Anjaana Anjaani

The suicide attempt of two strangers gets inter-twined. "I scratch your back, you scratch mine" becomes the mission statement of their collaboration. What ensues next is flashbacks of their reasons to end their lives, discover each other and the beauty of life itself. Did I forget to mention all this in the process of futile suicide attempts?

♫ Priyanka Chopra:: Good writing in certain parts of her character though sometime she appears quite bubbly and sometimes low-down. Priyanka gives her best shot.

♫ Ranbir Kapoor:: Gets to showcase various emotion of the character and the layers to it. Delivers at ease. A black horse to watch out in the Bollywood arena.

♫ Zayed Khan:: He falters regardless of an intense scene, casual scene or melodramatic scene. Nonetheless, no great damage to the fly-in-the- ointment character.

For starters, the movie should have been "Anjaani Anjaana" for the premise of Priyanka Chopra has a greater depth which had the potential to leave lasting impact had the movie started on that thread. Ranbir's starting point is quite weak and ill-written. The plot could have connected well if it was based in India and the journey of the protagonist would have revolved around "Discovery of India". The weakest of the movie are the excessive cinematic liberties in the plot, hence the reference Kismet Konnection stated.

The outline of the plot is clueless whether it was meant to be comedy or love-story under the framework of suicide mission. Owing to which the writing is poor is both fronts.

The song "Aas Paas Hain Khuda" is a standard piece of line which is placed whenever there is Kismet Konnection moment. Having said that music is not as rich as "Hum Tum" or "Bachna Ae Haseeno".

With "Robot" released alongside I got the impression that AA suffered but frankly that wasn't the case. Even the multiplex crowd (read that generation next) could not fancy the meat in the plot. The only takers I suppose must have been Ranbir and Priyanka's fan-base.

Priyanka is the showstealer of this movie. Her flawless and effortless acting make it an absolute pleasure to watch the character of Kiara go through a roller coaster of emotions from guilt, grief, and depression to jubilation, ecstasy, and love. Ranbir is also fantastic. He always gives a subtle but powerful performance. Both Priyanka and Ranbir's comic timing is right on the money, and the duo keep you in splits.

The script, the backbone of the film, is terrific. I can't give too many details without giving away the story here. The entire process of making the film, from cinematography and direction to the most minute details such as depicting accurate weather across the US in winter, has been done very professionally. I personally really like how the film confronts the difficult times that the US is going through and, in a fun, light-hearted, and fully entertaining way, turns a devastating situation into a positive one. The entire soundtrack is awesome with fresh, soul-stirring music. The movie is a great, fun experience and has repeat value.

Few stand outs from this mushy romantic parable directed by Siddarth Anand. "Confusion is the only med for confusion", "Storytellers do not freeze in sub-zero waters", "Blush is better than ram-pyari with free money, clothes, gas and aamir-all-is- well-sense", "Love travels faster than any science" and many more whims.

Diverse characters – heart-broken in their own ways - witness each other while ridiculing themselves! PC is heart-broken after losing trust in her infidel lover, while RK is struck with misfortune as his overambitious stunts crash with the stock market and dissolve his firm leaving his co-workers / friends distraught. While the movie starts on a negative note, with the 2 trying to commit suicide, the script moves naturally with the 2 teaming up in their pursuit of death. Unfolding memories, as they confront each other, help them learn and appreciate the optimism of life. The story moves to the obvious, fallin' in love, which changes the genre of the movie to emotional atyachar. And as it happened in KHNH, Love Aajkal and Hum Tum, the Mungeri Lals' realize their feeling for each other after they are miles apart. Of course, they did not commit suicide on Dec 31 – as they had initially planned – but ended up confessing their love in sub-zero waters at 12 midnight! They eventually commit suicide by getting married.

The amateurish direction brought out scenes that lacked finishing, e.g. 1. Can't you wrap the cling film starting from nose-down instead? 2. In a random desert, how can you walk directly to your stolen car – GPS tech, coincidence,…? 3. The fuming radiator just needs fresh air, few prayers and 'Love', to cool off!?

None of the songs were script-worthy, and definitely crowded the script. PC could have done better as Kiara, considering her natural buoyant attitude. However, the script convincingly brings out the entertaining chemistry between them, thanks to RK's smooth acting and personification of Akash.

There are a few good messages, however. As you try running away from life you realize how exciting it becomes. At the same time, the proximity to death makes it easy to live life as there's no tomorrow. Philosophical, isn't it?

I slept through this.Beginning was wonderful very funny and witty.Priyanka Chopra was in good spirits.Ranbeer Kapoor looked like Abhishek Bachchan's younger brother.he is not so good here.

Sidharth Anand directs this foolish script.its as awful as Salaam Namaste was.i don't know why our film makers go to US to shoot every second film.films like 3Idiots which showcase beauty of hill-side around Simla also show that their are breath taking locales here itself which remain untapped.

Direction is horrible,see Priyanka Chopra's ward robe in the film ,its just such a drag really awful.that red dress she wears in the bar make her look like an ethnic behanji.

this movie was so reminiscent of Neal & Nikki which starred Uday Chopra & Tanisha.Frankly that was so fresh this sucks like rotten tomatoes.Can't understand why producers spend such big money on making such awful stuff.Sajid Nadiadwal has ancient film line,could do something for film restoration.Nobody cares about our Indian classics.many films are already lost,most classic film negatives are in shambles.they can do better by investing their money in restoration of Indian classics.Government too does nothing .it does not even award people who work for restoring immortal classics.

Movie like these are a waste of time and money.

I am sure my review won't be any different from the ones already posted. The movie starts with an unusually depressing premise for a bollywood style romance. It sounds promising but the director was probably instructed not to be too experimental because he quickly recovers himself and falls back into the routine of making a painfully boring love story. The first half has a few rare, blink and u miss it funny moments.The saddest part is that Priyanka and Ranbir actually have an excellent chemistry. So much scope and talent gone to waste! The hypocrisy also kills the mood. On one hand the protagonists are shown as modern , living on their own terms kind of characters who share an apartment , and when need arises , even a bed. Yet it becomes necessary for the director to force their virtuousness down our throats. Anyway the second half adds nothing to the story except some tears and then some more. Instead of making an entire movie on killing themselves they should have just made those two kill someone. Now that would have made an interesting story.