Sublime

Sublime is a beautifully understated film that captures the quiet intensity of unspoken emotions. Martín Miller and Teo Inama Chiabrando bring a raw, natural chemistry as Manu and Felipe, making every glance and hesitation feel achingly real. The film thrives in its silences, letting the tension and confusion of first love unfold organically rather than through dramatic declarations. Its strength lies in its authenticity-no forced tropes, just the delicate, sometimes messy process of realizing feelings you can't quite name. It's a film that doesn't shout its message but lingers in your mind, much like the first love it portrays.

It seems a sum of virtues. From the admirable young actors to the beautiful music, plot and gentle - precise exploration of youth , in its basic traits ,its feelings, reactions, love and revenge, try to be like others and torture of unspoken truths with simplicity and rare science to explore details.

A film about friendship, love and ( self ) discover.

Seductive at whole, powerful, delicate and wise crafted scene by scene.

In short, for reasons to discover step by step, a pure delight because its realism is far to be essence of manifesto or demonstration of forms of correctness.

A beautiful film , impressive for authentic freshness, for dialogues and for cinematography.

Easy to love it.

This is a fairly subtle gay coming-of-age tale that should more accurately have been titled "Sublimated." It skillfully integrates Manu and Felipe's progress in developing a rock band with the warming of their personal relationship.

Periodic vignettes of Manu and Felipe remind of what is operating behind the straight façade, but there is no outright sexual activity. The furnished van in the woods that is set up for illicit encounters could have served that purpose. It is actually a vehicle to give the plot a secondary line.

Child actors seldom move on to adult success because their charm at 16 does not carry over to a serious acting career. They are not professionally trained although these youngsters deserve the benefit of the doubt.

Apart from the Hollywood world, which warms and warms up stereotype LGBTQ characters like Call Me By Your Name and brings them before us, more grounded scenarios from non-English speaking countries (especially Spanish speaking) are not at the box office, but are met by the audience at festivals and in the subsequent sales process.

A escondidas, Hoje Eu Quero Voltar Sozinho, Ete 85 and Close and Berdreymi, which are currently shown in cinemas and fertile, are some good examples of this.

Born in 1980, director Mariano Biasin (except for his previous short films and assistant directorships) is his directorial debut, Sublime, and is a very good Coming-Of-Age story.

Still circulating at festivals, Sublime is one of the productions you should add to your Watchlist this year.

I would say that this film didn't meet the expectations i had after reading all the positive reviews and recommendations.

The story is indeed interesting and original. What didn't really amaze me is the way the story develops, since I found the characters' interaction with each other particularly static and with no actual profound moment.

The storytelling is very slow and monotonous, without a single hint of enhancement throughout the whole movie.

What I did appreciate about this film is the way the main character is portrayed, a depiction of LGBT people that stays true to the reality of the majority of queer people in Argentina and in many other parts of the world.