Damas en Guerra

It's a fun one time watch. Directed by Paul Feig. Life of a unsuccessful pastry chef whose best friend moves kn and is ready to get married; the funny competition between herself who is the maid of honor and one of the bridesmaids. The cute love story with the cop who actually loved her cakes when the bakery was in business, and keeps telling her to go back into it. There are good messages at parts, like when she hit rock bottom another friend comes over and tells her the problem is not the world, it's herself, so the solution has to come from her as well. Really good acting by everyone. Also a small message in Helen's story, on how money can't buy friends.

So this is the first comedy with a mostly female cast that blew me out of the water. Its as good as comedy gets - period. Right at the top with 1 other (which I'd rather not name for reasons).

I had already liked Wiig but this was her crowning achievement. It was also the movie that but Melissa McCarthy's career on the fast-track to stardom. Solid performances from the rest of the cast who all deserve a mention.

The film is filled with side-splitting hilarity.

I loved the toasting scene at the shower and the awkward one-upwomanship that ensued.

The plane scene has so many quotes and Wiig's genius shines so brightly.

Then the dress-trying scene had me rolling.

I've probably rewatched this movie as many or more times than any other. I've also recommended it as much or more than any other.

A masterpiece film that just so happens to be a comedy!

Kristen Wiig is one of the rarities from Saturday Night Live that was able to be great on the show and make the transition to films successfully. Bridesmaids was one of the best examples of this. It is more than just the use of a character, or trope, in a feature film. It is the use of a powerfully gifted comedian in a smart, funny role. It is the female counterpart to the male driven Hangover. Wiig is beautifully supported, and enhanced, by Maya Rudolph, Rose Byrne, Ellie Kemper, and SNL's Maya Rudolph. Melissa McCarthy is shocking and funny in this one. She has some of the film's funniest scenes. Judd Apatow did a terrific job making a film driven by an all female cast that is not just for women. Jon Hamm has a small, buy very funny role in this one.

My friends invited me to a preview screening of Bridesmaids last night, and I accepted the invitation with a sense of cautious optimism. The trailer for the film admittedly didn't do much for me, but I was intrigued by the concept of a female-driven Apatow film. Ultimately, I went into the theater with modest expectations, hoping to get a few good laughs out of it.

By the time we came out of the theater, my three friends and I had smiles plastered across our faces, and we couldn't stop talking about the film for the next couple hours. We all loved it. I think it easily ranks with the best of the Apatow productions, and it might even be my personal favorite. Like all of Apatow's productions, there are admittedly scenes that arguably go a little too far or a little too long, but that's a small criticism when the film successfully fires on so many other cylinders.

To start with, the film is hilarious, and I think the comedy far exceeds the standalone bits shown in the trailer. Scene after scene is filled with humorous and often sidesplitting moments, and they had the theater in an uproar during the screening. I can't say enough about Kristen Wiig. Prior to this, I've always liked her to some extent but never really loved her. I think she's good at what she does, but I wasn't sure her shtick could sustain an entire film. Would her passive aggressive wit get old? Is it the only note she can play? Can she handle anything more dramatic? Ultimately, she blew me away in this film. Not only is she consistently and uniquely funny, but her character is surprisingly well-developed, and Wiig brings the character to vibrant and dynamic life on-screen.

And this brings me to my next point about Bridesmaids: the film has a surprising amount of depth that completely caught me off guard. Bridesmaids isn't a quickie 80-minute gag fest by any stretch of the imagination; it's actually a leisurely paced 2-hour character-driven comedy that takes time to develop its characters and establish the various relationships and resultant conflicts between them. Ultimately, the film ends up being quite heartfelt and even rather sad in places. Despite the over-the-top antics shown in the trailer, the themes that the film explores are actually quite grounded. Kristen Wiig's character is someone who is feeling completely let down by life, which is a place we've all been, and the personal journey of her character resonated strongly for me. While her character is easily the most well-developed of the bunch, even the other bridesmaids ultimately show some three-dimensionality as well, despite the fact that they are sometimes initially introduced as two-dimensional caricatures.

Ultimately, Bridesmaids was one of the most enjoyable comedies I've seen in a long time. It's certainly not perfect: it could probably do with some editing, there might be a few too many subplots (some of which are left unexplored), and it arguably goes too over-the-top at times, but everything else about the film works so well that these complaints are little more than nitpicks. While I applaud everyone involved in the production, it is Kristen Wiig who deserves the most accolades. As co-writer and lead actress, she plays a huge part in the film's success, and I sincerely hope this film puts her on the Hollywood map, as I would love to see more from her in the future. Whatever the case may be, Bridesmaids certainly makes for a successful maiden voyage for her into the world of feature-film comedies.

Let's be honest: when we saw the first trailer for Bridesmaids, who among us didn't think it looked like a dismal rehash of The Hangover (only this one, of course, features a "ratpack" of women)? Imagine my surprise, then, when I discovered that Bridesmaids is better than The Hangover. I have yet to see The Hangover Part 2, so I can't comment on any similarities/differences that might or might not exist. But one thing is for sure: Kristen Wiig has proved her worth as a female lead with a serious amount of comedic clout.

The story isn't revolutionary: one of two best friends is getting married, and everything involved with said nuptials is threatening to tear their lifelong friendship apart. At the center of this battle is Helen, a newly acquired "friend"—via the merging of two exclusive social circles—who begins taking over the wedding plans for Lillian (Rudolph). Annie (Wiig) makes it her mission to take out this she-devil, and what follows is the setup for one of the more memorable meltdowns (among a plethora of other things) to come along in quite some time. Bridesmaids is also peppered with the sort of humor that made movies like Superbad and Knocked Up so funny—it's observant and kitschy in that it rightly jabs several other films that have braved similar issues. In fact, the previously mentioned Hangover is, in at least a very minute way, one of these movies. In what initially appears to be a sad "bow" to The Hangover as king of the pre-wedding funnies, the girls decide to go to Vegas for Lillian's bachelorette party. This ends up being a perfectly welcome curve ball, though, as screenwriters Wiig and Mumolo brilliantly utilize the length of the plane trip to said destination to further flesh out their characters and create an impressively humorous string of in-flight mishaps.

There are a number of other contributors who make Bridesmaids work extraordinarily well, but, as is the case with any solid piece of cinema, it's best if you set aside some time to take in the whole thing in one fell swoop and let it unravel of its own volition. Sure, it's extraordinarily raunchy from time to time, but the nuanced, perfectly- timed moments of comedic genius make it a very worthwhile trip.