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Rachelle LeFevre is very good in the role as a displaced, recently divorced student in S. America wanting to make a new start and get away from abusive ex-husband.

The cinematography is very evocative, moody and suspense provoking. She is in San Juan, Puerto Rico and meets a handsome teacher Gianni Guidi, who becomes friendly toward her. Meanwhile she gets harassing calls via an ancient telephone in her apartment. An old woman, who seems at first to need help, but ten other developments ensue.

Luis Guzman has a good cameo here as sometime maintenance/owner of apartment building she lives in

There are twists and turns, the dog, the sudden appearances of sadistic ex-husband (reminds me a bit of "Sleeping with the Enemy" in beginning). However, do not tune this film out, there are Hitchcockian elements to it and the screenplay is well-written and not over the top.

The visuals are excellent and well worth watching. Don't give up on the premise, it works in the end and there are some beautiful shots of Santa Margherita cemetery. Gothic and interesting. 9/10.

I had very little expectations from this film. It didn't look like it had much of a budget and no actors that I'd heard of (okay, so I sort of recognised the main woman from Twilight, but that was about it). However, in this case, less is slightly more (or at least slightly more than the average dross that infests modern horror films).

I wouldn't call The Caller a horror, more of a supernatural thriller. It's about a single woman (aren't they all?) who gets some mysterious phone calls. Nothing too out of the ordinary, but it presents a pretty creepy premise which finds her trapped in a spiralling cycle of torture and paranoia from a very nasty supernatural adversary.

The Caller is a 'slow burner.' This is why it's probably not for everyone. Nothing too out of the ordinary happens in the first half and I can see a lot of people giving up before it really gets going. However, the second act cranks it up a gear and the torment really begins. There are no major scares or gore to speak of; it's more a case of inescapable mental torture.

If you can put up with your films a little slower than normal and without any action, effects or gore then give it a go - all performances better than your average horror/supernatural flick and a slightly different premise which really works.

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The premise of this movie is actually somewhat interesting, even though it's pretty clearly "borrowed" from Frequency. I'm sure it was pitched as "Frequency meets 100 Feet (the Eric Red movie from 2008)". It's not the worst idea I've heard, though it's definitely derivative. The problem is that they never really got any further than that, and it plays out rather stereotypically, with heavy-handed direction, bland characters, trite plotting, and weak dialogue. What really saved the movie, however, was Lorna Raver, who played the crazy gypsy woman in Drag Me To Hell. Man, that woman is creepy! Just hearing her voice on the phone was enough to creep me out. Without her, this movie would only be a 4/10. I'm tempted to give this movie a 6/10, just because of her, but she was the only good thing in it, really.

There are a few times when you're left scratching your head, wondering why the characters are so dumb, but these kinds of thrillers absolutely depend on stupid characters doing things that defy all common sense. If that kind of thing annoys you, I'd avoid this movie. Otherwise, if you're not expecting much and lower your expectations, you might find this an enjoyable waste of time. It's nothing special, but it's not offensively bad, either. If you liked this movie, I'd suggest checking out 100 Feet, a supernatural thriller featuring an abused wife trying to convince people that she's being haunted by her dead, abusive husband. It wasn't amazing, but it was significantly better than this movie. Obviously, there's also Frequency, but that was played much more straight, without the B movie vibe of 100 Feet or The Caller.

i went to see this movie without thinking i was going to be completely engrossed in the film and its complex characters. The story starts with a young woman that is currently in divorce proceedings from her estranged husband, moving into a new apartment. Everything starts off OK except that during her settling in to her new apartment she answers the phone where a older woman on the other line asks for a man that doesn't live there. from there on a phone relationship builds with this seemingly unstable elderly woman and a lonely young woman going through a difficult divorce. in time, strange things begin to happen and the movie takes a scary turn, it becomes extremely suspenseful and scary even though there is a lack of blood and graphic violence. i found the movie very entertaining and with its numerous twists, a movie that made you have discussions afterward in the theater with your friends about who was who, what does it really mean and what was real or a dream. a must see movie!

So it's official, I either don't understand this site, or I don't understand the way people who vote/rate here think. The Caller just might be the most underrated Horror film of 2011, or even ever! So please let me start by recommending that you don't let yourself miss out on it, as you could easily find one million films that would be less fun to watch.

The plot is realistic and relatable, slightly feminist but not in an annoying criticizing way (I hate seeing socio-political agendas and messages in fiction films, regardless of what they are). Mary has recently left her abusive husband and is now living alone in a new apartment. Great acting by Rachelle Lefevre, who is very different than your usual "blond with blue eyes" in Horror films.

As for the story - one of the best most original ideas I've ever seen in a Horror film. Perhaps the idea has been done before, but it's been a first time for me. Many Horror films attempt to make the audience scared and uncomfortable by relating to the terror and despair that are felt by the characters. The Caller does that in a remarkable way that is both original (even if not ground breaking) and immensely effective! That's the way to connect cross-time from Sc-Fi to victim control in Horror!

The cinematography is slightly disappointing, and some of the shots simply appeared a little amateur, as if done by someone not very comfortable with a camera. However, the profound audio effects really make up for it, I really liked them! And to top it all - not one of the annoying overused cheats appear! No visible silicone breasts, no death on account of car not starting, not even an inability to communicate due to a cellphone having no signal! Not to mention there's no use of the corny "sudden loud music to make you jump". There are a few scenes with quiet, close-up and then sudden noise, but delicately and gently done.

All in all - I don't like rating films too high, nor too low. I always look for shortcomings on account of being a pretty easy grader. The Caller, in my opinion, deserves a heck of a lot more recognition and compliments than it's been given. I loved every second of it, and I'd highly recommend it to anyone who enjoys a truly well made Horror film.