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Paul Conroy (played by Ryan Reynolds) awakes to find himself in a wooden box, buried underground. He is a civilian contractor and truck-driver in Iraq. His convoy was ambushed and he was taken captive and buried alive. He has a limited amount of air, giving him a limited time to find a way out. All he has to aid him in this task is his cigarette lighter, a torch, a mobile phone and his will to live.

Minimalist yet highly original, intriguing and tension-filled.

Probably the most minimalist movie ever made. The entire movie is filmed inside a wooden box, a wooden box with one occupant (well, one human occupant...). One actor - Ryan Reynolds - has 100% of the screen time, though there are voices of other actors involved.

Incredibly engrossing and tension-filled. Until the very last moment you don't know how things are going to work out. Director Rodrigo Cortes and writer Chris Sparling keep you on tenterhooks throughout, teasing you with thoughts of one survival option being more likely than the other.

Shows you don't need a big budget to make a great movie.

I don't think I've seen a film quite like Buried before. It had me hooked from the onset, and built towards a really shocking and thrilling conclusion. I really enjoyed the story and thought that it maintained a great pace, which is vital for a film of this genre. There were maybe a few moments where things drifted off course, but for the most part it was solid.

Ryan Reynolds was great, which is handy considering he was essentially the sole performer in the film. For large parts of the film he had no dialogue, so he brought his A game in terms of his physical performance.

The camera work was very accomplished, managing to capture the claustrophobic environment without limiting the way the film looked.

A very solid and enjoyable thriller. Nothing truly amazing, but very entertaining and intriguing!

Here is the proof that an intelligent movie can also be done with a low budget. The Spanish director Rodrigo Cortes mixed every element with a good balance into an interesting, never boring tense thriller. The end was very surprising and unexpected. I don't want to give more details here. Just watch it. I bought the DVD very cheap. Ryan Reynolds delivered a very respectable performance. The running time with 91 minutes was perfect. Buried is not based on true events but it is not far away from the reality.

My expectations have been met. Even my wife had her doubts before but then she looked it with high attention.

At the end we gave both a solid rating of 7/10.

When this movie started and the opening credits began, it was in parallel with Hitchcock movies, almost a replica of the Psycho opening sequence. It was fairly obvious that the director has been inspired by the Master of Macabre.

I was intrigued for the entire 90 minutes of the movie, and although there were a couple of scenes that I was unsure about, it was still well worth watching. Ryan Reynolds is believable as a man buried alive in a coffin, and you can really feel the emotions he experiences during the movie. There is some wonderful conversations he has on the phone, in particular when he speaks to his mother.

Just as you think that nothing more can happen, a surprise twist occurs which makes you want to stay and see if he will or will not survive. The ending was a surprise to me.

Like Phone Booth and Man On A Ledge, both I have only seen recently, I had to watch this to it's full conclusion, and I did enjoy it.

Original and ingeniously basic premise full of suspense and intrigue in spite of developing only one scenario. Paul (Ryan Reynolds) is an U.S. truck driver working in Iraq . After an attack by a group of Iraqis he wakes up to find he is buried alive inside a coffin. He encounters within the coffin a working phone, which allows him contact with the outside world. With only a lighter and a cellphone it's a race against time to getaway this claustrophobic death trap . Paul must rely on his owns resources to survive , taking on serpent and burying .

This freaky and clever film chronicles fear ,desperation, paranoia of a kidnapped trucker in Iraq who faces off a completely Kafkaesque situation . This is a thrilling film in which the abducted starring quest to find answers and solutions to why he's imprisoned and getting freedom . The buried trucker very well performed by Ryan Reynolds works utilizing his skills and talents to survive the deadly trap which guard the coffin with serpent and falling down included , as using his intelligence he attempts to avoid get smashed because the coffin is caving itself in .

The picture succeeds because the thriller, tension , as well as a superbly written script delving into the human psyche in such extreme situation and our instinctive urges for survival . Despite low budget the picture manages to be intelligent, intriguing and thrilling. The good thing about this film is that the director made it on a shoestring budget only having to do one set , yet the movie works on many levels but is constantly reconfigured . The trucker contacts by means of cellular phone with the outside world asking for help various characters , they are played -voices-by prestigious American secondaries as Stephen Tobolowski , Kali Rocha and Erik Palladino ; furthermore Samantha Mathis who plays another hostage .The interesting plot bears special resemblance to 'The cube' and ¨Fermat's room¨ but also there's a dangerously premise with strangers closed attempting to find an exit to exasperating situations. Good musical score fitting to tension by Victor Reyes who is also film producer . Fine cinematography , and naturally , plenty of dark and shades by Eduard Grau . The motion picture is originally directed by Rodrigo Cortes . Rating : Good , better than average .

What would you do if you were trapped in a box? A coffin to be more precise. In Iraq. With a mobile phone. Make a few calls. Great premise. Man's inhumanity to man is vividly on display here. Uncomfortable to watch. Uncomfortable to be in the box. Uncomfortable ending. Original and intense.

It's a bit hard to review this special movie. You can't go into special effects because there were non. You can't say anything about the cast because it's just one person you see. And the set is simple too, just a coffin. Yes, indeed, it all takes place in a coffin. So that's already tricky to watch because I know a lot of people who didn't liked it because there was nothing to see or watch and I must agree with them. It takes indeed almost an hour before the suspense comes in. The first hour you will learn everything about the character, perfectly played by Ryan Reynolds. But it's all done on phone. Of course, being buried you can't do anything else than phone but for me it was a bit too long, an hour as I said. But from then on it goes faster and things go from worse to terribly wrong. The ending was a surprise for me. I won't spoil it just watch it. Still, I won't state it as a horror either a suspense or thriller. But you have to experience the coffin setting to sit it through. Simple story, excellent camera tricks.

Buried is easily one of the interesting movie experiments I have seen in recent times. Spanish director Rodrigo Cortes takes minimalist cinema-making to new heights by telling a story with just only one character trapped in one location in what is almost dogma 95esque settings, and far more importantly he manages to do so by keeping it interesting throughout the 90 minutes.

Buried opens with a man trapped in what appears to be a wooden box buried underground. As the movie progresses we find out he is Paul Conroy (Ryan Reynolds) an American truck driver employed by an American firm - Creston Roland and Thomas (CRT) in Iraq. His last memory is that of his convoy being ambushed by people (as Conroy puts it- terrorists, insurgents who the f**k cares?). As he tries to piece it all together he finds out that he has lost his special contact number ( that apparently every American in Iraq has been given in case of an emergency) but discovers a mobile phone ( in Arabic settings) and a Zippo lighter alongside a pencil, a pocket knife, and supply of anti-anxiety pills ( we later learn that Conroy suffers from anxiety)

The rest of the movie is about his frenetic attempts to establish contact with outside world - his family, friends, employers, the state department to seek assistance to 'get him out'. But things start to get complicated when he is contacted on the phone by his abductor who requests him to arrange ransom from the American Embassy. Running out of both phone battery and air to breathe, Conroy soon finds out that the threats are not hollow; he is forced to make a video of himself which finds its way to the you tube. As things deliberate, Conroy starts to realise he is just a small, helpless insect caught in a web spun by devious and meaner players…

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I missed Cortes' interview on BBC Radio 4 yesterday so I'm not really sure the actual intention behind the movie but there are enough, unmissable, Geo-political subtexts in the script - "I never thought I will find myself here". "I don't think any of us thought we would find ourselves here". I read the movie as Conroy being symbolic of America trapped in a situation which he couldn't get out of despite all the technology and the capitalism abound - multinationals ( admit it, doesn't Creston Roland and Thomas sound impressive? especially, if you say it where the outside temperature is 50 degree centigrade?), answering machines ( that great trickster of a machine that promises to callback but doesn't), robot call operators ( Sir, I can connect you to the FBI field office in Boston, New York, Chicago…), the protocols (Crisis Steering Committee, Hostage Negotiation Team ) etc, all of which somewhat seem hopelessly trivial in the face of more existential needs.

Buried is a intelligent 21st century cinematic marriage of Kafka and Beckett. Philosophically, it is a wonderful screen portrayal of a nervous breakdown in the wake of continuing threat. I found how Cortes had guided Conroy's character through a sequence of emotions - anger, pain, fear, disdain, dread, calm and finally acceptance very beautiful, though in a sense beautiful is not the correct word here. The camera work, especially the use of different angles to emphasise different emotions within the limited setting of the movie is commendable. Last but not the least, I always remembered Ryan Reynolds as that lanky guy wearing a maroon sweatshirt in Two guys , a girl and a pizza place. It is fair to say not anymore. To be frank, he is a bit of surprise here; he lives up to the demands of the role - a lesser effort would have easily made the Buried a 90 minute closeup photo-shoot in dark light settings. Ryan should be proud of his efforts in the Buried.

In light of how the idea of cinema is recast lately, movies such as Buried ought to be encouraged, because, amongst million other reasons it defines what cinema is more than how a 3D movie would. I would prefer watching Buried again than writing a review of James Cameron's next big computer generated manipulation that is assured to collectively sweep the humanity into his bank account.

Buried is a film that keeps things deadly simple, one character, one location and a one line but horribly inspired plot, those looking for flashy visuals or big action should turn far, far away from this one. It's worth noting though that the film is well directed and photographed, director Rodrigo Cortes has a nimble eye for visuals and angles to keep things visually interesting, while cinematographer Eduard Grau gets the best out of the mere two light sources to make the experience a frighteningly vivid one. The plot sees Ryan Reynolds waking up in a coffin, with nothing more than a cell-phone and his lighter to help him out, things develop through his series of fraught, occasionally bleakly amusing and increasingly desperate communications with the outside world. Its rather interesting to see a film so based around interactions on a mobile phone, devices so often objects of fear, suspicion, or in the case of some horror films and of course the cinematic experience for the viewer, irritations. Here every ring is crucial, the battery bar is nail-biting, even the light of the screen is important. For me, just as interesting was the choice of lead. I've never had time for Ryan Reynolds, a face from some of the worst in lowbrow comedy and someone I never expected to appreciate breaking through into not just serious film but something as bold in its structure as this. A lot of people are likely to dislike the film on a fundamental level, but Reynolds gives the performance of his life here, running through a rainbow of emotions, angry, sarcastic and terrified are but a few. Compelling and sympathetic, likely physically arduous too (though I'd don't know how the film was made it must have been tough, barring serious trickery) he holds the film wonderfully. The script is of course of utmost importance too, and writer Chris Sparling does mostly terrific work. An ordinary man reacting as best he can to a nightmare, drawing on the sort of resourcefulness he probably hoped he'd never need, occasionally breaking down but keeping ploughing on, shades of dark humour in the protagonist's travails on the phone, its endlessly interesting and as time goes on, nail-bitingly suspenseful. I had minor issues with realism in the film, and there was at least one interesting little aside that could have been developed a bit more, but overall this is a great achievement. It surely won't appeal to everyone and my rating might seem generous, but for doing this well on such a risky concept, and putting together a suspenser that remains thought provoking after, a 9/10 from me.

In 2006, the American truck driver Paul Conroy (Ryan Reynolds), who was hired by the CRT contractor to work delivering supplies in Iraq, awakes buried alive inside a coffin in the Iraq desert. He recalls that his convoy had been attacked by rebels about two hours ago and finds a cell phone, a flashlight and his lighter inside the box. Paul unsuccessfully tries to contact authorities in CRT, FBI and state department office to disclose his situation, but he finds bureaucracy or absent people. Then he tries to reach his wife Linda, but she does not answer the phone. Out of the blue, one abductor contacts him asking a 5 million-dollar ransom and a video reading a note that is also inside the coffin. Paul realizes that the oxygen is running out and he does not have much time to survive. When he is contacted by the specialist in abduction Dan Brenner, Paul has high hopes to tracked by Dan and found in time.

"Buried" is a claustrophobic and tense thriller with only one character and location and practically in real time. The plot uses a storyline similar to "Phone Booth" with a man trapped alone in a box having only a phone to contact the outside world, but in a pitch black with flashes of the location instead; therefore scarier than inside a phone booth. The viewer does not know exactly what is happening, and learns through the dialogs of the character. Ryan Reynolds has a great performance and succeeds in keeping the attention of the viewer along 95 minutes running time. My vote is six.

Title (Brazil): "Enterrado Vivo" ("Buried Alive")

I caught this gem at Sundance earlier in the year. It was part of the 'Park City at midnight' group of films, which showcased horror and thriller movies, and played them at, can you guess? Midnight. I saw Buried on the last night of the festival, Ryan Reynolds wasn't there, but both the director and writer were. It was a small theater on Main street, very artsy in it's look. But once the film started I had eyes only for the screen.

It starts off with Ryan waking up, trapped in a box. A long box, the length of a human body, buried deep beneath the ground. From there the film plays out in an awe inspiring way, especially seeing as there's only so much you can reveal from one location. The way Rodrigo Cortes handled the filming is truly exceptional. From the start the camera switches between closely claustrophobic, and flying high above Ryan, showing the box with him inside and black all around. It's constantly on the move just like our main character's thoughts. Diving in when the action is intense, and then cutting to black when you don't think you can take any more.

The pacing and plot of the film were nothing short of genius. And Chris Sparling, the writer, should be commended for his work. He said after the showing, that after having his scripts rejected for their cost of locations he decided to go for a cheep but genius idea. One location, one star, and a wealth of idea's. It makes a film like 'Salt' look like a giant waste of resources, when Buried does what even some of the best thrillers can't do, it brings us inside the character's head, and does it all without a romp through the city, or blowing things up.

If you're one of those people who loves to sit on the edge of your seat, chewing at your fingernails, while you're constantly asking yourself what's going to happen next. Then by all means watch Buried, and consider yourself lucky that you're not in his shoes...

Buried (2010)

*** 1/2 (out of 4)

Effective thriller has Paul Conroy (Ryan Reynolds) waking up in pure darkness and soon realizing that his convoy in Iraq was attacked by insurgents and now he is stuck inside a coffin without much time to live. He has a cell phone and a few other odds and ends and this here is really as much as you need to know in terms of story. BURIED is certainly unlike any other film that I can think of. Sure, there have been countless movies about being buried alive as the horror genre is full of such films but none of them actually put you in the coffin for 94-minutes and made you squirm like this thing does. It's interesting that the director and screenwriter decided to have every single second inside the coffin and I think this was a very wise choice. I think an uncomfortable filmmaker would have chickened out and not kept everything inside the coffin. There are several people that Paul calls throughout the movie trying to get help and I think a lot of people would have shown these other people but thankfully that doesn't happen here. I think the film works because as more and more time passes you begin to feel like Paul, as if you're trapped and by keeping you inside the coffin you never really get a chance to catch your breath. Every time Paul goes into shock so do you. Every time another issue comes up you can't help but feel his pain. Every single thing Paul feels in the movie is something the viewer is also feeling so it was very wise to keep everything in this small box. The amazing thing is that you'd think there wasn't too much you could do in such a small space but the screenplay offers up quite a few things that I won't ruin. I don't think anything came across as being faked or forced. The one problem I had with the film is that since we do spend the entire time in the box, it takes a few minutes to really warm up to Paul. Yes, we feel the dangers as soon as the film starts since it begins with him in danger but the suspense really starts after we become to know the guy, have feelings for him and wanting to see him get out of this situation. Reynolds is certainly one of the best actors working in movies today and it's a real shame that so many of his great performances aren't being seen by the masses. His performance here is another winner as he carries the entire film. Being trapped in a tight box without much room to move allows him to use facial gestures as well as other body movements. There's also a lot of work he has to do with his voice. The most impressive thing for me was just watching his eyes as we can see his fear, heartache and pain without him having to say a single word. The 2.35:1 framing allows some terrific shots but it also adds to the claustrophobic nature of the film. As more and more time passes you can't help but feel squeezed in just like the character and I must admit that there were a few times where I was holding my breath for so long that I ended up gasping for air. I won't ruin the final ten-minutes but they're certainly not for the weak hearted.

I hate it when fantastic movies such as this get completely overlooked when it comes time for awards to be handed out. Buried is a triumph in minimalist filmmaking and is a heart wrenchingly intense movie experience. It is gripping, moving, frustrating, and terrifying. Oh yeah, and it all takes place inside a box. Paul Conroy, who is played by Ryan Reynolds and is the only character in the movie we actually see, wakes up in a coffin buried under the ground with no idea how he got there or who put him there. He shortly finds out that he is being held by ransom by a group of terrorists in Iraq. With only a pen, a flask, a cell phone, and only 90 minutes of oxygen, Paul has to act fast. The movie limits itself to an astounding extent, but makes the most out of what it has, creating an incredibly thrilling experience.

How much can you really expect from a movie that takes place in a human sized box with only one person? Buried delivers a lot more than you would expect from this scenario. It has all the right elements to make it as enthralling as any action film we see today. To start off, Rodrigo Cortes does a great job directing his limited space. He miraculously pulls off a lot of great shots and brilliant claustrophobic nuances. He directs with enough skill to keep the movie interesting in its entirety. The movie never felt lagged or drawn out and every moment where it would have slowed down it would throw a great twist or shocking moment that drew you right back in.

Furthermore, the director does a lot of great artistic work with what little he to work with. We have to take into consideration the fact that when you are buried underground in a coffin, there is obviously zero light. Thankfully Paul has various light sources with him in the coffin. And so to keep from breaking the realism of the film, these light sources are the only light in the film, making sure all light is authentic. Paul's light sources include a lighter, a flashlight, a cell phone, and a green glow stick. Each of these light sources gives off a different color, and these colors which obviously encompass everything when they are present add to and reflect the mood of the film. When things are calmer (relatively of course) we are treated to the soft blue light of the cell phone. As things grow more suspenseful and harrowing we are treated to scenes lit by the green glow stick. And when things grow more sinister the red lens of the flashlight is used. I found these minute details fascinating and they artistically added a lot to a film which had little room to work with.

While Cortes' directing gives the film plenty of life, Ryan Reynold's stalwart performance really drives the emotion of the film. He delivers a top notch performance, and he as to seeing as he is the only character in the film other than the various people he talks to on the phone which we never actually see. It can't be easy to carry a film all by yourself, but this year we were treated to two performances that did a superb job at it, the other of course being James Franco in 127 Hours.

Buried is a film that Alfred Hitchcock would have been proud of. It is a groundbreaking thriller that does so much with so little. It is such a harrowing movie experience that you cannot forget. All 90 minutes of this film are fascinating and gripping, especially the last fifteen. The final moments of the film are some of the most captivating and enthralling moments I've ever experienced through film. During the finale of the film you will want nothing more than to know the fate of Paul Conroy, and when you finally do learn his fate at the close of the film your jaw will drop and you will be utterly blown away by such a captivating on screen experience.

It is quite a challenge to make a feature length film set in one single location, and featuring only one character on screen. Ryan Reynolds is very capable of carrying the movie through to the end of its run time and manages to give his character enough to keep the audience interested in his well being. Unfortunately most of the other characters heard through phone calls made by the lead end up feeling far too one note for there to be any interesting character dynamics at play.

Had this been half as long I feel that we could have had an incredibly effective thriller, but much of the movie ends up feeling spread thin in an attempt to reach the 90 minute mark. While some of the camera work is engaging, there are many sharp zooms and slow motion shots that feel jarring while you watch. The main themes and concept are solid, but the pacing ruins much of the impact. What we have is a script that offers twists and reveals that have had little to no setup resulting In lackluster payoffs.

Overall it's a decent claustrophobic thriller with some major issues holding it back from being truly great. Still a fine watch but nothing to rave about.

Playing a tense and anxious characters comes so naturally form Ryan Reynolds. His performance was the perfect example of a thought-provoking and seemingly-clueless and innocent character in such a brutal and surreal situation. This was one of the films out there that proved you didn't need an explosive and grand production to create such a lowkey great thriller. The cinematography and production was the magnificent standout for me. To create such a tense setting was a complicated concept to formulate, and yet this film did just that. Added with an explosive twist at the end, this was on its way to becoming a classic.