite nicely despite the otherwise very serious tone.
If one were to compare it to a US production, I would go with e.g. "A History of Violence" because of the serious tone and the realism but still, the overall style is drastically different.
The whole experience is nicely rounded off with a very beautiful score and the only thing I considered negative besides what I already mentioned was that the plot is moving very fast. At various points I was not sure whether I didn't pay enough attention or whether details were left out. Meaning for instance how one character got the information about another character. These connections of information between characters are not always clear in my opinion but it does not really hurt the story and I am sure that it would be clear with a second viewing - something that this movie absolutely deserves.
To develop and to show us characters and relationships. Of course it is heightened. Of course the movie takes liberties in many areas. But it is well played and well acted. The action set pieces are quite something - and while there are many characters, it is all digestable enough and condensed to a point where it works like a clockwork ...
A lot of people are put off by foreign language films and I hope those people don't let that stop them from watching this.
It has all the panache of a typical Hollywood film and I have to disagree with some comments that the back-story aspect is lacking compared with the action; my exact thoughts when watching this film were along the lines of "I cannot believe how genuine the character development is". The bond between the two main characters is extremely believable (huge props to the actress who played the young kid). I thought the fact that the film wasn't edited down to the hour-and-half standard probably gave them more room to develop and for an action film, there was much more intelligence than I was expecting to the story.
One of the best films I have seen in a long time.
9/10
It's very Korean in its thinking, which is always refreshing to me. Saying that, I was surprised by how much it reminded me of TAXI DRIVER. It's not a re-tread by any means, but it almost felt like the director was paying tribute to the earlier film in a couple of scenes. I have no idea if this is true. Most people I have talked to about this movie have never seen the other.
This is an action film and it does not disappoint on that level. Some of it is pretty brutal, but by the finale you will most likely feel that everyone gets what they deserve and, if anything, a few deserved more. This is because they manage to build characters we care about with out slowing down too much. The pacing is nicely done with properly placed comic moments as well. Some of the humor was a bit dark, which was also nice.
What surprised me was how much I cared for the main characters. The child was sweet but not overly so. I'm used to the child being inserted for sentimental or "Ahhhh" effects--like in the first RUSH HOUR--but that is mostly avoided here and it feels much more genuine over all.
There are cruel moments in the film but the film itself did not feel cruel. That is why I liked it. So often films are either mindless, or mean-spirited, and this one avoided these pit-falls.
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- Citas
Tae-Sik Cha: You live only for tomorrow.
Man-seok: What?
Tae-Sik Cha: The ones that live for tomorrow, get fucked by the ones living for today.
Man-seok: What are you babbling about?
Tae-Sik Cha: I only live for today. I'll show you just how fucked up that can be.
- ConexionesFeatured in WatchMojo: Top 10 Movie Fights in Bathrooms (2014)
- Bandas sonorasDear
by Mad Soul Child
Selecciones populares
- How long is The Man from Nowhere?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- The Man from Nowhere
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 528,175
- Fin de semana de estreno en EE. UU. y Canadá
- USD 35,751
- 3 oct 2010
- Total a nivel mundial
- USD 44,723,232
- Tiempo de ejecución1 hora 59 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1