Aaranya Kaandam

I have seen many gangster movies in Tamil and other languages. Some of the good movies i watched so far is Nayagan, Pudhupettai,God father series, City of God.

But this movie is something different from others. How it differs? By making? or by acting? or By Screen play. No.. No... No.. It differ by its nature of theme. It deals different kind of persons attitude in this film. Director hardly worked for the very good outcome of the product.Each and every character in the film lives its own. They are real.. Still Such a kind of peoples lives with us.

I don't want explain much about this movie. Go and Watch.. or Buy the DVD. Feel the Every character described in this movie...

My Rating 10/10

I usually don't write reviews, because I feel, the reviews of a film I have watched which are already available are true and I couldn't write better.

But this time, I've decided to step it up and write a review because I feel, this movie deserves one and the reviews out there are good but very few indeed.

So, Aaranya Kaandam written and directed by first timer Thiagarajan Kumararaja and produced by S.P.Charan's Capital Film Works is an experimental gangster flick to say the least. But that's just the style of the film but to state the goodness of the film, I think it should be among the top films of the year because it keeps you entertained till the very end. For those who have been following this film from the time it won the grand Jury award at the South Asian Film Festival, you would know the difficulties this film had undergone pre-release. Frankly speaking, I was not surprised to see the vacant seats in the theater because this film is clearly for mature audience and lover of pure- cinema and not for the masses.

To start with the plot, it is a simple story about a gangster head Singaperrumal, played with class by yest year heartthrob, Jackie Shroff on a conflict which arises with his senior henchman, Pasupathy,once again played superbly by Sampath Raj on a dealing of cocaine and several other parallel tracks and motives. As the trailer correctly stated, it is about the decisions each of the six protagonists make and how it affects the plot.

There is no single-hero in this film, but if I were to select a hero, I would definitely give it to the superb script by the director. The director has avoided all clichés and given us a somewhat unpredictable film. The dialogue especially is very simplistic, at the same time realistic and humorous at times. The climax is hard hitting and definitely not expected.

I am not sure if You can call this film as a noir, but the lighting and camera suggests so. Commendable camera work by P.S.Vinod and editing by Praveen and Srikanth keeps the film's raciness and edginess to it.

One of the biggest advantages of the film is the music by the always dependable Yuvan Shankar Raja which has a Kill-Bill feel to it. Avoiding Ear impairing background and giving us a more mature score, Yuvan has not disappointed us and coping up for the lack of songs(i dint want them though).

This film has Tarantino written all over it. With the quirkiness, Dark tone and the parallel story lines, this film takes its time to unfold which is sort of an advantage and disadvantage at the same time. I had a lot of expectations for this film and I wasn't disappointed. Though it gets predictable at times, for the most part its ahead of you.

In the acting department, everyone has an important role to play and everyone has done a neat job with special mention to the son played by the Master Vasanth who has done his role without any hesitation.

In the words of my idol, I'm going with 3 and a half out of five for Aaranya Kaandam. It is only for the mature audiences and it puts Tamil Cinema back on track at the global stage.

"Aaranya Kaandam" is a story about drug trafficking and unfolds over a duration of 24 hours. The movie is based on the significant moments in the lives of the seven leading characters. It is supposedly the first new-noir film in Tamil cinema. This was one of the most awaited movies for me and it was released after almost a year of tribulations with the censor board. It won the Grand Jury award in South Asian International Film Festival last year.

The film is about narcotics and a convoluted rivalry between Singaperumal (Jackie Shroff), Gajendran (Rambo Rajkumar) and Pasupathi (Sampath Raj) attempts to grab it. The Director, Thiagarajan Kumararaja, builds up a nice tempo and takes his own time to build and establish each character.

Jackie Shroff in the character of dreadful Singam Perumal has performed outstandingly. His performance was close to perfection in many scenes, every scene of his brimming with reality.Ravi Krishna has been given a complete image makeover when compared to his earlier ventures. He has improved his acting skills a lot and portrayed emotions well on screen. Ravikrishna as Sappa ( a metaphor of fun, impotence, illiteracy…etc) will be remembered as one of the most interesting roles in his career. Sampath Raj did well and his body language, dialogue delivery boosts the mood of the film. In his intro-scene, his voice was so manly that it gave me goosebumps. He was at his best, performing with perfection throughout. Yasmeen Ponnappa is tailor-made for the character of Subbu (Subbulakshmi). Somasundaram, Rambo Rajkumar, Ajay Raj are adequate. Another character worthy of mention is the boy Kodukapuli ("Veyil" Vasanth) who deserves appreciation for his acting. His (kodukapuli) chemistry with Somasundaram (kaalayan) was highly impressive. Vinod's camera has captured the darker sides of city life well and his sense of lighting has worked wonders in bringing the right mood. Yuvan Shankar Raja has given us fantastic re-recording and background score which gave the right feel. He deserves all the praises he's been getting since the release of the film. The use of old songs in the background for some scenes that depict the mood in the scene is smart (don't know whether it was director's idea or Yuvan's) .Editing by the duo Praveen K. L. and N. B. Srikanth are crisp.

It is certainly not a movie for children or family audiences, for its highly stylised violence (Quentin Tarantino-ish) and abusive language. Thiagarajan Kumararaja has made a mighty impressive debut with a tight screenplay and superb dialogue writing. Even though many critics felt the film to be slow, I felt editing even a single scene would have dramatically brought down the effect on the audiences. Even though there were a large number of foul mouthed dialogues, they blended well with the screenplay. Others were voluntarily beeped by the team. The casting was simply perfect and acting was impeccable.

"Aaranya Kaandam" was a classy gangster tale and the way it has been conceptualized, executed definitely needs recognition. Hope Aaranya Kaandam becomes a trend setter for the new movies to come. Thiagarajan Kumararaja is a rare find and kudos to SP Charan and Capital film works for bringing him in to the realm of Tamil Cinema. Producer SPB Charan's bravery should be appreciated for producing such films (Previous CHENNAI-600028). He struggled a lot for releasing the film. #Alwaysrespect .But the sad part of Tamil cinema is that brilliant efforts like this are hardly noticed as it does not have the required masala ingredients packaged in it.

I stopped short of giving this movie a 10/10 rating solely because of it's somewhat glorified portrayal of violence, other than that this is one heck of a movie which should have ideally been a milestone in modern Tamil cinema but fell short of achieving that landmark solely because it didn't have 1. Big stars in the movie 2. Big production house 3. Promotions (This movie virtually had no promotions at all) 4. Big technical Crew (Apart from Yuvan Shankar Raja of course)

Here by BIG i imply established popular personnel. This movie had excellent technical values compared to the garbage dished out in the name of commercial cinema every other day and you have to see the movie for yourself to believe what a movie you have missed. The techniques used by the director to portray certain intense situations, the way the characterization is done, the way the movie is kept moving at a break-neck speed, The way the director makes us anticipate even clichéd scenes by smart editing techniques and many more should be watched by yourself to believe it and appraise the excellence! People should endorse such HONEST and INTELLIGENT attempts so that others too would come out and try new things or at least director Thiagarajan Kumararaja would come up with a new project (as of now he is not committed to any new project even after crafting a masterpiece like Aaranya Kaandam!).

Not great stars, no big names..and bad marketing too; Yet a simplistic trailer, profound enough to attract anyone to watch the film....How else could the show have been full?

Aaranya Kaandam refers to the 14 most testing years of Rama in the forests, in exile, in despair for love and in grave danger too. The forest turns into the battleground, here North Madras-known for it's dark nature and it's abusive form of Tamil.

Singamperumal (Jackie Shroff), supreme controller of drug trade through Chennai, has his own share of competitors in the form of Gajendran and his aide Gajapati, who could turn as mad as elephants, that could crumble anything across. Pasupathi (Sampath), on Singam's side, aspires to stand on his own, thus incurring the wrath of Singamperumal.

Meanwhile the old mafia has an other side, the despair of not satisfying his 'wife' Subbu (Yasmin Ponnappa), who had been tricked and brought there under the promise of making her a star. Just as the trailer precisely describes-"Raavanan kulathila oru Vibheeshanan'a madhiri", there is Chappa (Ravi Krishna) , an innocent deer in the midst of lions. He has a soft corner towards Subbu and she woos Chappa in a motive to escape from the lion's clutches.

At the same time, a yesteryear zamindaar, who had lost all his wealth foolishly arrives at Chennai with his acid-tongued ten year old, Kodukkapuli. They are in an emergency to find money, fearing the loaners might put his wife into a brothel on non-payment of credit. This is where they come across a huge bundle of cocaine smuggled in a hotel which is supposed to reach Singamperumal, which they take in a bid to amass wealth. And there starts the butterly effect...a war between Singamperumal, Pasupathi and the Gajas meanwhile Chappa plans to escape with his newfound love. All these lead to a spellbinding climax, deciding the fate of the three stories.

Performances from all quarters have been fabulous, notaby from Sampath, the Zameendaar and the girl, Subbu playing a powerful role impresses big-time. As she majestically walks at the climax accomplishing what she wished, one would feel like clapping, the climax has that surprise ingredient!

Yuvan Shankar Raja is yet again fantastic. The trick of ensuring a marvelous BGM seems to have been transmitted via blood into him. Very experimental score, very much that when you would be expecting blaring rock guitars in a chase, he surprises us with soft violins. Essentially, the mood is conveyed. The cinematography is sufficient and otherwise not much to pat on the technical side.

Kumararajan Thyagaraja..??..er sorry! Thiagarajan Kumararaja(thanks to Wiki)....Oh your the director right? It is your film?? Oh it is your first film?? That would be the array of questions If i got a chance to meet the Dir. Very impressive screen writing; and puts in emotions of various dimensions into the script. Comedy isn't forced, and no duets crap.

The biggest victory of the film is in etching the characters-not polarized to extreme goodness as a Rama nor to extreme evil as a Raavana, all have their lighter and darker sides, and that is what reality is all about. Though the film has its shares of flaws in the form of a slightly slow screenplay and the very fact that the film is experimental in every aspect, we can refresh ourselves for something new rather than re-tuning time and again to the paisa vasool formula.

Three stories, 24 hours and a Chennai we haven't seen...