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Los tres mosqueteros

Título original: The Three Musketeers
  • 2011
  • B
  • 1h 50min
CALIFICACIÓN DE IMDb
5.7/10
114 k
TU CALIFICACIÓN
POPULARIDAD
3,964
769
Milla Jovovich, Orlando Bloom, Logan Lerman, Matthew Macfadyen, Mads Mikkelsen, Ray Stevenson, Christoph Waltz, and Luke Evans in Los tres mosqueteros (2011)
Hot-headed young D'Artagnan (Lerman) and his musketeer comrades Athos (Macfadyen), Porthos (Stevenson) and Aramis (Evans) work together to thwart the plans of Royal Prime Minister Richelieu to usurp the King of France's power.
Reproducir trailer2:10
30 videos
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SuperheroSwashbucklerActionAdventureFantasyRomanceThriller

D'Artagnan, el joven de cabeza caliente, junto con tres ex legendarios, pero ahora con suerte, los mosqueteros deben unir y derrotar a una bella agente doble y a su malvado empleador para qu... Leer todoD'Artagnan, el joven de cabeza caliente, junto con tres ex legendarios, pero ahora con suerte, los mosqueteros deben unir y derrotar a una bella agente doble y a su malvado empleador para que se apoderen del trono francés y envuelvan a Europa en guerra.D'Artagnan, el joven de cabeza caliente, junto con tres ex legendarios, pero ahora con suerte, los mosqueteros deben unir y derrotar a una bella agente doble y a su malvado empleador para que se apoderen del trono francés y envuelvan a Europa en guerra.

  • Dirección
    • Paul W.S. Anderson
  • Guionistas
    • Alex Litvak
    • Andrew Davies
    • Alexandre Dumas
  • Elenco
    • Logan Lerman
    • Matthew Macfadyen
    • Ray Stevenson
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.7/10
    114 k
    TU CALIFICACIÓN
    POPULARIDAD
    3,964
    769
    • Dirección
      • Paul W.S. Anderson
    • Guionistas
      • Alex Litvak
      • Andrew Davies
      • Alexandre Dumas
    • Elenco
      • Logan Lerman
      • Matthew Macfadyen
      • Ray Stevenson
    • 341Opiniones de los usuarios
    • 231Opiniones de los críticos
    • 35Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 5 nominaciones en total

    Videos30

    Trailer #2
    Trailer 2:10
    Trailer #2
    Trailer #1
    Trailer 1:25
    Trailer #1
    Trailer #1
    Trailer 1:25
    Trailer #1
    "What?"
    Clip 0:45
    "What?"
    "They Were Not the Decoys, I Was"
    Clip 0:49
    "They Were Not the Decoys, I Was"
    "This Is Your Chance"
    Clip 1:02
    "This Is Your Chance"
    "It Was an Off Day"
    Clip 0:36
    "It Was an Off Day"

    Fotos204

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    Elenco principal36

    Editar
    Logan Lerman
    Logan Lerman
    • D'Artagnan
    Matthew Macfadyen
    Matthew Macfadyen
    • Athos
    Ray Stevenson
    Ray Stevenson
    • Porthos
    Milla Jovovich
    Milla Jovovich
    • Milady de Winter
    Helen George
    Helen George
    • Blonde
    Christian Oliver
    Christian Oliver
    • Venetian Nobleman
    Luke Evans
    Luke Evans
    • Aramis
    Til Schweiger
    Til Schweiger
    • Cagliostro
    Markus Brandl
    • Sergeant Venetian Guard
    Orlando Bloom
    Orlando Bloom
    • Duke of Buckingham
    Dexter Fletcher
    Dexter Fletcher
    • D'Artagnan's Father
    Jane Perry
    Jane Perry
    • D'Artagnan's Mother
    Mads Mikkelsen
    Mads Mikkelsen
    • Rochefort
    Andy Gathergood
    Andy Gathergood
    • Drunk
    Susanne Wolff
    Susanne Wolff
    • Cougar
    Ben Moor
    Ben Moor
    • Tailor
    Christoph Waltz
    Christoph Waltz
    • Richelieu
    Freddie Fox
    Freddie Fox
    • King Louis
    • Dirección
      • Paul W.S. Anderson
    • Guionistas
      • Alex Litvak
      • Andrew Davies
      • Alexandre Dumas
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios341

    5.7114.2K
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    Opiniones destacadas

    imbigmo

    Leave your sensible head in the foyer.

    I've read other reviews lambasting the historical inaccuracies, the deviation from the original book and the technological impossibilities.....get a grip guys it's a fantasy/adventure movie and I loved it. It's beautifully stylised, the 3D works well and the action sequences are extremely well choreographed. I didn't give a "stuff" that there were a combination of accents that bore no relation to the geography, that the dialogue was campy and that it strayed well away from the original novel, which in fairness has been done to death anyway. It was fun, well made and rattling good entertainment. I read a gazillion reviews telling me how good "Drive" was........that really did bore the pants off me!
    5fernandoschiavi

    "The Three Musketeers" abandons its noble origins to become a generic and mediocre adaptation where the musketeers are only stereotypes

    In the plot, D'Artagnan (Logan Lerman) meets the legendary musketeers Athos (Matthew Macfadyen), Aramis (Luke Evans) and Porthos (Ray Stevenson) after several disagreements. They end up falling into a new adventure that could threaten a new war between France and England and they need to join forces to avoid it. Among the obstacles are the spy Milady de Winter (Milla Jovovich), Duke of Buckingham (Orlando Bloom), the corrupt Cardinal Richelieu (Christopher Waltz) and his agent Rochefort (Mads Mikkelsen). In a mixture of humor, sword fights and aerial battles, the characters need to prove that bravery is above any difficulty.

    The screenplay by Alex Litvak ("Predators") and Andrew Davies (of the two "Bridget Jones") takes complete freedom to retell Dumas' story. For this, they update themselves in an interesting prologue involving Leonardo's drawings for a kind of flying ship, which can serve as a war strategy for nations. While betrayals are planned, the musketeers need, above all, to find a new reason to live an adventure and, encouraged by the young D'Artagnan, they agree to rescue a jewel that could compromise relations between France and England. It is treated almost as an excuse for swords to be crossed. The almost epic battles, especially in the final act, constantly take the viewer's breath away, who is immersed in pure fun. After all, "The Three Musketeers" has always been, above any bravery it wanted to expose, entertainment.

    The truth is that calling this adaptation The Three Musketeers or mentioning the name of its author, Alexandre Dumas, in the credits, is more than an insult, it is an affront. It could very well be titled Milady and the Flying Ships, which would fairly reflect what is on the scene, after all, Athos (Macfayden), Porthos (Stevenson), Aramis (Evans) and D'Artagnan (Lerman) are almost supporting characters in her history itself, serving as means rather than ends of the narrative and never justifying the reluctance of the musketeers to seek a noble enough cause that would impel them to once again defend France.

    Evidently, the script preserves the central characters of Dumas' work, especially Cardinal Richelieu (Waltz) and Colonel Rochefort (Mikkelsen), as well as Constance (Gabriella Wilde). However, the similarities stop there. In a plot involving dirigible ships - the only good idea of the entire narrative -, betrayals and the tension between England and France, the scriptwriters only seek to establish, with an emphasis on the seek, the rules of the narrative after it crosses the middle of its duration, when Cardinal Richelieu devises a strange plan to frame the Queen (Juno Temple) of treason with the Duke of Buckingham (Bloom). Until then, the viewer is obliged to accompany D'Artagnan giving love advice to King Louis XIII (Freddie Fox), accompany this character rambling about the new color of fashion or laugh at the comic incursions of Planchet (James Corden), even see him getting hit by pigeon poop, certainly one of the most original gags in film history.

    It is worse to imagine that the screenwriters consider themselves to be intelligent or opportune when, in a chess duel between Richelieu and Louis XIII, the former lectures the young man on the king's vulnerability in the game. In addition, it is hard work to think about the script, as when Constance convinces D'Artagnan and exposes Richelieu's plan, even establishing the place where an artifact would be that would seal the supposed betrayal. Moreover, admitting that the musketeers would escape France as easily as they would have arrived in England and without facing the slightest resistance is one of those moments of mental laziness that makes the viewer completely abandon the narrative.

    "The Three Musketeers" is nothing more than mediocre and ordinary, common and obvious. Starting with the choice of protagonist, the young Logan Lerman, who had previously wrecked another franchise (Percy Jackson and the Lightning Thief, 2010). The boy lacks charisma, and his D'Artagnan borders on irritating. Those cast to bring the famous trio of musketeers to life are so apathetic and irrelevant that we don't even care what happens to them: Matthew MacFadyen (Pride and Prejudice, 2005), makes an Athos ready to cry at any moment; Ray Stevenson (The Punisher: In War Zone, 2008), appears as a tamed Porthos, far from the involving rebelliousness of the original; and Luke Evans even has a certain charm, but not enough to recall the conquering Aramis.

    Reducing the musketeers to stereotypes, Anderson presents Aramis for his religiosity and D'Artagnan for his impetuosity. With nothing to add, they boil down to extras in action scenes, honorable and brave swordsmen fighting after any provocation for a dignified France (if this description gives you goosebumps, imagine seeing them on stage). For her part, Milla Jovovich is improving herself more and more in action cinema, dodging bullets fired at close range and crossing a protected room as if she were her Alice from "Resident Evil"; Meanwhile, Orlando Bloom, desperate to revive Will Turner, is hammy as a villain, forcing an unthreatening voice and a pompadour that would make Elvis jealous. Mads Mikkelsen succeeds in building a fragile Rochefort in the hands of Richelieu, but his last scene in the narrative suffers from chronic embarrassment and involuntary laughter. Finally, Waltz does his best to avoid the cardinal being just a caricature, but fails thanks to the reductionism of the script.

    Emulating the swashbuckling genre, in his eagerness to be a new "Pirates of the Caribbean", Paul W. S. Anderson, not content with transforming the fight in the center of the city into a reissue of that feature, also adds pirate ships and makes use of the soundtrack by Paul Haslinger, which, although competent, does not come close to those of Klaus Badelt and Hans Zimmer for the tetralogy of pirates. Anderson even fails in some unnecessary shots like the one of Milady throwing a handkerchief to a fallen D'Artagnan or the one that follows the fall of a pistol from the airship; in the same sense, his predilection for circular tracking shots also has no narrative purpose, serving only to draw the public's attention that there is someone behind the cameras (it would be better if there wasn't). Unable to end his narrative correctly and betting on a pretentious hook for the continuation, the director murdered a classic work and proved his desire to establish a franchise in the best "Pirates of the Caribbean" style. He regrets that these musketeers, not Dumas's, are leagues away from Jack Sparrow and his band.

    Technically, the production is better. The art direction, combined with the special effects, efficiently reconstructs the French modern age, visiting some historic monuments such as the Palace of Versailles or the Church of Notre dame. However, the fluid animation at the opening of the narrative leaves a lot to be desired, probably influenced by the 3D recording. Due to the imposition of 3D, Alexander Berner's editing has a fluid and dynamic pace, suitable for an action production, but creating the false impression that, due to the time passing quickly, the film is good. However, it is curious that in a good part of the second act, the musketeers do not even appear gracefully, a mistake that can be attributed to Berner.

    Another novelty - this one, yes, much better thought out and explored - is the steampunk setting, with new weapons and even a drivable ship, which makes for a good aerial battle. But that's it. Passionate about technology and hooked on 3D, Anderson uses the most modern cameras that exist here, but he doesn't manage to create something new, pointing a sword here and throwing some things there in the direction of the public, in addition to creating a sense of depth in large sockets. If it works in the open plan, the same cannot be said for the countless times that "Game of Thrones" models and maps are filmed to show the change of scenery. Sword fights, which could be a differentiator, are little explored. The best of them, the first one, uses "300" slow motion, but that's kind of the end of it. Perhaps due to the difficulty of filming longer shots, with a lot of choreography and few cuts, the director once again opted to use his already known megalomania to blow things up.

    2011's "The Three Musketeers" abandons its noble origins to become a generic of how a good action movie should be, but without the necessary elements that would set it apart from the sameness of others. Directed without creativity, interpreted without passion and realized as if its only objective were to capitalize on top of the box office, it still commits the audacity of setting up an ending that points to an eventual continuation - something that, by the way, will not happen. And to think that we reached the day when we would miss the 1993 version, which featured Chris O'Donnell as D'Artagnan and the indefectible Charlie Sheen, Kiefer Sutherland and Oliver Platt as Aramis, Athos and Porthos. If we came to consider that production an outrage, it's because we didn't even imagine that we would have this, even more catastrophic, ahead of us.
    6ma-cortes

    Again an intrepid young D'Artagnan along with three legendary Musketeers have to fight Milady of Winter and villainous Cardinal Richelieu

    Lavish scenarios , spectacular action , court intrigue and exciting swordplay . Last version based on Alexandre Dumas' classic yarn of intrigue at the 17th century French court . Entertaining and fun version based on the classic Dumas novel with spectacular swordplay in nifty style , this is a modern version of the classic Dumas novel set in 17th Century France . Alexandre Dumas's source for his novel was a book by 19th-century writer Courtils de Sandraz, which was purporting to be D'Artagnan's biography ; the Musketeers were actually real people, not fictional characters created by Dumas . Producer and director Paul W.S. Anderson presents Dumas' exciting story of love and adventure , ¨The three musketeers¨ including a lot of computer especial effects , anachronisms and overwhelming aerial scenes . For this plenty FX rendition is adapted in the greatest splendor , the complete romance , the historical characters, the full novel by Alexandre Dumas though including important changes . It is packed with comedy , derring-do , intrigue , a love story , action , drama and moving swordplay . An awesome casting and big-budgeted production shot in Bavarian Studios and location make for a fairly amusement swashbuckler . This is the recent recounting of the Dumas's novel with a fine cast headed by handsome Logan Lerman as hot-headed D'Artagnan in a brave role as a young and handsome soldier of fortune , a dashing , audacious lover and nimble athlete . They must defeat a beautiful double agent and her villainous employer from seizing the French throne and engulfing Europe in war. At the beginning of the movie, the map of Europe shows several states and kingdoms of that era . This delightful adaptation based on Alexandre Dumas classic novel starts with the youngster D'Artagnan who arrives in Paris to find Mister Treville , chief of Musketeers. But he meets with three two-fisted Musketeers , rollicking adventurers , fighting to live and living to love . DÁrtagnan to be aware they are Musketeers and is invited to unite them in their objective to struggle against guards of Cardinal Richelieu well performed by Christopher Waltz and the astute Milady De Winter who is lovely as a jewel, deadly as a dagger the wickedest woman in all Christendom . Meanwhile, D'Artagnan falls in love with a gorgeous young , Constance , Gabriella Wilde , she is a golden-haired beauty entangled in a web of treachery and intrigue. Furthermore , there is developed an intrigue between Luis XIII : Freddie Fox , Queen Anne of Austria : Juno Temple , dazzling as her gilded palace for her, men dared a thousand perils , and Duke of Buckingham , Orlando Bloom ; and of course the nasty Richelieu , as evil as ever . The musketeers join forces for royal vengeance with the shout : ¨One for all and all for one¨. Then , the musketeers whose friendship has become a legend to stir the hearts of men and shouting their slogan set out to help the Queen . Straightforward as well as gallant D'Artagnan and the three musketeers scheme a plan to save her , clashing against a malicious Richelieu .

    It's a nice rendition from the immortal novel with pretty budget and breathtaking scenarios . The picture contains rousing action , intrigue , romantic adventure , romance , treachery , mayhem and a lot of fence . Amusing swashbuckling with lavish production , glamorous gowns and luxurious sets . Furthermore , a vein of humour is evident here , though sometimes falling flat . For this movie itself , though , energetic and frantic are the best adjectives you could think of to describe its attraction . Charming but very young and short Logan Lerman , he bounds and leaps , fights , hits and run . Lerman executes athletic feats , moving sword-play and spectacular acrobatics , Logan performed most of the stunts in his films himself . He is accompanied by a good cast as Matthew MacFadden , Luke Evans , Ray Stevenson , Til Schweiger . Furthermore , special mention to Mads Mikkelsen , playing Rochefort, in this movie he wears an eye-patch over the very same left eye that his Le Chiffre character wept blood in Casino Royale (2006).

    Adequate and colorful cinematography by Glen MacPherson stunningly showed on the splendorous images being filmed in Munich and German palaces such as Residenz in Würzburg, Lower Franconia, Bavaria . Thrilling as well as evocative musical score by Paul Haslinger , the dance music near the end is appropriate for the time period . Glamorous production design is well reflected on the luxurious interiors and exteriors stunningly filmed . Impressive sets , though many of them made by computer generator , the so called "Ring of fire" crows nest with its 31 cannons was built as a fully working version out of a mass of wood in only fourteen days by a big German company , it is on display in the Babelsberg movie studio film park. The motion picture was professionally realized by Paul W.S. Anderson . This cool filmmaker provided visual style , comedy , fencing , drama , clangorous action in equal proportions .

    This classy story is subsequently remade on several versions ,as the MGM classic version in musical style by George Sidney with Gene Kelly , Paul Lukas , Gig Young , Vincent Price , Frank Morgan and Lana Turner as Milady ; 1973 amusing version by Richard Lester with Michael York, Oliver Reed and Raquel Welch ; 1993 modern adaptation by Stephen Herek with Charlie Sheen , Kiefer Sutherland, Oliver Platt and Chris O'Donnell, and 2001 rendition by Peter Hyams with Justin Chambers, Mena Suvari and Tim Roth , among others. ¨The three Musketeers¨ is an outstanding and entertaining adaptation of the classy that will appeal to the costumer genre buffs and it results to be acceptable adaptation with big budget based on the classic
    woodiah

    Not a Good Movie

    Went to see this movie, only because I have seen the numerous previous ones. I wasn't expecting much and got exactly what I expected... The makers have totally disregarded the fact this story is set at a "time and history" and have gone high tech including ridiculous CG affects. We have flying machines machines, multi-firing cannons, and all with explosions that are totally unbelievable for the "period in history" the story is set in... Other than that, the acting is elementary.

    Have an hankering for The Three Musketeers, rent the 1993 version - It abuses the story enough and is watchable!

    Skip this one!
    4michael-neichl-904-632888

    There is stupid logic, no logic and then there is...

    The three musketeers, and by god am I disappointed. I mean don't get me wrong I excepted a simple story with typical elements, nice fight scenes and a great cast that can act great. Except for the actually really cool looking fights I didn't get anything, the cast is great but the dialogs and script are so horrible even Christoph Waltz couldn't save them. The story is all over the place, you don't get to know any of the musketeers, or barely a character at all and the biggest problem: A movie doesn't have to be realistic for me but it has to make sense in his own universe of the movie (like Matrix its not realistic but logical). The three musketeers plays with the rules of physics, logic and sense of a human being like they were beanbags. Oh and surprise surprise: 3D is useless, but thats nothing new tell me a movie that really had to have 3D except for avatar or maybe tron.

    Movie with a simple plot fine , one that makes no sense at all, you better don't count on my vote.

    So if you can enjoy a pointless excuse of a story for some nice swordplay, have fun.

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    6.1
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    Argumento

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    ¿Sabías que…?

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    • Trivia
      The so-called "Ring of Fire" crows' nest with its 31 cannons was built as a fully-working version out of a mass of wood in only 14 days by a German company called 'pyro.labs berlin'. It is on display in the Babelsberg movie studio film park.
    • Errores
      Buttercup's (the horse) spots start to run when he starts to sweat.
    • Citas

      D'Artagnan: Enjoying the show?

      Constance: Are you always this cocky?

      D'Artagnan: Only on Tuesdays... and whenever beautiful women are involved.

      Constance: So, you think I'm beautiful?

      D'Artagnan: Actually, it's Tuesday.

    • Créditos curiosos
      At the end of the movie, the first credits have a dedication "For Bernd", referencing Bernd Eichinger, who died in January 2011. He was producer of Resident Evil: El huésped maldito (2002) and some of its sequels, also directed by Paul W.S. Anderson.
    • Conexiones
      Featured in Projector: The Three Musketeers 3D (2011)
    • Bandas sonoras
      Royal Dance
      Written by A.R. Luciani

      Courtesy of Universal Publishing Production Music

    Selecciones populares

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    Preguntas Frecuentes19

    • How long is The Three Musketeers?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 28 de octubre de 2011 (México)
    • Países de origen
      • Estados Unidos
      • Alemania
      • Francia
      • Reino Unido
    • Sitios oficiales
      • Official site (France)
      • Official site (Japan)
    • Idioma
      • Inglés
    • También se conoce como
      • The Three Musketeers
    • Locaciones de filmación
      • Würzburg Residence, Wurzburgo, Baviera, Alemania
    • Productoras
      • Summit Entertainment
      • Constantin Film
      • Impact Pictures
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 75,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 20,374,484
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 8,674,452
      • 23 oct 2011
    • Total a nivel mundial
      • USD 132,274,484
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 50 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
      • Datasat
      • Dolby Surround 7.1
    • Relación de aspecto
      • 2.35 : 1

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