La historia de Agnes, la esposa de William Shakespeare, en su lucha por superar la pérdida de su único hijo.La historia de Agnes, la esposa de William Shakespeare, en su lucha por superar la pérdida de su único hijo.La historia de Agnes, la esposa de William Shakespeare, en su lucha por superar la pérdida de su único hijo.
Próximamente
Se lanza el 22 de enero de 2026
- Premios
- 37 premios ganados y 196 nominaciones en total
- Dirección
- Escritura
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I was really looking forward to this movie. Couldn't wait. I don't think I have ever been so disappointed in a movie in my life.
My wife fell asleep.
I didn't expect history but it was so far off Shakespeare's life. The performances were good and I always like seeing Emily Watson, but the story was very slow. I never felt a connection to the characters. I do not recommend.
My wife fell asleep.
I didn't expect history but it was so far off Shakespeare's life. The performances were good and I always like seeing Emily Watson, but the story was very slow. I never felt a connection to the characters. I do not recommend.
Watched at the 2025 Toronto International Film Festival.
A beautiful, emotional, and raw tale about the tale of loss, romance, bonds, family, and the surroundings world of the Shakespeare family. I'm so happy Chloe Zhao is back to her roots as her direction on the atmosphere, writing, characters and tone is absolutely remarkable. On exploring the characters, their conflicts and movements, and emotions, within the gorgeous production designs, beautiful camerawork, sound designs and strong powerful direction on the themes and tone was balanced, creative and excellent. Zhao works well on exploring on the normal individuals lives revolving around social class, community and lives. While unlike focusing on the modern era, still, Zhao's approach with the classic era still remains powerful and effective.
The characters were interesting as observing the lives of a couple dealing with their problems, their goals, and the emotions gathering between is pretty good. Especially the performances as Paul Mescal, Jessie Buckley and the rest of the cast were fantastic. I'm so happy to see Buckley receiving more recognition as she is very talented and deserves it.
The dialogue is pretty good, the musical score is great, and the writing, although admittedly, certain writing concepts didn't fully work at some points, was engaging, interesting and offered some pretty great themes to explore. Coming out from my screening, I'd overheard some calling this Oscar Bait and I disagree, Oscar Bait movies are much more forced, pretentious and those trying so hard to be so grand and excellent. Hamnet doesn't feel forced, it feels genuine, raw, realistic and at times, a good neo-realism.
Overall, I'm happy for Zhao to be back in her roots for what she is very good with. Definitely one of the best movies from the festival so far.
A beautiful, emotional, and raw tale about the tale of loss, romance, bonds, family, and the surroundings world of the Shakespeare family. I'm so happy Chloe Zhao is back to her roots as her direction on the atmosphere, writing, characters and tone is absolutely remarkable. On exploring the characters, their conflicts and movements, and emotions, within the gorgeous production designs, beautiful camerawork, sound designs and strong powerful direction on the themes and tone was balanced, creative and excellent. Zhao works well on exploring on the normal individuals lives revolving around social class, community and lives. While unlike focusing on the modern era, still, Zhao's approach with the classic era still remains powerful and effective.
The characters were interesting as observing the lives of a couple dealing with their problems, their goals, and the emotions gathering between is pretty good. Especially the performances as Paul Mescal, Jessie Buckley and the rest of the cast were fantastic. I'm so happy to see Buckley receiving more recognition as she is very talented and deserves it.
The dialogue is pretty good, the musical score is great, and the writing, although admittedly, certain writing concepts didn't fully work at some points, was engaging, interesting and offered some pretty great themes to explore. Coming out from my screening, I'd overheard some calling this Oscar Bait and I disagree, Oscar Bait movies are much more forced, pretentious and those trying so hard to be so grand and excellent. Hamnet doesn't feel forced, it feels genuine, raw, realistic and at times, a good neo-realism.
Overall, I'm happy for Zhao to be back in her roots for what she is very good with. Definitely one of the best movies from the festival so far.
I read Maggie O'Farrell's novel Hamnet and admired it a great deal. Then I saw the film, directed by Chloé Zhao, and I have to say: I liked the movie even more.
The acting is quietly astonishing. No one is pushing, no one is showing off. It's all deeply human, moment to moment, from the first frame to the last. This is one of those films where small things planted early on actually matter later - and when they finally come back around, they land with real emotional weight. You might want to have a box of Kleenex nearby. I'm not kidding.
There's a lot of patience here. The pacing is extremely slow - slower than almost any modern film I can think of - and that is very clearly a deliberate choice, not a mistake. Whether that works for you will depend on how willing you are to sit still and let a story unfold on its own terms. For me, it did.
What I responded to most was the humanity of it. Grief, love, endurance, memory - all handled without sentimentality or manipulation. The film trusts its audience, and that trust is rewarded by the time you reach the end, which is genuinely beautiful.
I gave it an 8/10.
It's not a movie for everyone, but if you're willing to slow down and really watch, Hamnet stays with you.
The acting is quietly astonishing. No one is pushing, no one is showing off. It's all deeply human, moment to moment, from the first frame to the last. This is one of those films where small things planted early on actually matter later - and when they finally come back around, they land with real emotional weight. You might want to have a box of Kleenex nearby. I'm not kidding.
There's a lot of patience here. The pacing is extremely slow - slower than almost any modern film I can think of - and that is very clearly a deliberate choice, not a mistake. Whether that works for you will depend on how willing you are to sit still and let a story unfold on its own terms. For me, it did.
What I responded to most was the humanity of it. Grief, love, endurance, memory - all handled without sentimentality or manipulation. The film trusts its audience, and that trust is rewarded by the time you reach the end, which is genuinely beautiful.
I gave it an 8/10.
It's not a movie for everyone, but if you're willing to slow down and really watch, Hamnet stays with you.
This movie is about remembrance, dedication, love.
I came in knowing almost nothing and only fully realized this was about Shakespeare near the very end of the movie. In a sense, I wish I knew more about Shakespeare's history and the story of hamlet. However, I feel coming in with nothing actually added more to the film and its emotion; not fully understanding what was happening till the very end made it so much stronger going into that last march. To be honest I wasn't fully convinced with the first half of the film, but the last part brought it all back making everything make sense again.
The introduction of the theater is crucial to prepare the audience for the scene that's about to unfold. The camera and angles from the beginning of the theater scene builds the suspense: the feeling of who Will has become, and the meaning of this play combined with the tension between them two.
The acting is also incredible with paul and jacobi's performances truly making the movie - raw, authentic, and full of emotion. Particularly Paul's "again" scene. It might be worth an award.
The costume design is well thought out and the blonde hair paint and blue costume really stands out. The attention to detail with the ghost's white clay...
The final scene of the crowd reaching out and Hamnet turning away was the most heart wrenching and beautiful of the film and did bring me to tears.
I came in knowing almost nothing and only fully realized this was about Shakespeare near the very end of the movie. In a sense, I wish I knew more about Shakespeare's history and the story of hamlet. However, I feel coming in with nothing actually added more to the film and its emotion; not fully understanding what was happening till the very end made it so much stronger going into that last march. To be honest I wasn't fully convinced with the first half of the film, but the last part brought it all back making everything make sense again.
The introduction of the theater is crucial to prepare the audience for the scene that's about to unfold. The camera and angles from the beginning of the theater scene builds the suspense: the feeling of who Will has become, and the meaning of this play combined with the tension between them two.
The acting is also incredible with paul and jacobi's performances truly making the movie - raw, authentic, and full of emotion. Particularly Paul's "again" scene. It might be worth an award.
The costume design is well thought out and the blonde hair paint and blue costume really stands out. The attention to detail with the ghost's white clay...
The final scene of the crowd reaching out and Hamnet turning away was the most heart wrenching and beautiful of the film and did bring me to tears.
10JaycusB
Paul Mescal gives a breathtaking performance in Hamnet. His acting is powerful, emotional, and so natural that every moment feels real. The film itself is beautifully directed, visually stunning, and full of heart. It's a deeply moving story that stays with you long after watching. A masterpiece - one of the best films of the year!
How 'Hamnet' Shows a New Side of Shakespeare
How 'Hamnet' Shows a New Side of Shakespeare
IMDb spoke to Hamnet star Paul Mescal (William Shakespeare) and director Chloé Zhao about how the biographical drama uncovers a new side of Shakespeare that goes beyond his writing.
¿Sabías que…?
- TriviaWhile the name of Shakespeare's wife is usually spelled Anne Hathaway, in legal documents her father spelled her name Agnes. In the early modern period it was common for names to have alternate spellings. Maggie O'Farrell chose to use the name Agnes for her protagonist.
- ErroresWhen William Shakespeare is playing Hamlet's father's ghost when Hamlet is being performed towards the end, Agnes expresses surprise that William is performing in the play. In reality, William Shakespeare's primary occupation during his lifetime was as an actor. It was where his steady income came from, and, thus, his wife would have been aware of him as an actor.
- ConexionesFeatured in Today: Episode dated 21 November 2025 (2025)
- Bandas sonorasMy Robin To The Greenwood Gone
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- How long is Hamnet?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Гамнет
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 30,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 10,367,755
- Fin de semana de estreno en EE. UU. y Canadá
- USD 932,278
- 30 nov 2025
- Total a nivel mundial
- USD 10,482,178
- Tiempo de ejecución
- 2h 5min(125 min)
- Color
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