Los tres mosqueteros

Lavish scenarios , spectacular action , court intrigue and exciting swordplay . Last version based on Alexandre Dumas' classic yarn of intrigue at the 17th century French court . Entertaining and fun version based on the classic Dumas novel with spectacular swordplay in nifty style , this is a modern version of the classic Dumas novel set in 17th Century France . Alexandre Dumas's source for his novel was a book by 19th-century writer Courtils de Sandraz, which was purporting to be D'Artagnan's biography ; the Musketeers were actually real people, not fictional characters created by Dumas . Producer and director Paul W.S. Anderson presents Dumas' exciting story of love and adventure , ¨The three musketeers¨ including a lot of computer especial effects , anachronisms and overwhelming aerial scenes . For this plenty FX rendition is adapted in the greatest splendor , the complete romance , the historical characters, the full novel by Alexandre Dumas though including important changes . It is packed with comedy , derring-do , intrigue , a love story , action , drama and moving swordplay . An awesome casting and big-budgeted production shot in Bavarian Studios and location make for a fairly amusement swashbuckler . This is the recent recounting of the Dumas's novel with a fine cast headed by handsome Logan Lerman as hot-headed D'Artagnan in a brave role as a young and handsome soldier of fortune , a dashing , audacious lover and nimble athlete . They must defeat a beautiful double agent and her villainous employer from seizing the French throne and engulfing Europe in war. At the beginning of the movie, the map of Europe shows several states and kingdoms of that era . This delightful adaptation based on Alexandre Dumas classic novel starts with the youngster D'Artagnan who arrives in Paris to find Mister Treville , chief of Musketeers. But he meets with three two-fisted Musketeers , rollicking adventurers , fighting to live and living to love . DÁrtagnan to be aware they are Musketeers and is invited to unite them in their objective to struggle against guards of Cardinal Richelieu well performed by Christopher Waltz and the astute Milady De Winter who is lovely as a jewel, deadly as a dagger the wickedest woman in all Christendom . Meanwhile, D'Artagnan falls in love with a gorgeous young , Constance , Gabriella Wilde , she is a golden-haired beauty entangled in a web of treachery and intrigue. Furthermore , there is developed an intrigue between Luis XIII : Freddie Fox , Queen Anne of Austria : Juno Temple , dazzling as her gilded palace for her, men dared a thousand perils , and Duke of Buckingham , Orlando Bloom ; and of course the nasty Richelieu , as evil as ever . The musketeers join forces for royal vengeance with the shout : ¨One for all and all for one¨. Then , the musketeers whose friendship has become a legend to stir the hearts of men and shouting their slogan set out to help the Queen . Straightforward as well as gallant D'Artagnan and the three musketeers scheme a plan to save her , clashing against a malicious Richelieu .

It's a nice rendition from the immortal novel with pretty budget and breathtaking scenarios . The picture contains rousing action , intrigue , romantic adventure , romance , treachery , mayhem and a lot of fence . Amusing swashbuckling with lavish production , glamorous gowns and luxurious sets . Furthermore , a vein of humour is evident here , though sometimes falling flat . For this movie itself , though , energetic and frantic are the best adjectives you could think of to describe its attraction . Charming but very young and short Logan Lerman , he bounds and leaps , fights , hits and run . Lerman executes athletic feats , moving sword-play and spectacular acrobatics , Logan performed most of the stunts in his films himself . He is accompanied by a good cast as Matthew MacFadden , Luke Evans , Ray Stevenson , Til Schweiger . Furthermore , special mention to Mads Mikkelsen , playing Rochefort, in this movie he wears an eye-patch over the very same left eye that his Le Chiffre character wept blood in Casino Royale (2006).

Adequate and colorful cinematography by Glen MacPherson stunningly showed on the splendorous images being filmed in Munich and German palaces such as Residenz in Würzburg, Lower Franconia, Bavaria . Thrilling as well as evocative musical score by Paul Haslinger , the dance music near the end is appropriate for the time period . Glamorous production design is well reflected on the luxurious interiors and exteriors stunningly filmed . Impressive sets , though many of them made by computer generator , the so called "Ring of fire" crows nest with its 31 cannons was built as a fully working version out of a mass of wood in only fourteen days by a big German company , it is on display in the Babelsberg movie studio film park. The motion picture was professionally realized by Paul W.S. Anderson . This cool filmmaker provided visual style , comedy , fencing , drama , clangorous action in equal proportions .

This classy story is subsequently remade on several versions ,as the MGM classic version in musical style by George Sidney with Gene Kelly , Paul Lukas , Gig Young , Vincent Price , Frank Morgan and Lana Turner as Milady ; 1973 amusing version by Richard Lester with Michael York, Oliver Reed and Raquel Welch ; 1993 modern adaptation by Stephen Herek with Charlie Sheen , Kiefer Sutherland, Oliver Platt and Chris O'Donnell, and 2001 rendition by Peter Hyams with Justin Chambers, Mena Suvari and Tim Roth , among others. ¨The three Musketeers¨ is an outstanding and entertaining adaptation of the classy that will appeal to the costumer genre buffs and it results to be acceptable adaptation with big budget based on the classic

In the plot, D'Artagnan (Logan Lerman) meets the legendary musketeers Athos (Matthew Macfadyen), Aramis (Luke Evans) and Porthos (Ray Stevenson) after several disagreements. They end up falling into a new adventure that could threaten a new war between France and England and they need to join forces to avoid it. Among the obstacles are the spy Milady de Winter (Milla Jovovich), Duke of Buckingham (Orlando Bloom), the corrupt Cardinal Richelieu (Christopher Waltz) and his agent Rochefort (Mads Mikkelsen). In a mixture of humor, sword fights and aerial battles, the characters need to prove that bravery is above any difficulty.

The screenplay by Alex Litvak ("Predators") and Andrew Davies (of the two "Bridget Jones") takes complete freedom to retell Dumas' story. For this, they update themselves in an interesting prologue involving Leonardo's drawings for a kind of flying ship, which can serve as a war strategy for nations. While betrayals are planned, the musketeers need, above all, to find a new reason to live an adventure and, encouraged by the young D'Artagnan, they agree to rescue a jewel that could compromise relations between France and England. It is treated almost as an excuse for swords to be crossed. The almost epic battles, especially in the final act, constantly take the viewer's breath away, who is immersed in pure fun. After all, "The Three Musketeers" has always been, above any bravery it wanted to expose, entertainment.

The truth is that calling this adaptation The Three Musketeers or mentioning the name of its author, Alexandre Dumas, in the credits, is more than an insult, it is an affront. It could very well be titled Milady and the Flying Ships, which would fairly reflect what is on the scene, after all, Athos (Macfayden), Porthos (Stevenson), Aramis (Evans) and D'Artagnan (Lerman) are almost supporting characters in her history itself, serving as means rather than ends of the narrative and never justifying the reluctance of the musketeers to seek a noble enough cause that would impel them to once again defend France.

Evidently, the script preserves the central characters of Dumas' work, especially Cardinal Richelieu (Waltz) and Colonel Rochefort (Mikkelsen), as well as Constance (Gabriella Wilde). However, the similarities stop there. In a plot involving dirigible ships - the only good idea of the entire narrative -, betrayals and the tension between England and France, the scriptwriters only seek to establish, with an emphasis on the seek, the rules of the narrative after it crosses the middle of its duration, when Cardinal Richelieu devises a strange plan to frame the Queen (Juno Temple) of treason with the Duke of Buckingham (Bloom). Until then, the viewer is obliged to accompany D'Artagnan giving love advice to King Louis XIII (Freddie Fox), accompany this character rambling about the new color of fashion or laugh at the comic incursions of Planchet (James Corden), even see him getting hit by pigeon poop, certainly one of the most original gags in film history.

It is worse to imagine that the screenwriters consider themselves to be intelligent or opportune when, in a chess duel between Richelieu and Louis XIII, the former lectures the young man on the king's vulnerability in the game. In addition, it is hard work to think about the script, as when Constance convinces D'Artagnan and exposes Richelieu's plan, even establishing the place where an artifact would be that would seal the supposed betrayal. Moreover, admitting that the musketeers would escape France as easily as they would have arrived in England and without facing the slightest resistance is one of those moments of mental laziness that makes the viewer completely abandon the narrative.

"The Three Musketeers" is nothing more than mediocre and ordinary, common and obvious. Starting with the choice of protagonist, the young Logan Lerman, who had previously wrecked another franchise (Percy Jackson and the Lightning Thief, 2010). The boy lacks charisma, and his D'Artagnan borders on irritating. Those cast to bring the famous trio of musketeers to life are so apathetic and irrelevant that we don't even care what happens to them: Matthew MacFadyen (Pride and Prejudice, 2005), makes an Athos ready to cry at any moment; Ray Stevenson (The Punisher: In War Zone, 2008), appears as a tamed Porthos, far from the involving rebelliousness of the original; and Luke Evans even has a certain charm, but not enough to recall the conquering Aramis.

Reducing the musketeers to stereotypes, Anderson presents Aramis for his religiosity and D'Artagnan for his impetuosity. With nothing to add, they boil down to extras in action scenes, honorable and brave swordsmen fighting after any provocation for a dignified France (if this description gives you goosebumps, imagine seeing them on stage). For her part, Milla Jovovich is improving herself more and more in action cinema, dodging bullets fired at close range and crossing a protected room as if she were her Alice from "Resident Evil"; Meanwhile, Orlando Bloom, desperate to revive Will Turner, is hammy as a villain, forcing an unthreatening voice and a pompadour that would make Elvis jealous. Mads Mikkelsen succeeds in building a fragile Rochefort in the hands of Richelieu, but his last scene in the narrative suffers from chronic embarrassment and involuntary laughter. Finally, Waltz does his best to avoid the cardinal being just a caricature, but fails thanks to the reductionism of the script.

Emulating the swashbuckling genre, in his eagerness to be a new "Pirates of the Caribbean", Paul W. S. Anderson, not content with transforming the fight in the center of the city into a reissue of that feature, also adds pirate ships and makes use of the soundtrack by Paul Haslinger, which, although competent, does not come close to those of Klaus Badelt and Hans Zimmer for the tetralogy of pirates. Anderson even fails in some unnecessary shots like the one of Milady throwing a handkerchief to a fallen D'Artagnan or the one that follows the fall of a pistol from the airship; in the same sense, his predilection for circular tracking shots also has no narrative purpose, serving only to draw the public's attention that there is someone behind the cameras (it would be better if there wasn't). Unable to end his narrative correctly and betting on a pretentious hook for the continuation, the director murdered a classic work and proved his desire to establish a franchise in the best "Pirates of the Caribbean" style. He regrets that these musketeers, not Dumas's, are leagues away from Jack Sparrow and his band.

Technically, the production is better. The art direction, combined with the special effects, efficiently reconstructs the French modern age, visiting some historic monuments such as the Palace of Versailles or the Church of Notre dame. However, the fluid animation at the opening of the narrative leaves a lot to be desired, probably influenced by the 3D recording. Due to the imposition of 3D, Alexander Berner's editing has a fluid and dynamic pace, suitable for an action production, but creating the false impression that, due to the time passing quickly, the film is good. However, it is curious that in a good part of the second act, the musketeers do not even appear gracefully, a mistake that can be attributed to Berner.

Another novelty - this one, yes, much better thought out and explored - is the steampunk setting, with new weapons and even a drivable ship, which makes for a good aerial battle. But that's it. Passionate about technology and hooked on 3D, Anderson uses the most modern cameras that exist here, but he doesn't manage to create something new, pointing a sword here and throwing some things there in the direction of the public, in addition to creating a sense of depth in large sockets. If it works in the open plan, the same cannot be said for the countless times that "Game of Thrones" models and maps are filmed to show the change of scenery. Sword fights, which could be a differentiator, are little explored. The best of them, the first one, uses "300" slow motion, but that's kind of the end of it. Perhaps due to the difficulty of filming longer shots, with a lot of choreography and few cuts, the director once again opted to use his already known megalomania to blow things up.

2011's "The Three Musketeers" abandons its noble origins to become a generic of how a good action movie should be, but without the necessary elements that would set it apart from the sameness of others. Directed without creativity, interpreted without passion and realized as if its only objective were to capitalize on top of the box office, it still commits the audacity of setting up an ending that points to an eventual continuation - something that, by the way, will not happen. And to think that we reached the day when we would miss the 1993 version, which featured Chris O'Donnell as D'Artagnan and the indefectible Charlie Sheen, Kiefer Sutherland and Oliver Platt as Aramis, Athos and Porthos. If we came to consider that production an outrage, it's because we didn't even imagine that we would have this, even more catastrophic, ahead of us.

Silly movie this one but not boring. It cost $75M and it shows. There are huge problems though.

First of all we deal with a classic here, so it has a legacy that must be respected. In this version, every character is presented as a buffoon. The acting, the deliverance...

Leonardo da Vinci, we learn, has drawn up plans for a flying "war machine," a combination of dirigible and seafaring galleon. The plot and the dialogs are full of hot air like the war machine. The director is obviously thought that these were minor issues!

The action is dominated by green-screen and Matrix-like effects.

Overall: Not boring if you are 9 y.o. but a disgrace nevertheless...

There is a saying that goes by the words "Don't fix it if it ain't broke". While there has been umpteen re-makes of the classic novel by Alexandre Dumas, this latest adaptation is not one that Dumas would be proud of. Rather, this film is a desecration of fine prose and the resting place of Dumas himself. The logic defying script expects the viewer to suspend reality with ships that fire cannons while sailing through the air, Ninja styled breach and entry, a "Mission Impossible" styled heist and exotic weaponry, all within the confines of what was supposed to be the renaissance period of 17th century France.

I have found this movie mostly disappointing, starting with the totally unnecessary satire in the script. It is one thing to inject a little comedy, but where is the need to make a parody of one the most widely translated works of literature? Played by Logan Lerman, D'Artagnan sets out to become a musketeer and arrives in Paris to find the famed trio Athos (Matthew Macfadyen), Aramis (Luke Evans) and Porthos (Ray Stevenson) disbanded and de-commissioned by Cardinal Richelieu (Christoph Waltz). After a bravado skirmish with the Cardinal's guards, the young but inexperienced King Louis XIII (Freddie Fox) reinstates Athos, Aramis and Porthos to their former rank and even has D'Artagnan join them for good measure. The awesome foursome then discovers the Cardinal's deadly plot to overthrow the King. By employing Athos's former lover the beautiful but deadly assassin M'lady De Winter (Milla Jovovich), the Cardinal fabricates infidelity between the Queen (Juno Temple) and England's Duke of Buckingham (Orlando Bloom). By doing so, the devious cardinal plots to unleash war on the European Continent, and in the process plans to dispose the King and Queen of France, while acquiring the throne of France for himself. It is now up to the (four) musketeers to prevent France and England from plunging into war by stopping M'lady De Winter from executing the Cardinals evil plan.

With a budget of US$ 100 million, Alexandre Dumas' complex plot is simplified for this movie but hugely amplified with visual effects and 3 D. The effects are literally blown out of proportion while 3 D does not appear to have served its purpose. In comparison, the 1993 title still holds its ground with a lowly budget of US$17 million. The very obvious difference is in the screenplay. In adapting for film, both versions have strayed from the book, but there is still a lot of focus on the story in the 1993 version. With this 2011 remake, director and co-producer Paul .W. S. Anderson has unwisely sacrificed an engaging and all time favorite work of fiction for a very expensive piece of cannon fodder. There is a legend behind the story of the three musketeers and it stands for valor and honor, the protection of king and country and the defense of justice by fighting corruption. Sadly, none of this is even remotely brought to light in Anderson's version. Having previously worked with Milla Jovovich on the zombie infested "Resident Evil" franchise, Anderson sticks to his guns with flamboyant action and goes to the extent of throwing in blades, explosives, zeppelins and yes, fancy fencing . To an extent, creativity in adapting for the screen is always appreciated. However, by overdoing it Anderson has paid a very heavy price as he has not only overlooked core elements of the story, he has also not given due detail to any of the characters. Who were the three musketeers? What made them famous? Why have they pledged alliance to a young and weak King? Regrettably, Andrew Davies and Alex Litvak's screenplay does not justify a franchise re-boot by avoiding early origins of the musketeers and the trio's prominence in the French Monarchy.

For a period piece set in the 17th century, costumes, props and sets seem to be convincing. But what do I know; I haven't been alive for the last 400 years. Although Anderson scores in this area, he fails again with the totally uninspired acting. Lerman plays a hot-headed D'Artagnan, but not with the same passion as portrayed by actors before him. As the titled musketeers, I just could not feel that patriotic vibe from Macfadyen, Evans and Stevenson. As Buckingham, Bloom oozes with cool and makes a grand entrance but his screen time is limited, so don't expect too much swashbuckling as his roles in "Pirates of the Caribbean". Jovovich is the same as ever, only here she does not have zombies to kill. My biggest disappointment is the underused Christoph Waltz. We have seen before how fearsome a villain he can be as the conniving and scheming Col. Landa in Tarantino's "Inglorious Basterds". Yet somehow Waltz fails to maintain that same intensity. It becomes all the more disappointing because the Cardinal is supposedly a central yet treacherous character, but in this film he doesn't appear to be so. Perhaps it all boils down to the script again although I was expecting more from Waltz in comparison to the rest of the actors, as he could have actually been the film's saving grace.

At the end of it all, this latest adaptation will not be worth remembering and will go down as a half-baked attempt at remaking a movie that has been made too many times. In my book, the 1993 version still rules!

I've read other reviews lambasting the historical inaccuracies, the deviation from the original book and the technological impossibilities.....get a grip guys it's a fantasy/adventure movie and I loved it. It's beautifully stylised, the 3D works well and the action sequences are extremely well choreographed. I didn't give a "stuff" that there were a combination of accents that bore no relation to the geography, that the dialogue was campy and that it strayed well away from the original novel, which in fairness has been done to death anyway. It was fun, well made and rattling good entertainment. I read a gazillion reviews telling me how good "Drive" was........that really did bore the pants off me!