Shelby Oaks

Coming out from Fantasia this was certainly an experience.

I honestly wish I had something insightful or even fun to say, but the truth is that I got nothing, because that's what this movie is, a nothing burger.

I honestly can't believe that this movie has Mike Flanagan involved, a master of slow burn horror and great series and movies like Midnight Mass, which in all it's 12 chapters of 1hr each, only had 3 jumpscares.

So why the hell does Shelby Oak's scare factor only relies on jumpscares? I thought this also came from a guy who thought the trope was overused and saturated.

Speaking of saturated, this is yet another found footage movie that looks like a budget version of Blair Witch (what a feat though, to make your movie look cheaper than Blair Witch). Watered down found footage horror that gets nowhere, ambiguity doesn't equal scary, Chris.

The main actress did a great job. I hope she does find a better movie than this slop. What a disappointment.

Just stay with the review. Bad enough you have empty reviews on the channel, Now the guy is making empty movie. Hopefully this is the first and the last time.

Start with long production, mundane and cliche piling up and up. The director supposed to be a horror movie fan but how he brought this movie is so weak, there is nothing horror about the movie itself.

There is no vision, as far how the the directing goes I can tell that the director is trying hard but has an unbelievably no experience whatsoever. The movie relies heavily on jump scares, generic as it may be. There is nothing different, positive wise.

Looking forward for him to "Review" the movie.

A hilariocity this is not. This is Chris Stuckmann's first film, and he directs as though he is a veteran filmmaker. Having just viewed "Shelby Oaks" at Fantasia, I can honestly say that it did not disappoint. I am of course biased, being a long term fan of his YouTube channel, but I would argue that it has little to no effect on my 10/10 rating. This is a great film which will I believe will please both fans of Stuckmann and people unaware of who he is. It is no exaggeration to say I love this movie and would definitely recommend it to others looking for a new good horror movie. Can't wait to see what he does next.

Great debut for Chris Stuckmann. It was an amazing movie experience from a first time writer director. His love for movie making is quite transparent in his piece. I'm reminded of the first time I watched Duel or Reservoir Dogs, being riveted and hooked from start to finish. The acting was flawless, the sound design was gripping and visually it was gorgeous with a special nod to the lighting department.

Very much looking forward from Chris Stuckmann's other projects that will now, surely, have much bigger budget to put to the big screen those stories he has been working on for years. Glad I got to shake the hand of a great movie lover like me that now many will get to love his movies as well.

Had to make an IMDB acct because I'm shocked at how bad this film is.

I will try to avoid talking about Chris and his recent display of lacking a spine when reviewing movies. So I will only say that my only explanation on why this is so terrible, is due to the fact that he HAD to know that this script was very flawled and decided to lay low on heavy criticism.

So, in this movie we follow a group of Youtubers who get involved in a missing person case in which the victim's sister believes this to be of supernatural causes rather than criminal or accidental.

This youtuber glamour of the movie is the one that worked best for me, however that's not really an amazing achievement considering how easy it is to replicate a Youtuber format, which is why the rest of the movie dreadful atmosphere loses steam by the time the 30 min mark has passed and proceeds to become a bellow average found footage film with a quality that you... might see on youtube...

Maybe if this film was released in youtube as some kind of ARG it would've gained more attention, not to say it would be good, but at least it would hold the suspension of disbelief, and it wouldn't feel like such an amateurish production.

I know Chris Stuckman won't grow a spine to talk about actual movie criticism, so I at least hope he grows a spine to see how awfully generic this was.