Las enigmáticas últimas palabras de un hombre moribundo envían al hijo del vicario, Bobby Jones, y a su amiga de la alta sociedad, Lady Frankie Derwent, a una aventura de resolución de críme... Leer todoLas enigmáticas últimas palabras de un hombre moribundo envían al hijo del vicario, Bobby Jones, y a su amiga de la alta sociedad, Lady Frankie Derwent, a una aventura de resolución de crímenes.Las enigmáticas últimas palabras de un hombre moribundo envían al hijo del vicario, Bobby Jones, y a su amiga de la alta sociedad, Lady Frankie Derwent, a una aventura de resolución de crímenes.
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O.k. I gotta fess up. I'm giving this mini-series 7 stars for having the smarts to hire and feature Lucy Boynton as its female lead. She is everything you want and infrequently get from a lead. The viewer falls for her. And once fallen the viewer cares and cares a great deal about her welfare. And the more peril her character - Lady Franky - is in, the more involved the viewer is. I might not have fully understood everything that's going on, but I fervently hoped that the series would keep Lady Franky safe.
A man is found dead at the bottom of a cliff. Another is found hanged in his home. What is the connection, if any, between these two apparent murders? There is, in fact, an answer. And along the way to that answer there are (a) other deaths (b) look-a-like-ladies (c) photos purloined and (d) hospitals for the mentally unfit.
All well and good. But the problem (for me) was this.
Huh? So much happens and happens so fast that I simply could not keep up. Worse still the climactic scene(s) happens in the dark, an ill-advised decision when the complex story would be hard enough to follow in broad daylight.
And, yes, I could have re-watched the 3-part series before writing this, I could have made notes and put the pieces together. I could have. But isn't that asking too much? Yes, I think so.
So then, I'm saying, See this series if only for the sake of actress Lucy Boynton. And stick around for the story. Maybe you'll be luckier, and more astute, than I.
Maybe you'll 'get it'.
A man is found dead at the bottom of a cliff. Another is found hanged in his home. What is the connection, if any, between these two apparent murders? There is, in fact, an answer. And along the way to that answer there are (a) other deaths (b) look-a-like-ladies (c) photos purloined and (d) hospitals for the mentally unfit.
All well and good. But the problem (for me) was this.
Huh? So much happens and happens so fast that I simply could not keep up. Worse still the climactic scene(s) happens in the dark, an ill-advised decision when the complex story would be hard enough to follow in broad daylight.
And, yes, I could have re-watched the 3-part series before writing this, I could have made notes and put the pieces together. I could have. But isn't that asking too much? Yes, I think so.
So then, I'm saying, See this series if only for the sake of actress Lucy Boynton. And stick around for the story. Maybe you'll be luckier, and more astute, than I.
Maybe you'll 'get it'.
Compared to the initial reviews, it appears I'm in the minority. I thoroughly enjoyed the three episodes and binged them in one night. I found the whole thing fun, charming and a hoot. I loved all the performances as well as the lush locales and cinematography and the performances. Hugh Laurie's direction is smooth. Not everything adds up, but this isn't Agatha Christie's best story, and that's okay overall. There are always too many suspects and shoehorning for things to make sense in the plot. As long as you understand who did it and the basic why in the end, you're good. Just go along for the ride. Pay attention to the clues as they come and you can probably solve it before they do. Sure, there are tons of red herrings and subplots to nowhere that distract, but again, it's lesser Agatha Christie. What do people expect? It's only confusing if you let it overwhelm you. And it needn't. Enjoy!
I read the book prior to the release of this, and I have to say it isn't a favourite of mine, nor was the awful Marple adaptation some years ago.
Laurie has managed to make the story into a really enjoyable, watchable whodunnit. The acting was great, I thought most of the characters came to life.
The best element, the visuals, it looks incredible, great fashions and cars, plus some sublime location work, surely one of the most picturesque places in The UK.
Nowadays, it's advisable to approach Agatha Christie adaptations with a degree of caution, you have no idea whether you'll find Poirot taming lions, or Jane Marple making ice sculptures, but credit where it's due, it's a faithful adaptation, without any massive changes.
If I'm honest, I thought it dipped a little in the middle, but overall it was very watchable.
Let's hope we get more quality adaptations soon, this was very good, 8/10.
Laurie has managed to make the story into a really enjoyable, watchable whodunnit. The acting was great, I thought most of the characters came to life.
The best element, the visuals, it looks incredible, great fashions and cars, plus some sublime location work, surely one of the most picturesque places in The UK.
Nowadays, it's advisable to approach Agatha Christie adaptations with a degree of caution, you have no idea whether you'll find Poirot taming lions, or Jane Marple making ice sculptures, but credit where it's due, it's a faithful adaptation, without any massive changes.
If I'm honest, I thought it dipped a little in the middle, but overall it was very watchable.
Let's hope we get more quality adaptations soon, this was very good, 8/10.
Having been produced for Britbox last year, Hugh Laurie's adaptation of the Agatha Christie story aired on ITV around Easter of 2023, which is when I saw it. There were aspects of it that I loved but I felt one fairly major failing too.
Bobby Jones (Will Poulter) and Lady Frankie Derwent (Lucy Boynton) investigate the 'accidental' death of a man, who fell from the cliffs of the small Welsh town they live in. Their light-hearted probe turns serious when there is an attempt on Bobby's life. They track a man who was in the village that day, Roger Bassington-ffrench (Daniel Ings) back to his family home and decide to go in undercover.
I liked the presentation of this. There's some lovely 1930's cars and clothes. Laurie calls in a few favours with the cast, including a single but impactful scene from Emma Thompson and a couple of scenes with Jim Broadbent as Lord and Lady Derwent. The rest of the performers are really good, and it feels like a classic ITV Agatha Christie ensemble. Morwenna Banks, Conleth Hill, Miles Jupp, Paul Whitehouse, Amy Nuttall and Alistair Petrie round it out. There's a great chemistry between Poulter and Boynton, and Boynton especially is magnetic throughout, funny, and charming and she's clearly a star.
I think the plot of the story is perhaps a little too complicated for the speed that it's run through though. I think I followed what happened and reading the plot of the story again on Wikipedia I did manage it. I do think that perhaps "show rather than tell" would be the way to go, as there are several scenes of Jones and Derwent putting together what happened that could have done with a bit more video explaining who they were talking about.
Unfortunately, I'd have though that with Marvel stardom coming for Poulter, and for Boynton already having a pretty busy film and TV career, were not likely to see the couple reunite for another adaptation, which is sad. What we have is a good, if not perhaps great time, but one that's worth going with, if only for the performances.
Bobby Jones (Will Poulter) and Lady Frankie Derwent (Lucy Boynton) investigate the 'accidental' death of a man, who fell from the cliffs of the small Welsh town they live in. Their light-hearted probe turns serious when there is an attempt on Bobby's life. They track a man who was in the village that day, Roger Bassington-ffrench (Daniel Ings) back to his family home and decide to go in undercover.
I liked the presentation of this. There's some lovely 1930's cars and clothes. Laurie calls in a few favours with the cast, including a single but impactful scene from Emma Thompson and a couple of scenes with Jim Broadbent as Lord and Lady Derwent. The rest of the performers are really good, and it feels like a classic ITV Agatha Christie ensemble. Morwenna Banks, Conleth Hill, Miles Jupp, Paul Whitehouse, Amy Nuttall and Alistair Petrie round it out. There's a great chemistry between Poulter and Boynton, and Boynton especially is magnetic throughout, funny, and charming and she's clearly a star.
I think the plot of the story is perhaps a little too complicated for the speed that it's run through though. I think I followed what happened and reading the plot of the story again on Wikipedia I did manage it. I do think that perhaps "show rather than tell" would be the way to go, as there are several scenes of Jones and Derwent putting together what happened that could have done with a bit more video explaining who they were talking about.
Unfortunately, I'd have though that with Marvel stardom coming for Poulter, and for Boynton already having a pretty busy film and TV career, were not likely to see the couple reunite for another adaptation, which is sad. What we have is a good, if not perhaps great time, but one that's worth going with, if only for the performances.
What a delightful piece of television entertainment! Tip-of-the-hat to Mr. Laurie for this witty, at times silly (but in a good way) and suspenseful storytelling packed in the technically nicely executed and well acted three part series.
I'm positive Mrs. Christie, knowing what I know about her and admiring her both as a writer and a woman of strong character, excellent sense of humour and great intellect, would love this adaptation of her work.
Again, hugely entertaining, never a dull moment, and, dare I say, quite a brilliantly romantic finale.
8 stars from me, which is as far as I am concerned very high - I gave 10 stars to only a handful of movies, and Only Fools And Horses.
I'm positive Mrs. Christie, knowing what I know about her and admiring her both as a writer and a woman of strong character, excellent sense of humour and great intellect, would love this adaptation of her work.
Again, hugely entertaining, never a dull moment, and, dare I say, quite a brilliantly romantic finale.
8 stars from me, which is as far as I am concerned very high - I gave 10 stars to only a handful of movies, and Only Fools And Horses.
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- TriviaThe character Frankie calls Bobby by the nickname "Steve," explaining that she has always thought of him that way for reasons she can't explain. In the original novel she only calls him Steve once, as part of the phrase, "I get you, Steve," which was a somewhat common saying at the time and can be seen in various novels from the early 20th century, including Dorothy L. Sayers' "The Unpleasantness at the Bellona Club" from 1928, and the 1912 novel "Officer 666" by Augustin McHugh. The origin of this saying appears to be lost.
- Versiones alternativasAlso aired in four parts (with each episode running ~43 minutes) in some countries.
- ConexionesVersion of Why Didn't They Ask Evans? (1980)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Чому не Еванс?
- Locaciones de filmación
- Three Cliffs Bay, Gower Peninsula, Gales, Reino Unido(Cliffs adjoining golf course)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución58 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1,90 : 1
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