El Detective en jefe John Luther es un genio investigando asesinatos; pero su brillante mente no siempre puede salvarlo de la peligrosa violencia de sus pasiones.El Detective en jefe John Luther es un genio investigando asesinatos; pero su brillante mente no siempre puede salvarlo de la peligrosa violencia de sus pasiones.El Detective en jefe John Luther es un genio investigando asesinatos; pero su brillante mente no siempre puede salvarlo de la peligrosa violencia de sus pasiones.
- Nominado a 11 premios Primetime Emmy
- 16 premios ganados y 71 nominaciones en total
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Bias, it's a terrible thing I know but I have to admit I AM biased,biased against police drama's, for me they signify the apathy and mediocrity at the heart of British and American television.
However, occasionally along comes a series that sits so far above the grey landscape of indifference that it blinds by the light of it's creativity, one such show is the British drama 'Luther'. The show's direction takes the viewer helter skelter into the very heart and soul of John Luther, a dedicated senior police officer in a constant struggle to retain his moral compass because he dares to use questionable methods to ensure justice for victims of the most brutal crimes within a labyrinthine bureaucracy of a legal system whose very existence seems intent in ensuring the path towards a successful arrest and conviction is as difficult as possible.
Idris Elba is excellent at portraying this wrought, fallible but noble detective John Luther, which reflects once again how far Elba's acting range can reach post The Wire. The audio track is charged, insightful and electric, employing talents such as Emiliana Torrini and her track 'Gun'.
One of the more interesting back stories is the role of Alice Morgan, a young multiple murderess (played brilliantly by Ruth Wilson) who gives Luther chilling insight into the minds of his suspects while challenging him on sexual, intellectual and moral levels, intent on drawing him further inwards to the heart of her passion, John can see this, it both frightens and attracts him leaving the audience on a constant cliff-edge awaiting his fate. 'Luther' reminds me of 'the number 23' and how obsession can destroy and destroy utterly taking everything and everyone with it.
A triple A show among E-average competition.
However, occasionally along comes a series that sits so far above the grey landscape of indifference that it blinds by the light of it's creativity, one such show is the British drama 'Luther'. The show's direction takes the viewer helter skelter into the very heart and soul of John Luther, a dedicated senior police officer in a constant struggle to retain his moral compass because he dares to use questionable methods to ensure justice for victims of the most brutal crimes within a labyrinthine bureaucracy of a legal system whose very existence seems intent in ensuring the path towards a successful arrest and conviction is as difficult as possible.
Idris Elba is excellent at portraying this wrought, fallible but noble detective John Luther, which reflects once again how far Elba's acting range can reach post The Wire. The audio track is charged, insightful and electric, employing talents such as Emiliana Torrini and her track 'Gun'.
One of the more interesting back stories is the role of Alice Morgan, a young multiple murderess (played brilliantly by Ruth Wilson) who gives Luther chilling insight into the minds of his suspects while challenging him on sexual, intellectual and moral levels, intent on drawing him further inwards to the heart of her passion, John can see this, it both frightens and attracts him leaving the audience on a constant cliff-edge awaiting his fate. 'Luther' reminds me of 'the number 23' and how obsession can destroy and destroy utterly taking everything and everyone with it.
A triple A show among E-average competition.
Each season, there is a cop or a team dedicated to bring Luther down. They waste so much time, money and effort on this. It is like they are tripping on their own show. I get it, it add more tension... will they get him? But I really much rather have more focus on the real murderer. Luther get the job done, he catched bad guys. But no, they MUST stop him because he doesnt follow the rules. They really got and hard on on the fact they will eventually dig enough dirt on Luther.... but why?? It stain the real investigation and force an other intrigue. It really drag the show down. I love Edris Elba. Each second with him on screen is a blast. But stop with those jealous colleagues !
This series is unlike any other series you will see and I will explain in a few small reasons why.
First, the series seems very traditional in the beginning, and the acting seems strange, and I did not think I would want to complete it, but I was shocked by the improvement that occurs from the first episode in the first season to the last of the season, and the development continues in everything in the story and events and the representation of Idris Elba, which improves in each episode and Every season. The series reaches its climax in the third season and whoever does not follow it has wasted a lot of his or her life.
My favorite character is Alice, she is the best character in the show.
I am sad and worried that the show may come out from the list of the best in AMDB, but as you know the fifth season is weak, but this is the case for all series.
My rating for each season is as follows
The first season was held at 8.9 out of 10
The second season I give it 9.0
Season three I give it 9.7 out of 10
Season 4 i give it 8.5
Season 5 i give it 7.0
The show is relly good
The BBC-produced thriller series Luther tells the story of London cop John Luther, who has an incredible talent for solving cases. However, his means of doing so are not always legal and his own demons threaten to stab him in the back.
Personally, I find "Luther" quite exciting, because varied cases are presented here and the main actor also cuts a good figure.
Very exciting at the beginning, then it weakens a bit, but the series finale convinces again.
I have to get to 600 Characters, so here are some random facts:
Personally, I find "Luther" quite exciting, because varied cases are presented here and the main actor also cuts a good figure.
Very exciting at the beginning, then it weakens a bit, but the series finale convinces again.
I have to get to 600 Characters, so here are some random facts:
- Some cats are actually allergic to humans.
- New York was briefly named "New Orange."
- You might be drinking water that is older than the solar system.
What's remarkable about "Luther" is how series creator Neil Cross takes a rag-tag bag of clichés--brilliant but damaged rogue cop, long-suffering boss, genius killer, etc.--and makes it all seem so fresh. Of course, having the fantastic Idris Elba helps immeasurably. He doesn't just act the part of Luther; he is Luther, fully inhabiting the role and moving like a force of nature through every scene. This is one of those rare times where you see an actor's innate intelligence and physicality used perfectly. (Watching Luther decompensate, as he does at various times over the story arc, is really something to see.) Elba is matched every step of the way by Ruth Wilson, playing a sort of female Hannibal Lector--brilliant, amoral, remorseless, scary, and, I daresay, sexy. She and Elba make quite a pair, and their interplay is priceless.
Finally, it's worth noting that this series, while ostensibly a cop show, has its own look and feel. It plays more like a beautifully filmed, weird morality play. (Cross makes the point that Luther believes in only two things, life and love, though the viewer will quickly see that, despite his damaged psyche and emotional baggage, he also ultimately believes in himself.) Some may think that it's just insane, far-fetched, and way over the top. (which it sometimes is if you look closely and cynically). But I think that it exudes a unique vibe. Take a look at the impressionistic opening credits with Massive Attack on the soundtrack, and you'll know right up front that this is something special.
Finally, it's worth noting that this series, while ostensibly a cop show, has its own look and feel. It plays more like a beautifully filmed, weird morality play. (Cross makes the point that Luther believes in only two things, life and love, though the viewer will quickly see that, despite his damaged psyche and emotional baggage, he also ultimately believes in himself.) Some may think that it's just insane, far-fetched, and way over the top. (which it sometimes is if you look closely and cynically). But I think that it exudes a unique vibe. Take a look at the impressionistic opening credits with Massive Attack on the soundtrack, and you'll know right up front that this is something special.
¿Sabías que…?
- TriviaThe first three series end with the same line of dialogue: "Now what?"
- Citas
Alice Morgan: Some little girls grow up wanting ponies. I always wanted to be a widow.
- Versiones alternativasFor international distribution, changes were made to many episodes to shorten running time.
- ConexionesFeatured in Breakfast: Episode dated 30 April 2010 (2010)
- Bandas sonorasParadise Circus
(Main title)
Written by Robert Del Naja, Grant Marshall, Hope Sandoval, Dan Brown (as Daniel Jonathan Brown) and Stew Jackson (as Stewart Neville Jackson)
Performed by Massive Attack
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Detalles
- Tiempo de ejecución1 hora
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.78 : 1
- 16:9 HD
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