Hamarinn

The lead male detective is good in his role and in Season 1 he develops a good repour with the woman detective. In Season 2, he never develops a solid partnership with the woman detective. Season 2 also has some serious plot holes. My wife and I would give it a 7.2 if we could. We enjoyed it, but it isn't a top-notch series.

Does anyone know if there was a series three made? This is an excellent series and number two ended like there would be more.

Is it murder or accident? Is it ball lightning? Or is it an supernatural phenomenon? Is the conflict metaphysical versus physical? supernatural versus natural? industrial versus environmental? Is the main plot man versus nature, man versus man, or man versus himself? Good grief. Can't decide what it wants to be. Can't even decide what height its cliff face is! Are the birds the same size as the humans? Where is the actual path up the side to the top? I watched it all...don't mind using subtitles...enjoyed seeing topography other than Southern California/Hollywood. Acting was acceptable, but overall, the direction seemed clumsy and the plot never coalesced sufficiently to reach a satisfying conclusion. Very disappointed.

In an isolated island country, with a low crime rate and small and at least distantly related population, it would be tricky and/or ridiculous to construct a crime story with lots of heavy criminals and weaponry involved. So you have to find some other points of references and develop them into a credible story - local practices, beliefs, landscape peculiarities...

All this is clearly visible in Hamarinn (The Cliff) where standard issue crime drama story lines and characters are intertwined with (super)natural phenomena and abilities, alas the latter are just depicted and, unlike the tragic event, would obtain no explanation or solution. True, the acting is good, beautifully harsh Icelandic nature visible, but there was still something that fell short for me, falling behind e.g. Ófærð and other films where Baltasar Kormákur is usually involved. Sometimes mysticism is not enough to make the series rounded - or provides unnecessary "simple solution" to worldly acts and thoughts.

This movie from Iceland is not as edgy as other types of Nordic Noir movies. The script is a little childish and confusing, and while the acting is good, the dialog is not. As is common with many Scandinavian movies, everything has to be neatly wrapped up in the end and no one really gets hurt too badly. Any murder that's committed seems to have some moral or "good" reason. This movie, although it has an environmental message, is nowhere as preachy as those from Sweden and especially Norway!