Náufrago en la luna

This is the most weird, amazing survival movie, I have seen far. It is full of weird stuffs, survival techniques as well as good moral ''Never lose your hope''. Besides,It works as spell on viewers. It is hard to get distracted while watching this. It's funny moments are really hilarious. The main leads are superb ,and I really can't comment about male lead, he is just too good:)

Castaway on the Moon is a 2009 Korean film about 2 people who don't want to interact with society or others anymore. It's a sublime under the radar film (to U.S. audiences anyway) that's definitely worth a watch. I caught this film when it first came out a few years ago, and just watched it again recently. Bottom line; it's competently made, totally engrossing, and absolutely terrific...HIGHLY RECOMMENDED!

First and foremost, this film has nothing to do with living on the moon, or being stranded on a far away desert island for eternity; it's actually the polar opposite! Some people (I call them morons) will try to explain that this movie is very similar to/a rip off of the American film 'Castaway" starring Tom Hanks. Although there are some parallels to be drawn, these two films have only one thing in common (i.e. there's a guy that's separated from society). Don't get me wrong, I actually like Tom Hanks' "Castaway" quite a bit, but aside from the fact the both film's protagonists are stuck on an island, these two films aren't really related to each other whatsoever; the primary difference being one movie's protagonist wants to get back to his life, and the other wants to escape it.

What this particular movie is about is a guy who's essentially tired of, and has been beaten down by, the "rat race" that is his life in modern society. He wants to "end it all" by committing suicide, but he fails in doing so, and is subsequently presented an accidental opportunity to "escape from it all" instead. After some initial resistance, he soon comes to fully embrace this opportunity he has been given. On the parallel side, this movie is also about a very odd girl who's afraid of society and can no longer cope in order to function within it. She's long ago "shut herself off" (or, perhaps, "shut herself in", would be more appropriate) from interacting with anyone on any type of personal level.

As the film progresses, these two main protagonists (who pretty much occupy 95+% of the screen time), slowly form an unconventional bond via highly unusual means, and they each come to rely on one another more and more as time goes by while they both try to overcome their own societal fears, concerns, and issues, as best they can.

The way the main characters interact with each other from a distance throughout the entire film is unique, profound, and charming. Both the primary actor and actress are spot on perfect in their respective roles, and they both do a magnificent job of what's asked of them within the framework of the story.

Ultimately, all this really boils down to is just a simple & finely paced film that it is immensely watchable and quite enjoyable. In many ways, it's also a fine little parable regarding what modern society has become over the years, and how we all must interact within it, or face getting left behind.

Personally, I could hardly look away from this film. It's equal parts odd, funny, sweet, sad, beautiful, and it is Borderline Brilliant! What more can I say?...other than; "Korean cinema does it again!"

Highly Recommended! Not Optional Viewing! This is a MUST SEE Film!!!

9 out of 10 stars!

This film, although simple in premise is beautifully told, and superbly acted. Jae-Yeong Jeong has now become one of my favorite actors on the strength of this film. His range is incredible, and is deserved of an Oscar (Hollywood, take note). This film is incredibly easy to watch and entertaining. It will make you laugh out loud, and will also pull on those heartstrings. The comparisons to Tom Hank's Castaway is inevitable, but like other reviewers have said, it's way more than what Castaway had to offer. It's a real gem of a movie and is highly recommended.

Bravo to all involved making this movie!

Castaway on the Moon is a beautiful film about self-made reality and what is actually real, about our infinite connection to the natural world, and how nothing is ever final even when it seems so. Although the mainstream man will squirm and sigh at certain scenes where love is apparent, it is a part of the human world and this movie, so if you cannot handle it then it is not for you. I almost feel like not everyone is worthy of this movie. It has many instances of magical realism and fantasy. The atmosphere reminded me of Amelie. I would give it a 12 if I could.

This movie is a gift, watch it.

Note: Check me out as the "Asian Movie Enthusiast" on YouTube, where I review tons of Asian movies.

I would assume that the director of this film saw that Tom Hanks flick and said to himself, "Hmmm, this is a good idea. I think I'll take the same general premise and transform it into a unique romantic comedy that blows away genre conventions." He then proceeded to do exactly that.

Some reviewers will claim that "Castaway on the Moon" (aka "Moon") is a rip-off of the American flick "Castaway", but what exactly are the similarities between these movies? Let me tell you. (1) There's a guy who gets stranded on an island, but that barely counts as a "similarity" because in "Moon" the island is positioned *within the city limits.* A man in massive debt attempts suicide by jumping off of a bridge, but he survives and is washed ashore an uninhabited, tiny island on the Han river. Even though he clearly sees the nearby metropolis, he can't swim across the river to civilization so he just stays on the island for a while. How is this in any way similar to Tom Hanks being stranded *in the middle of the ocean*? Answer: it isn't the least bit similar. (2) There are various day-to-day events that are similar (e.g., starting fires, growing a beard, entertaining oneself in simplistic ways, etc.), but anyone stranded on an island would do these things and people have been doing them for the better part of humanity's existence. These were not invented by a Tom Hanks movie. (3) There's an emotional bond with a few inanimate objects. Yes, this is one element of "Moon" that could be considered a rip-off of "Castaway." But that's quite literally the *only* piece of evidence one could muster. Hardly a compelling case. Heck, it's so thin that it probably qualifies as more of a homage than anything else.

So what exactly makes "Moon" so *different* from "Castaway?" Well, for starters "Moon" is a friggin' *romantic comedy!* This is evident at about the 30 minute mark when a hikikomori is introduced. For those who are unfamiliar with hikikomori, it's a severe psychological condition whereby introverts isolate themselves within a confined area and refuse to interact with other people. What the heck does this additional character have to do with some dude stranded on an island? My dear friends, that's the reason why this film is so fantastic, why it demolishes romantic comedy genre conventions, and why assertions of "ripping off" Tom Hanks movies are short-sighted and ridiculous.

If one really wants to milk the comparisons between these films, "Moon" exposes the romantic elements of "Castaway" as run-of-the-mill and dull. Just imagine a Joon-ho Bong film mixed with Chan-wook Park's "I'm A Cyborg, But That's Okay" (2006) and you might get a feel for just how quirky and engaging "Moon" turned out to be. These characters are carefully crafted by first establishing a certain psychological flaw, then allowing the characters to slowly face those flaws through the introduction of the stranded island theme. But how do these characters bond if they're isolated from each other? Watch the movie and see.

Oh, and the previous reviewer might like to know that it was Hollywood who remade "A Tale of Two Sisters " (2003), "My Sassy Girl" (2001), "Il Mare" (2000), "Into the Mirror" (2003), etc. – all Korean movies. And they're planning on remaking more because it's Hollywood that has run out of ideas. If you think Korean films have no originality, you might want to check out "Welcome to Dongmakgol" (2005), "Save the Green Planet" (2003), "Crush and Blush" (2008), "Dasepo Naughty Girls" (2006), "Forbidden Quest" (2006), "Rules of Dating" (2005), "If You Were Me" (2003), "Iri" (2008), "Oasis" (2002), a Chan-wook Park film, a Joon-ho Bong, a Kim Ki-duk film, or about 50 other films that I don't feel like listing out.

You know what, I'll suggest that everyone watch "Moon" and "Castaway" in the same evening for proper comparison. It's obvious that the former has stronger, more interesting, more *creative* characters. A lot more time and effort was put into the script, and it shows.