Las enigmáticas últimas palabras de un hombre moribundo envían al hijo del vicario, Bobby Jones, y a su amiga de la alta sociedad, Lady Frankie Derwent, a una aventura de resolución de críme... Leer todoLas enigmáticas últimas palabras de un hombre moribundo envían al hijo del vicario, Bobby Jones, y a su amiga de la alta sociedad, Lady Frankie Derwent, a una aventura de resolución de crímenes.Las enigmáticas últimas palabras de un hombre moribundo envían al hijo del vicario, Bobby Jones, y a su amiga de la alta sociedad, Lady Frankie Derwent, a una aventura de resolución de crímenes.
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I read the book prior to the release of this, and I have to say it isn't a favourite of mine, nor was the awful Marple adaptation some years ago.
Laurie has managed to make the story into a really enjoyable, watchable whodunnit. The acting was great, I thought most of the characters came to life.
The best element, the visuals, it looks incredible, great fashions and cars, plus some sublime location work, surely one of the most picturesque places in The UK.
Nowadays, it's advisable to approach Agatha Christie adaptations with a degree of caution, you have no idea whether you'll find Poirot taming lions, or Jane Marple making ice sculptures, but credit where it's due, it's a faithful adaptation, without any massive changes.
If I'm honest, I thought it dipped a little in the middle, but overall it was very watchable.
Let's hope we get more quality adaptations soon, this was very good, 8/10.
Laurie has managed to make the story into a really enjoyable, watchable whodunnit. The acting was great, I thought most of the characters came to life.
The best element, the visuals, it looks incredible, great fashions and cars, plus some sublime location work, surely one of the most picturesque places in The UK.
Nowadays, it's advisable to approach Agatha Christie adaptations with a degree of caution, you have no idea whether you'll find Poirot taming lions, or Jane Marple making ice sculptures, but credit where it's due, it's a faithful adaptation, without any massive changes.
If I'm honest, I thought it dipped a little in the middle, but overall it was very watchable.
Let's hope we get more quality adaptations soon, this was very good, 8/10.
Compared to the initial reviews, it appears I'm in the minority. I thoroughly enjoyed the three episodes and binged them in one night. I found the whole thing fun, charming and a hoot. I loved all the performances as well as the lush locales and cinematography and the performances. Hugh Laurie's direction is smooth. Not everything adds up, but this isn't Agatha Christie's best story, and that's okay overall. There are always too many suspects and shoehorning for things to make sense in the plot. As long as you understand who did it and the basic why in the end, you're good. Just go along for the ride. Pay attention to the clues as they come and you can probably solve it before they do. Sure, there are tons of red herrings and subplots to nowhere that distract, but again, it's lesser Agatha Christie. What do people expect? It's only confusing if you let it overwhelm you. And it needn't. Enjoy!
What a delightful piece of television entertainment! Tip-of-the-hat to Mr. Laurie for this witty, at times silly (but in a good way) and suspenseful storytelling packed in the technically nicely executed and well acted three part series.
I'm positive Mrs. Christie, knowing what I know about her and admiring her both as a writer and a woman of strong character, excellent sense of humour and great intellect, would love this adaptation of her work.
Again, hugely entertaining, never a dull moment, and, dare I say, quite a brilliantly romantic finale.
8 stars from me, which is as far as I am concerned very high - I gave 10 stars to only a handful of movies, and Only Fools And Horses.
I'm positive Mrs. Christie, knowing what I know about her and admiring her both as a writer and a woman of strong character, excellent sense of humour and great intellect, would love this adaptation of her work.
Again, hugely entertaining, never a dull moment, and, dare I say, quite a brilliantly romantic finale.
8 stars from me, which is as far as I am concerned very high - I gave 10 stars to only a handful of movies, and Only Fools And Horses.
I was wary of watching this version of Agatha Christie's story after recent dreadful Sarah Phelps' penned dramatisations. Fortunately this screenplay was written by Hugh Laurie and he did a tremendous job. There is not a wasted line, every word, while not essential to the plot, adds humour and colour, and brings the characters to life. The drama is beautifully shot, and the character acting is top drawer.
This Agatha Christie story has a gripping, instant hook but a rather underwhelming resolution; by the time you finally learn who Evans is and why they didn't ask him, you may wish that you never wondered in the first place. Hugh Laurie aka Dr. House, who writes, directs and plays a supporting role, does not bring very much new to the table, apart from a flourish here and a photographic trick there, and Will Poulter is merely OK as Bobby Jones. But Lucy Boynton is magnetic as Frankie: beautiful, playful, witty (especially in the first of the three episodes), she really brings the character to life. On the basis of this performance, she totally deserves a regular spot in a possible future Agatha Christie series - one that, hopefully, will resolve its cases in fewer than 175 minutes. *** out of 4.
¿Sabías que…?
- TriviaThe character Frankie calls Bobby by the nickname "Steve," explaining that she has always thought of him that way for reasons she can't explain. In the original novel she only calls him Steve once, as part of the phrase, "I get you, Steve," which was a somewhat common saying at the time and can be seen in various novels from the early 20th century, including Dorothy L. Sayers' "The Unpleasantness at the Bellona Club" from 1928, and the 1912 novel "Officer 666" by Augustin McHugh. The origin of this saying appears to be lost.
- Versiones alternativasAlso aired in four parts (with each episode running ~43 minutes) in some countries.
- ConexionesVersion of Why Didn't They Ask Evans? (1980)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Чому не Еванс?
- Locaciones de filmación
- Three Cliffs Bay, Gower Peninsula, Gales, Reino Unido(Cliffs adjoining golf course)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución58 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1,90 : 1
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