La búsqueda desesperada de una mujer por su hermana perdida hace mucho tiempo se convierte en una obsesión al darse cuenta de que el demonio imaginario de su infancia puede haber sido real.La búsqueda desesperada de una mujer por su hermana perdida hace mucho tiempo se convierte en una obsesión al darse cuenta de que el demonio imaginario de su infancia puede haber sido real.La búsqueda desesperada de una mujer por su hermana perdida hace mucho tiempo se convierte en una obsesión al darse cuenta de que el demonio imaginario de su infancia puede haber sido real.
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5.8/10
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Próximamente
Se lanza el 21 de agosto de 2025
Cody Steele
- Reporter #2
- (as a different name)
Opiniones destacadas
Just stay with the review. Bad enough you have empty reviews on the channel, Now the guy is making empty movie. Hopefully this is the first and the last time.
Start with long production, mundane and cliche piling up and up. The director supposed to be a horror movie fan but how he brought this movie is so weak, there is nothing horror about the movie itself.
There is no vision, as far how the the directing goes I can tell that the director is trying hard but has an unbelievably no experience whatsoever. The movie relies heavily on jump scares, generic as it may be. There is nothing different, positive wise.
Looking forward for him to "Review" the movie.
Start with long production, mundane and cliche piling up and up. The director supposed to be a horror movie fan but how he brought this movie is so weak, there is nothing horror about the movie itself.
There is no vision, as far how the the directing goes I can tell that the director is trying hard but has an unbelievably no experience whatsoever. The movie relies heavily on jump scares, generic as it may be. There is nothing different, positive wise.
Looking forward for him to "Review" the movie.
This review is following a screening from Fantasia Festival and I realize that this is a first feature film and Chris seems like a nice guy but this was amateur hour.
I'll start with the positives, the cinematography was excellent and the lead actress was for the most part pretty credible. This film also had a promising prologue, although mostly riffing on Blair witch projects premise. Finally Keith David classed the joint up in a small role.
On the negative side, the relationship with the husband and lead was beyond poorly written, with a poorly acted argument sticking out in my memory. I was stunned when I was advised the husband is a working actor with many credits to his name.
The worst sin is that it's a horror film that just isn't scary, relying on cheap jumpscares and poor cgi dogs. The third act and ending also leave much to be desired where the audience was audibly laughing at what I would think were serious moments. The abysmal ending left me ambivalent rather than shocked as I imagine Chris intended. The biggest ruse is that this has been picked up for distribution, I can't see an average audience unfamiliar with Chris' YouTube career connecting with this film.
I'll start with the positives, the cinematography was excellent and the lead actress was for the most part pretty credible. This film also had a promising prologue, although mostly riffing on Blair witch projects premise. Finally Keith David classed the joint up in a small role.
On the negative side, the relationship with the husband and lead was beyond poorly written, with a poorly acted argument sticking out in my memory. I was stunned when I was advised the husband is a working actor with many credits to his name.
The worst sin is that it's a horror film that just isn't scary, relying on cheap jumpscares and poor cgi dogs. The third act and ending also leave much to be desired where the audience was audibly laughing at what I would think were serious moments. The abysmal ending left me ambivalent rather than shocked as I imagine Chris intended. The biggest ruse is that this has been picked up for distribution, I can't see an average audience unfamiliar with Chris' YouTube career connecting with this film.
A hilariocity this is not. This is Chris Stuckmann's first film, and he directs as though he is a veteran filmmaker. Having just viewed "Shelby Oaks" at Fantasia, I can honestly say that it did not disappoint. I am of course biased, being a long term fan of his YouTube channel, but I would argue that it has little to no effect on my 10/10 rating. This is a great film which will I believe will please both fans of Stuckmann and people unaware of who he is. It is no exaggeration to say I love this movie and would definitely recommend it to others looking for a new good horror movie. Can't wait to see what he does next.
A YouTube content creator goes missing in the town of Shelby Oaks. Does her chilling last video clip contain the clues to the mystery of her disappearance?
It's not particularly unique but what it does, it does well.
I would have expected Shelby Oaks to be a blipvert, rapid fire absurdity for the TikTok generation but instead, it's a nicely paced, slow burn horror/thriller with some good touches and ideas.
The film looks very nice and performances are convincing. I saw the International Premier at FrightFest, London and it went down well.
It doesn't quite land the punches of genre movies, such as Sinister or Blair Witch Project but the viewing experience doesn't leave you feeling disappointed.
I don't think Stuckmann's name attached to this movie is going to affect its success one way or the other. The film stands on its own feet and will probably stick around for some years to come.
It's not particularly unique but what it does, it does well.
I would have expected Shelby Oaks to be a blipvert, rapid fire absurdity for the TikTok generation but instead, it's a nicely paced, slow burn horror/thriller with some good touches and ideas.
The film looks very nice and performances are convincing. I saw the International Premier at FrightFest, London and it went down well.
It doesn't quite land the punches of genre movies, such as Sinister or Blair Witch Project but the viewing experience doesn't leave you feeling disappointed.
I don't think Stuckmann's name attached to this movie is going to affect its success one way or the other. The film stands on its own feet and will probably stick around for some years to come.
Great debut for Chris Stuckmann. It was an amazing movie experience from a first time writer director. His love for movie making is quite transparent in his piece. I'm reminded of the first time I watched Duel or Reservoir Dogs, being riveted and hooked from start to finish. The acting was flawless, the sound design was gripping and visually it was gorgeous with a special nod to the lighting department.
Very much looking forward from Chris Stuckmann's other projects that will now, surely, have much bigger budget to put to the big screen those stories he has been working on for years. Glad I got to shake the hand of a great movie lover like me that now many will get to love his movies as well.
Very much looking forward from Chris Stuckmann's other projects that will now, surely, have much bigger budget to put to the big screen those stories he has been working on for years. Glad I got to shake the hand of a great movie lover like me that now many will get to love his movies as well.
¿Sabías que…?
- TriviaThe Kickstarter campaign for this film reached its initial funding goal of $250,000 within 24 hours. The initial stretchgoals (up to $600,000) were reached with 1,5 weeks of the campaign remaining, which prompted in the addition of further stretchgoals (up to $1,000,000) - which were also reached before the end of the campaign. When the campaign finished after one month, a total sum of $1,390,845 was pledged by 14,720 supporters - making it the most funded horror film on Kickstarter.
- ConexionesReferenced in AniMat's Crazy Cartoon Cast: Caillou's Revenge (2022)
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- How long will Shelby Oaks be?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 1,400,000 (estimado)
- Tiempo de ejecución1 hora 39 minutos
- Color
- Relación de aspecto
- 2.39 : 1
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What is the Italian language plot outline for Shelby Oaks (2024)?
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