Kurak Günler

We support the movie Dry Days, against the scandalous decision. Emin Alper is a very successful director. He excited us all with his films Blockade and Behind the Hill. In this movie; The unbearable difficulty of being an individual in societies where the obedience culture is dominant. We are watching a parody of Turkey through the town. The first half is particularly spooky and exciting. I wish there weren't any forced scenes in the second half. Nevertheless, it is a very valuable film for today's cinema, especially for social sensitivity.

What's in the movie? 1. Sociological structure of eastern societies 2. Why are we a 3rd world country? 3. The sad end of non-individual societies. 4. Mass psychology and bigoted people 5. Generalization of Turkey over the town. 6. Difficulties in town life, depressing atmosphere.

I entered the cinema with high expectations regarding the movie and I left satisfied. Of course there were some things I found unrealistic and some others were VERY realistic. And not everyone may enjoy the ending but I love that we can discuss and come up with different opinions. I loved the symbolism and the messages it conveyed. The cinematography was superb. I'd call this movie a political thriller with representations of "the other". The other here can be many things, including "women" (vs men), "urban" (vs rural), "queer" (vs cishet), "just" (vs corrupt), "minority" (vs majority). I believe this movie deserves our support. Despite being 2 hours and 9 minutes, it never felt so. I never realized how quickly the time went by. I'm considering a rewatch.

There's alot of nuances and layers to this film, playing with different genres and themes. And honestly, that's what I love about it. It's explores a variety of topics, yet it all comes together to point to the fundamental issue of the cracks and sinkhole of a society, quite literally, and how the outsider or individual feels the odds stacked against them when power is at play. Even the protagonist, we see him deal with his own internal desires and conflict of trying to do his job and be a figure of authority while also not being able to do much in a corrupt, conservative society. Loved it!!!!

When an idealistic young prosecutor is assigned to a rural Turkish community to try a criminal case involving serious allegations involving a major infrastructure project, he quickly finds himself in over his head. Circumstances soon place him in a thorny situation where his credibility, objectivity, reputation and personal integrity are all put at risk, jeopardizing not only his handling of the case, but also his career and future. Unfortunately, as generally compelling as the narrative is at the outset, writer-director Emin Alper's overlong saga becomes a little too convoluted for its own good. One can't help but ask, is it a political film? A thriller? A crime story? A crisis of conscience? The film plays like it tries to incorporate some of all of these qualities in an attempt to tell a story that throws curves at viewers to keep them guessing. But the picture seems to lose its way in doing so, not quite sure how to wrap things up, especially when the supposedly astute big city prosecutor comes across as unbelievably naïve and clueless. These failings regrettably undercut the production's fine performances and superb cinematography, qualities that could have helped to make this release a better offering had they been backed by a better story and script. Indeed, in the end, it's the audience that gets burned by this one.

This is a very good film amidst all the drama surrounding the artistic product. In some ways, one can feel that the whole story was invented to bring us, the audience, to the masterfully symbolic ending of the movie. In a lot of ways that last 15 minutes is an encapsulation of last few years of Türkiye. Those being said, I did not find the relationship between the prosecutor and the journalist (which was quite central to the story) very realistic both in practical and aesthetic terms. Also, there were too many loose ends that were left open which can undermine the director's message. The movie will most certainly occupy an important place in Turkish cinematography, hopefully as a reminder of once crazy times.