CALIFICACIÓN DE IMDb
7.0/10
4.3 k
TU CALIFICACIÓN
En el sur de Francia, en la década de 1930, un padre se debate entre su sentido del honor y el profundo amor que siente por su hija cuando ella se mete en problemas con el hijo rico de un co... Leer todoEn el sur de Francia, en la década de 1930, un padre se debate entre su sentido del honor y el profundo amor que siente por su hija cuando ella se mete en problemas con el hijo rico de un comerciante.En el sur de Francia, en la década de 1930, un padre se debate entre su sentido del honor y el profundo amor que siente por su hija cuando ella se mete en problemas con el hijo rico de un comerciante.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The Well Digger's Daughter (2011)
A drama set in the early 20th Century that ends up being about traditions and love and how two different kinds of families come to understand each other. While not a Romeo and Juliet story at all, it has that basic problem when two young people from different social realms fall in love.
What keeps this from becoming commonplace is the beauty of it all, including what I would call beautiful acting--heartfelt, nuanced, interesting. In a way it is the well digger, the dad played by Daniel Autueil who is the main character. He's a familiar face (if not name) to those who have seen a few French films, and he's wonderful. Though a practical man (he digs wells the old fashioned way for a living), he has a sense of dignity and honor that impresses even the rich family whose charming son has seduced the title character.
We feel no violation here, just the normal confused crossed-star love issues. War intrudes, and then the dreaded report from the front, and the families still have to cope together. For reasons you'll see.
Marcel Pagnol, the great mid-Century French writer whose story is the basis for this, was also a filmmaker, and you can feel a kind of homage or influence at play here, which adds yet another layer of appreciation.
It's also a really funny movie, one of the dramas that is so witty and warm you laugh along with the characters like you would your friends (assuming you have funny friends). I loved the whole experience. If it ends with a feeling like, okay, all is resolved one way or another, I guess that's fine. There is no epiphany here, but rather a sweet slice of life from a provincial time we'd love to never forget.
A drama set in the early 20th Century that ends up being about traditions and love and how two different kinds of families come to understand each other. While not a Romeo and Juliet story at all, it has that basic problem when two young people from different social realms fall in love.
What keeps this from becoming commonplace is the beauty of it all, including what I would call beautiful acting--heartfelt, nuanced, interesting. In a way it is the well digger, the dad played by Daniel Autueil who is the main character. He's a familiar face (if not name) to those who have seen a few French films, and he's wonderful. Though a practical man (he digs wells the old fashioned way for a living), he has a sense of dignity and honor that impresses even the rich family whose charming son has seduced the title character.
We feel no violation here, just the normal confused crossed-star love issues. War intrudes, and then the dreaded report from the front, and the families still have to cope together. For reasons you'll see.
Marcel Pagnol, the great mid-Century French writer whose story is the basis for this, was also a filmmaker, and you can feel a kind of homage or influence at play here, which adds yet another layer of appreciation.
It's also a really funny movie, one of the dramas that is so witty and warm you laugh along with the characters like you would your friends (assuming you have funny friends). I loved the whole experience. If it ends with a feeling like, okay, all is resolved one way or another, I guess that's fine. There is no epiphany here, but rather a sweet slice of life from a provincial time we'd love to never forget.
I am totally satisfied with this choice. It's one of the best french movies from last year. It tells a wonderful story in the very nice Provence from South of France. It's about ethical family values for father Amoretti and his children. The dialogs have great quality and let me reflect from begin to the end. It was never boring because I felt lot of emotions with the plot. Then the performance and direction from Daniel Auteuil was one of the best I have seen so far. Congratulations to the author Marcel Pagnol for this novel. Astrid Bergès-Frisbey played very respectable the role of the daughter Amoretti. The young pilot didn't convince me because his character was portrayed here too clunky and his voice heard inappropriate. The film shows very nice pictures from this beautiful region. For all these reasons it deserves a solid 9/10. Don't miss it, you won't regret. I will add it to my best of DVD collection. Don't miss the great thriller 36 QUAI DES ORFÈVRES with Daniel Auteuil.
A wonderful cast facilitate Daniel Auteuil's vision of wartime France in this gentle, love-filled drama/comedy about a working man's attempt to maintain the honour of his family after his eldest of six daughters go astray.
Pascal has always wanted a son, but finds himself a hard-working widowed father of six daughters instead. When the son of local bourgeoisie, the Mazels, seduces his daughter before being packed off to war, Pascal and his daughter are ill-treated by the frosty Mazels. Pascal learns not to trust people "who sell tools, but never use them." But he is also honorable, exiling his disgraced daughter Patricia, who herself refuses compromise by rejecting the repeated proposals of her father's co-worker Félipe, an honest, industrious, but prosaic individual. Pascal has honour, but Félipe has love. The war intervenes in events, not once but several times, becoming a catalyst that brings to resolution the feud between the two families from opposite classes.
Auteuil handles the comedy effortlessly, but also shows depth and steel when darker tones are needed, such as handling the humiliations dished out carelessly by the shallow, emotionally volatile Mrs. Mazel. Astrid Bergès-Frisbey is simply superb as the much-wronged Patricia. Her expression when waiting by the church for a lover she believes has spurned her is exquisitely pained.
The direction keeps most of the action outdoors or in daytime, allowing Provence to glimmer and shine. There are small moments of poetry here; Pascal turn-taking a kiss with his youngest daughter as they wait for guests;interactions with a baby who melts everyone's heart, cast and audience alike; the strong bond of friendship between Pascal and Félipe.
This is a well-crafted tale of love, family, work and honour that never gets too sentimental and earns the many tears and smiles it evokes. An uplifting, joyful film, and we all need one of those from time to time.
Pascal has always wanted a son, but finds himself a hard-working widowed father of six daughters instead. When the son of local bourgeoisie, the Mazels, seduces his daughter before being packed off to war, Pascal and his daughter are ill-treated by the frosty Mazels. Pascal learns not to trust people "who sell tools, but never use them." But he is also honorable, exiling his disgraced daughter Patricia, who herself refuses compromise by rejecting the repeated proposals of her father's co-worker Félipe, an honest, industrious, but prosaic individual. Pascal has honour, but Félipe has love. The war intervenes in events, not once but several times, becoming a catalyst that brings to resolution the feud between the two families from opposite classes.
Auteuil handles the comedy effortlessly, but also shows depth and steel when darker tones are needed, such as handling the humiliations dished out carelessly by the shallow, emotionally volatile Mrs. Mazel. Astrid Bergès-Frisbey is simply superb as the much-wronged Patricia. Her expression when waiting by the church for a lover she believes has spurned her is exquisitely pained.
The direction keeps most of the action outdoors or in daytime, allowing Provence to glimmer and shine. There are small moments of poetry here; Pascal turn-taking a kiss with his youngest daughter as they wait for guests;interactions with a baby who melts everyone's heart, cast and audience alike; the strong bond of friendship between Pascal and Félipe.
This is a well-crafted tale of love, family, work and honour that never gets too sentimental and earns the many tears and smiles it evokes. An uplifting, joyful film, and we all need one of those from time to time.
This marvelous film is based on a Pagnol novel which I had never heard of. Maybe it's well-known in France and so the title is familiar to audiences there. But in the US "The Well Digger's Daughter" should keep people away from this film in droves. In fact, the film is an old fashioned fable set in the French countryside during the period of World War I. Even though the plot turns are seen coming a mile away, the film has such charm and simple feeling and wisdom, that there is enormous pleasure in watching the story unfold. Auteuil is perfect as the father, as is every other actor, especially Astrid Bergès-Frisbey as the daughter of the title and Nicolas Duvauchelle as her 'prince'. And the music by Andre Desplat is one of his best scores. The setting and the lives of the characters are so beautifully depicted, there is so much pleasure to be had in entering their world for two hours, that it seems a shame that American audiences will have to overcome their disinclination to see a movie about a well-digger and his daughter when there is this rich and deeply emotional story waiting for them in the cinema.
Daniel Auteuil is one of my favorite actors... in the world.
I rented this film earlier tonight from Video Futur, a French movie rental chain, after missing it at the cinéma. My girlfriend and I just finished watching it. Wow.
It's fantastic !!! Of course, you should start with the Marcel Pagnol classics like Jean de Florette and Manon des Sources. Read the books, watch the films, fall in love with the south of France. If you're already familiar with the works of Pagnol, you can jump right in and enjoy. Heck, even if you're not familiar with them, watch this film anyway.
In my opinion, Provence is the most beautiful place in France, and possibly the world. Pagnol used real locations in Provence, including Aubagne, Salon, and other locales as the settings for his best dramas.
This is no exception. La fille du puisatier (English: The welldigger's daughter) is a well-crafted story that I believe Americans, and cinema fans all over the world, will enjoy. The film is an excellent and faithful adaptation of Pagnol's original story, and the actors' performances elevate this film to the highest level.
Auteuil, along with co-stars Kad Merad and Jean-Pierre Darroussin knock this thing out of the park. I remember Merad and Darroussin from other films, including L'immortel (English: 22 bullets), but this takes the cake.
This is not to take away from the amazing performances of the daughter in the title, Astrid Bergès-Frisbey as Patricia Amoretti, as well as the solid performance of Emilie Cazenave as her sister Amanda.
All in all, great acting, great writing (based on an already-good story) and beautiful cinematography, made for a completely enjoyable viewing experience, at least for us.
I hope this comes out soon in the US so that American audiences can see for themselves.
I remember seeing Jean de Florette and Manon des Sources (English: Manon of the spring) in my high school French class. My teacher was nice enough to share some French movies with us. Decades later, I'm lucky enough to be living in France, putting all those French lessons to good use, enjoying Pagnol again, and dreaming, everyday, about moving back to the south.....to Provence.
I rented this film earlier tonight from Video Futur, a French movie rental chain, after missing it at the cinéma. My girlfriend and I just finished watching it. Wow.
It's fantastic !!! Of course, you should start with the Marcel Pagnol classics like Jean de Florette and Manon des Sources. Read the books, watch the films, fall in love with the south of France. If you're already familiar with the works of Pagnol, you can jump right in and enjoy. Heck, even if you're not familiar with them, watch this film anyway.
In my opinion, Provence is the most beautiful place in France, and possibly the world. Pagnol used real locations in Provence, including Aubagne, Salon, and other locales as the settings for his best dramas.
This is no exception. La fille du puisatier (English: The welldigger's daughter) is a well-crafted story that I believe Americans, and cinema fans all over the world, will enjoy. The film is an excellent and faithful adaptation of Pagnol's original story, and the actors' performances elevate this film to the highest level.
Auteuil, along with co-stars Kad Merad and Jean-Pierre Darroussin knock this thing out of the park. I remember Merad and Darroussin from other films, including L'immortel (English: 22 bullets), but this takes the cake.
This is not to take away from the amazing performances of the daughter in the title, Astrid Bergès-Frisbey as Patricia Amoretti, as well as the solid performance of Emilie Cazenave as her sister Amanda.
All in all, great acting, great writing (based on an already-good story) and beautiful cinematography, made for a completely enjoyable viewing experience, at least for us.
I hope this comes out soon in the US so that American audiences can see for themselves.
I remember seeing Jean de Florette and Manon des Sources (English: Manon of the spring) in my high school French class. My teacher was nice enough to share some French movies with us. Decades later, I'm lucky enough to be living in France, putting all those French lessons to good use, enjoying Pagnol again, and dreaming, everyday, about moving back to the south.....to Provence.
¿Sabías que…?
- TriviaJacques' motorcycle is a Triumph Speed Twin 5T.
- ErroresWhen Pascal visits her sister Nathalie to check on Patricia, Nathalie is heard humming Nina Rota's Romeo and Juliet theme, which wasn't written until 1968.
- ConexionesRemake of La hija del pocero (1940)
- Bandas sonorasCore 'n Grato
Written by Salvatore Cardillo and Alessandro Sisca
© BMG Ricordi Publishing
Avec l'autorisation d'Universal Music Vision
Sung by Enrico Caruso
(p) Recorded prior to 1972. All right reserved by BMG Music
Avec l'aimable autorisation de Sony Music Entertainment France
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is The Well-Digger's Daughter?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- The Well-Digger's Daughter
- Locaciones de filmación
- Chapelle Saint-Sixte, Eygalières, Bouches-du-Rhône, Francia(some exteriors)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- EUR 12,500,041 (estimado)
- Total en EE. UU. y Canadá
- USD 386,368
- Fin de semana de estreno en EE. UU. y Canadá
- USD 10,273
- 22 jul 2012
- Total a nivel mundial
- USD 13,194,167
- Tiempo de ejecución1 hora 49 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
By what name was La fille du puisatier (2011) officially released in Japan in Japanese?
Responda