Gut

The acting, which has been frequently panned, looked pretty bad in the trailer but once you get into the film, it's really not that bad. The movie itself is pretty far removed from a snuff film, but snuff films are central to the story.

Yeah, it's pretty slow paced. But I've certainly seen worse. The two lead males (named Tom and Dan in the movie) end up being fairly likable and we're certainly rooting for Tom's wife and daughter to come out of all this crap the men got into unscathed. There are several things that I would've handled differently than Tom, but it's understandable why he tried to keep it all a secret...and then it spun all out of control.

If I listened to several reviews here, I would not have watched the movie at all, and that would've been a miss. I dislike when reviewers tell you "don't watch this movie, it's garbage." Everyone's got an opinion, and most opinions are just one point of view, so don't presume that nobody else will enjoy a film even when you did not.

Even if I hate a film, I won't ever tell people not to watch it. I won't proclaim it's an hour-and-a-half I can never get back (duh, no kidding). "Gut" is worth a shot. It won't be everyone's cup of tea, but for some viewers it's worth the time.

Slow independent film sees two become fascinated with a snuff films. These are shown briefly and are odd and disturbing without becoming grotesque. Neither man seems stable prior to this, but then they both become more unstable after joining together to watch these films. There is some semblance of "who's doing this?" But that mystery isn't fully developed. One man is a family man, and he seems to be disturbed after watching these as now his world is too quiet, too dull given the impact of death and blood have had on him. Overall, that is the extent of this film. Poor production quality, poor plot development, no real tension or suspense. Just two men displaying the boredom of their lives and their descent into the grotesque for stimulation rather than trying to develop anything in their existence. Sad film that brings nothing much to this type of film.

This is a great debut feature from writer/director Elias. Although classed as a horror, it really is much more of a mystery thriller, with a focus on characters rather than action, and it works very well. This is a great movie for fans of independent film, and a great lesson in low key, slow burn tension building. It covers subjects like obsession, voyeurism, friendship, and the onset of adulthood and responsibility; but it also throws some great gore (and a descent amount of boobs) in the mix too.

The film focuses mainly on two male leads(Tom and Dan), friends since school but now gradually drifting apart as adulthood takes its toll. The other main characters are Tom's wife (who lovingly attempts to keep her husband engaged in their relationship), and also their daughter. Except for a couple of other incidental characters, that is pretty much the whole cast, but it is all the cast that is needed here. The injections of comedy at the start may, at first, seem like this is another attempt at mixing comedy and horror, but it isn't, it simply helps cement the impact of the dark deterioration of the characters later on. This film is, as I said, a slow burn, it's character based and dialogue driven and not one for people who need something explosive happening in every scene, however, fans of psychological horror thrillers should love it. The lead role of Tom (played well by Jason Vail), really captures the disenchantment of adult life, while Dan (equally good) represents that person who clings to his youthful freedom and cant understand why his friend wont stay there with him. Tom's increasing detachment from his friends and family is really the catalyst for all that comes later.

The film makes it clear that the two friends have always been fans of horror, (using various inter-textual references), and in an attempt to get Tom to engage with him again, Dan orders an underground horror movie from the internet; this is where things begin to go downhill. Eventually, Dan persuades Tom to come and watch the mysterious film with him, at first Tom is horrified by it, but afterwards cannot stop thinking about it. Nightmares, strange desires and hallucinations start to add to Tom's already struggling mind while Dan's obsession with these strange videos grows.

The gore in this film doesn't come in huge buckets, but when it does come it is very well done (the film earned a well deserved award for effects), part of me would have liked a little more gore at times, but the other part of me knows that it would have seemed gratuitous and would have detracted from the story itself, so I shall reprimand the gore hound in me for this craving.

I wont go further into the plot to avoid spoilers, but I will say that the ending is very well realised; many films that leave questions at the end either leave too many questions or give no clues to the truth at all. Here, although quite subtle, I think a great balance between closure and ambiguity is reached.

If I had any complaint about the film, it would be that in a couple of points the dialogue seems a little forced and unnatural, but this is very minor nitpicking in an otherwise engrossing, disturbing and well executed film.

I will definitely be keeping my eye out for more from writer/director Elias in the future, I suggest you all do the same.

Before I even get into the movie, their use of music amounts to torture in itself. It is worth taking several points off any rating. We meet Tom and Dan, friends for a long time, and Dan considers himself sort of a horror film maker, although one he did got really panned. They both work in an office, but what they do is impossible to guess, as Dan seems to do little, and Tom not much more. Tom is bored with his work, and Dan seems like the proverbial sad sack. Oh, Dan often wears his jacket while at work, and they frequent a diner for lunch, as regulars. Dan got an interesting DVD, and invites Tom to watch it with him. It is torture/snuff porn, but is it real? But it is addictive. Tom even gets visions about it. It starts to take over their lives. But it turns out there is a very, very dark side, and that is the latter part of the movie. In a movie, the music can set the mood, and in this movie, the mood is not to watch it. I did make it to the end, where the real horror is.

Hello, everyone! If all you horror buffs out there are on the prowl for the kind of interesting, compelling, and innovative horror-thriller that really isn't made anymore, that dares to *involve* the viewer in its horror (and not just splay it all out there graphically for the viewer to revel in), then "Gut" is absolutely the perfect movie for you! :) It's a terrific socio-psych horror film...think of it as "Fargo" with a Todd Solondz spin for the first half (with all the occasional dark humor that implies), with really great character development and humor, and an building sense of ambiguous mood/dread throughout (with Kubrick-esque sound design) that leaves your mind racing faster and faster. It has a Western/Jarmusch-esque alternation of quick cuts and long takes, but never in like a distancing or showstopping sort of way like Michael Haneke. And to top it all off, the underlying issues/theme of the movie are always clear and 100% relatable, about the neediness and isolated dependency and suppressed hostility of American suburbia, and the arrested development and uncommunicativeness that can result. The plot may revolve around snuff films, that is true (only VERY rarely seen on screen in slivers), but the film is REALLY about all the suppressed emotions and urges that get manifested *through* them. If you like movies like "Fight Club" and "Cape Fear", but on a smaller, more human indie-horror scale, this is most definitely the movie for you! Enjoy, everyone! :)