Opiniones de Metacritic

Even as Aatami survives completely ridiculous and clearly life-ending assaults, the magic of bloody-mindedness keeps the action … if not plausible, then never less than hilarious and gruesome.

If watching mass-murdering maniacs get absolutely destroyed on-screen is your thing – and it very much is mine – then Sisu is a perfectly depraved night out.

The film holds the kind of dumb, action beats and inventive kills, hokey yet fun dialogue that Hollywood used to be so good at producing. It remembers that villains can be wholly evil and that heroes can be bulletproof but still be engaging.

Ostensibly a middling programmer meant to satiate our cinematic bloodlust during the lull between John Wick 4 and The Equalizer 3, this period neck-snapper from Finnish filmmaker Jalmari Helander may not only surpass both those films, it could end up taking the gore-splattered crown as the most satisfying, over-the-top violent action movie of the summer.

The violence is gory enough to make the audience squirm, and just cartoonish enough to give it permission to laugh. Like the “John Wick” movies, it’s really one brutal set piece after another, though the choreography is not as poetic here.

It’s all a bit much, but all in good, gory fun even if this genre mashup never quite transcends any genre it borrows from.

While watching a bunch of Nazis get offed in a variety of grisly ways offers some midnight movie thrills, the stakes only get lower and lower.

Jalmari Helander’s Sisu is basically what might happen if someone transplanted “Fury Road” into Finland, lost 90 percent of what made that film into an unrepeatable force of nature, and tried to make up the difference by exploding as many Nazis as possible in outrageously violent fashion.

It may have benefited from a quickened pace, or touches of humor, or heightened stakes because — at least in this film — watching Nazis get theirs is a vein of amusement that runs dry.

For all its gung-ho violence, the film never feels fraught or nasty enough: It never risks true offense or tastelessness, never takes a gamble on anything that could be interpreted the wrong way or that might sidestep expectations. Somehow it makes killing Nazis feel pretty tame.