An Irish Goodbye

All the attention this year has been on the banshees of inisherin, a plodding and wooden film, yet this short film was streets ahead. It shows the interaction between a dedicated but handicapped lad and his disinterested brother. The relationship is fantastic and james martin himself should have gotten an Oscar for his part. Brilliantly played. I deliberately gave it one star less than a full 10, as the film had the appearances that it was actually shortened, possibly to ensure it was classified as a short film. But it would have been great to have it stretched to at least an hour. Far more believable than the dire banshees.

This dark but delightful film, set in the Northern Irish countryside, deserves all its awards and praise. Yes, we have seen most of the plot twists before and warring brothers is a familiar theme. However, the joy of this film is in its warm heart and wit.

Paddy Jenkins, who plays the quirky and awkward Father O'Shea, was a particular favourite, but of course, the film belonged to James Martin as Lorcan. Feisty and often very rude, he owns the screen whenever he appears.

The representation of his Down's Syndrome was an education, too. We see Lorcan as more than his condition. He knows exactly what he wants in life, he always says what he thinks and leads the way in his plans for his life and in celebrating his mother's memory. This really makes the film stand out from others in its representation of disability.

The only thing I thought was a tad silly was the extremely professional looking artwork which was meant to be produced by Lorcan. Yes, of course it was a visual joke, but something slightly rougher would have had the same effect.

I saw An Irish Goodbye at a packed out screening of the Satisfied Eye International Film Festival and it deservedly walked away with the award for Best British Short.

A true testament to what can be achieved in the short form, it's a film that captures everyone involved at the top of their game, from the directing, screenplay and cinematography to the wonderful performances. While the leads justifiably won widespread acclaim, An Irish Goodbye certainly proves the adage that there are no small parts, with the supporting roles expertly providing the perfect level of humour and pathos.

Like the best creative works, I was left sad that I wouldn't be seeing these adroitly formed people again and can't wait to see what the filmmakers do next.

Paddy Jenkins ("Father O'Shea") acts well as the conduit here between two brothers who are unexpectedly reunited by the death of their mother. "Turlough" (Seamus O'Hara) has left Northern Ireland to work in Engand and when he returns, is set on selling the family home still lived in by his younger brother "Lorcan" who has Down Syndrome. As you'd expect, the humour here is dark ("is she still warm?") and the language quite ripe, but this has a wonderful honesty to it as the latter lad tries to work his way through a list of one hundred things their mum wanted to do before she died! There's some fun with an urn and some ti-chi, and they even go into space - well, sort of! Good fun with strong undercurrents of family, love and affection.

An okay film, with an average script.

Unoriginal, and not overly well shot (dinner table scene did not flow).

Predictable story. We have seen many bucket list films before.

Dialogue was sketchy and weird timing... felt unintentionally awkward and it didn't flow.

The acting was fine, but certainly it did have a stand out performance by James Martin as brother Lorcan, who was very, very good.

We watched all the nominated shorts (short list), and couldn't work out why this was on the list, it felt the weakest by far. That's not to say it's a bad film. But there was nothing original about it, and it felt overly sentimental.

For this to rise to the top is a surprise, and for it to win an Oscar is bizarre. Guess it goes to show that anything is possible! So regardless of my thoughts, congratulation to the team.