CALIFICACIÓN DE IMDb
6.7/10
114 k
TU CALIFICACIÓN
Un grupo de adolescentes del sur de Londres defienden su edificio de una invasión alienígena.Un grupo de adolescentes del sur de Londres defienden su edificio de una invasión alienígena.Un grupo de adolescentes del sur de Londres defienden su edificio de una invasión alienígena.
- Dirección
- Guionista
- Elenco
- Nominada a1 premio BAFTA
- 19 premios ganados y 39 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Made with less than one tenth of SUPER 8 budget, this movie gets twice more entertainment while delivering social messages instead of shallow fake nostalgia. A gang of teenagers (mostly black but from other ethnic groups too) rob a woman/nurse on her way home. A sudden explosion and something falling from the sky, allow the woman to escape. When the gang's leader checks what happened is attacked by an extraterrestrial creature. The group kills the thing and take the body with them hoping to make a few squids out of the strange creature. From there, things get really ugly; when more bigger beasts fall from the sky, police and some gangsters show up; everybody pursuing the gang. The action does not stop. No unnecessary romances, or tear breaking scenes; just a few commentaries about life in those marginal neighborhoods. The acting of the teenage members is excellent. Every one of them has a brief time to deploy their character but all of them have enough charisma to succeed. In brief, do not expect Hollywood overproduced and unrealistic special effects here only real fun.
All aspiring film-makers should watch this. And those producing films for SyFy or Asylum should also take note.
First and foremost, we need characters. Characters that have each their own voice and emotions, all growing from their personal past. This makes the viewer care about what happens to them, root for them, and believe in them. It also takes a bit of the storytelling burden off the cinematography, as these characters can support the story in their part.
Secondly, a compelling story should be written. Compelling does not necessarily equal complex. A story should have events pan out in an order that presents at least some kind of logic and thought behind it. Twists and turns are okay, but they don't have to be gimmicks. This doesn't mean resorting to worn clichés, but have these engaging characters something to do. Something, that has some weight to it, so that the viewer stays focused for the length of the movie.
And third, add a bit of vision. A little quirk here and there brings the humanity of the characters, the story, and those making the film apparent, and creates the valuable bond between the finished movie and its' audience.
As we can see, none of these elements require much of a budget. So having a small budget should not be a constraint per se, but rather a source of ingenuity. Monty Python and the Holy Grail is one excellent example, Attack the Block is another.
It is clear that they did not have the money for a plethora of awesome locations, top-notch CGI, or brand-name anything. But what they managed to do with what they had was fun and entertaining and well worth a re- watch: The lack of shooting locations was masked with a brilliant and logical reason for limited room; lack of awe-inspiring special effects was masked with more traditional skills, ie. use of light and sound, and going story first (everyone knows how annoying is the modern over-focus on CGI over human connection, even when the effects are great); and I have no reason to believe they were looking for cheap actors, but people with desire to go out and do their best and have some fun while at it.
This film is fresh and entertaining, and as stated in the beginning, a great lesson in how to make something great out of nothing much.
First and foremost, we need characters. Characters that have each their own voice and emotions, all growing from their personal past. This makes the viewer care about what happens to them, root for them, and believe in them. It also takes a bit of the storytelling burden off the cinematography, as these characters can support the story in their part.
Secondly, a compelling story should be written. Compelling does not necessarily equal complex. A story should have events pan out in an order that presents at least some kind of logic and thought behind it. Twists and turns are okay, but they don't have to be gimmicks. This doesn't mean resorting to worn clichés, but have these engaging characters something to do. Something, that has some weight to it, so that the viewer stays focused for the length of the movie.
And third, add a bit of vision. A little quirk here and there brings the humanity of the characters, the story, and those making the film apparent, and creates the valuable bond between the finished movie and its' audience.
As we can see, none of these elements require much of a budget. So having a small budget should not be a constraint per se, but rather a source of ingenuity. Monty Python and the Holy Grail is one excellent example, Attack the Block is another.
It is clear that they did not have the money for a plethora of awesome locations, top-notch CGI, or brand-name anything. But what they managed to do with what they had was fun and entertaining and well worth a re- watch: The lack of shooting locations was masked with a brilliant and logical reason for limited room; lack of awe-inspiring special effects was masked with more traditional skills, ie. use of light and sound, and going story first (everyone knows how annoying is the modern over-focus on CGI over human connection, even when the effects are great); and I have no reason to believe they were looking for cheap actors, but people with desire to go out and do their best and have some fun while at it.
This film is fresh and entertaining, and as stated in the beginning, a great lesson in how to make something great out of nothing much.
The first film from Joe Cornish, one half of cult broadcasting duo Adam and Joe, is a vital horror-comedy that pitches a teen gang against a breed of hairy aliens with glow-in-the-dark teeth. It begins with a mugging, as nurse Jodie Whittaker has her phone, wallet and ring taken at knifepoint by five hoodies. No sooner has she fled the scene than an alien falls from the sky into a parked car. The kids kick it to death. Then its mates turn up.
This is an incredibly assured debut, with unpredictable plotting, stylised dialogue and characters you really care about, once their frailties are laid bare. Cornish has acknowledged his debt to '80s "creature features", but the film this most recalls is John Carpenter's action classic Assault on Precinct 13 - albeit set in London, and with added aliens - as a gaggle of disparate, untrusting souls band together to combat a greater threat, and an unlikely, initially dislikeable hero emerges.
While Whittaker is excellent and the supporting players are uniformly fine, the standout performance unquestionably comes from John Boyega as gang leader Moses, with his sullen expression, Adidas-three-stripe-style facial scar and burgeoning understanding of his growing responsibilities. He's a fantastic character and Boyega nails his myriad complexities: his insecurity and feeling of persecution alongside his bravery, resourcefulness and sense of honour.
Cornish also has a natural gift for choreographing action, leading to a series of frenetic, energetic, perfectly-paced set pieces. Indeed, that vitality and invention runs through the whole film, from its "big alien gorilla wolf monster" baddies to the Union Jack reveal: an iconic shot, informed by Roger Moore-era Bond, at the heart of a stunning finale.
Perhaps the subplot about middle class drug dealer Luke Treadaway was a bit of a misstep - although funny in itself, it slows proceedings - but everything else about this punchy, idiosyncratic slice of genre fun is absolutely dead-on. It's also a thrilling counterpoint to establishment fare like The King's Speech, without a royal carriage or quietly-emoting monarch in sight. And it has the best final five minutes of any film in recent memory.
This is an incredibly assured debut, with unpredictable plotting, stylised dialogue and characters you really care about, once their frailties are laid bare. Cornish has acknowledged his debt to '80s "creature features", but the film this most recalls is John Carpenter's action classic Assault on Precinct 13 - albeit set in London, and with added aliens - as a gaggle of disparate, untrusting souls band together to combat a greater threat, and an unlikely, initially dislikeable hero emerges.
While Whittaker is excellent and the supporting players are uniformly fine, the standout performance unquestionably comes from John Boyega as gang leader Moses, with his sullen expression, Adidas-three-stripe-style facial scar and burgeoning understanding of his growing responsibilities. He's a fantastic character and Boyega nails his myriad complexities: his insecurity and feeling of persecution alongside his bravery, resourcefulness and sense of honour.
Cornish also has a natural gift for choreographing action, leading to a series of frenetic, energetic, perfectly-paced set pieces. Indeed, that vitality and invention runs through the whole film, from its "big alien gorilla wolf monster" baddies to the Union Jack reveal: an iconic shot, informed by Roger Moore-era Bond, at the heart of a stunning finale.
Perhaps the subplot about middle class drug dealer Luke Treadaway was a bit of a misstep - although funny in itself, it slows proceedings - but everything else about this punchy, idiosyncratic slice of genre fun is absolutely dead-on. It's also a thrilling counterpoint to establishment fare like The King's Speech, without a royal carriage or quietly-emoting monarch in sight. And it has the best final five minutes of any film in recent memory.
I thought this movie was quite entertaining, and actually funny in some parts. It's not a normal horror movie or alien invasion movie. It ends very satisfactorily, unlike most horror movies, and the plot is quite original played with talented actors in a setting that many of us are not so familiar with. If you like rap, you'll like the music throughout too. All the actors and main actress did very well. Thankfully I saw this with subtitles since I can't follow language from "the hood" very well. The only thing that didn't seem so real to me were the space creatures, but that gave for a good laugh. If you don't take this movie too seriously, it's a lot of fun. And there was "the moral of the story is..." thrown in, like lessons learned, rectifying mistakes, etc. All in all, it makes for a good Thursday or Friday night at the movies.
After reading the previous reviews of this movie, I am a bit surprised to see how many people didn't like it. They didn't care for the characters, because of their rude language, their clothes (Ooooh, hoddies:) and the fact that they are petty criminals. But this is a classic "bad guy turns hero" story with such a great written script and talented young actors. The casting director did an excellent job finding these kids. They are real, natural and very believable in portraying being born and raised in Londons Ends. I found myself actually caring about the characters and their destiny throughout the movie. "Attack the Block" is a horror comedy about an alien invasion. Aaaah, you think, I've seen this before! "Bodysnatchers", "The Faculty", and not to mention the great TV-series "Falling Skies". But this movie is different. The focus in the film lies with the characters, and their reaction to having their street invaded by aliens. The aliens them self are kind of cheesy, but scary in a funny way. I expected Nick Frost to have a bigger role, I loved him in "Shaun of the Dead" and "Paul". But he never disappoints me, funny as always :) I really enjoyed this movie, and if you like movies like "Shaun of the Dead" and "Tucker & Dale vs Evil", you'll probably enjoy this as well.
Favourite quote from the movie " Oh man! All this weed and no skins... This is the worst day of my life!"
Favourite quote from the movie " Oh man! All this weed and no skins... This is the worst day of my life!"
¿Sabías que…?
- TriviaWhen doing research for the film, Joe Cornish asked one of the girls, "What would you think of this creature if you found it?" The girl said, "I wouldn't touch it, don't want to get chlamydia." That quote went straight into script; many lines were taken directly from research.
- ErroresIt seems that Pest has a magical backpack. As the gang pulls out and uses all of his fireworks, in a minute more magically appear.
- ConexionesFeatured in Projector: Attack the Block (2011)
- Bandas sonorasSound of Da Police
Written by Alan Lomax, Eric Burdon, Bryan Chandler, Lawrence Parker, Erick Sermon, and Showbiz (as Rodney Lemay)
Performed by KRS-One
Courtesy of Sony Music Entertainment
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Attack the Block
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 13,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 1,024,175
- Fin de semana de estreno en EE. UU. y Canadá
- USD 139,506
- 31 jul 2011
- Total a nivel mundial
- USD 6,206,022
- Tiempo de ejecución
- 1h 28min(88 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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