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Abohomaan

  • 2009
  • 2h 2min
CALIFICACIÓN DE IMDb
7.5/10
729
TU CALIFICACIÓN
Abohomaan (2009)
Drama

Agrega una trama en tu idiomaAbohomaan tells the story of Aniket, one of the finest filmmakers of Bengal in eastern India and the loves of his life. Devoted to his craft, Aniket met and fell in love with his wife Deepti... Leer todoAbohomaan tells the story of Aniket, one of the finest filmmakers of Bengal in eastern India and the loves of his life. Devoted to his craft, Aniket met and fell in love with his wife Deepti, an actress, while they worked together on the set of a film. They were so in love that D... Leer todoAbohomaan tells the story of Aniket, one of the finest filmmakers of Bengal in eastern India and the loves of his life. Devoted to his craft, Aniket met and fell in love with his wife Deepti, an actress, while they worked together on the set of a film. They were so in love that Deepti sacrificed her own career for her husband's and for their son Apratim, but lost a li... Leer todo

  • Dirección
    • Rituparno Ghosh
  • Guionistas
    • Rituparno Ghosh
    • Madhuchhanda Karlekar
  • Elenco
    • Dipankar Dey
    • Mamata Shankar
    • Jisshu Sengupta
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.5/10
    729
    TU CALIFICACIÓN
    • Dirección
      • Rituparno Ghosh
    • Guionistas
      • Rituparno Ghosh
      • Madhuchhanda Karlekar
    • Elenco
      • Dipankar Dey
      • Mamata Shankar
      • Jisshu Sengupta
    • 9Opiniones de los usuarios
    • 3Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 3 premios ganados y 1 nominación en total

    Fotos1

    Ver el cartel

    Elenco principal20

    Editar
    Dipankar Dey
    Dipankar Dey
    Mamata Shankar
    Mamata Shankar
    Jisshu Sengupta
    Jisshu Sengupta
      Ananya Chatterjee
      Ananya Chatterjee
      • Shikha Sarkar aka Srimati Sarkar
      • (as Ananya Chattopadhyay)
      Sumanta Mukherjee
        Laboni Sarkar
        Laboni Sarkar
        Riya Sen
        Riya Sen
        Soma Chakraborty
        Debesh Chatterjee
          Debjani Chatterjee
          Sumalya Chattopadhyay
          Padmanabha Dasgupta
          Rana Guha
          Saswati Guhathakurta
            Madhuchhanda Karlekar
            Rishi Kaushik
            Rishi Kaushik
            • Zameendar
            Rana Paul
            Sudeshna Roy
            • Dirección
              • Rituparno Ghosh
            • Guionistas
              • Rituparno Ghosh
              • Madhuchhanda Karlekar
            • Todo el elenco y el equipo
            • Producción, taquilla y más en IMDbPro

            Opiniones de usuarios9

            7.5729
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            Opiniones destacadas

            Chrysanthepop

            A-boring

            On the surface, 'Abohomaan' looked quite promising. I had only seen bits of it and expected something interesting as I liked some of Ghosh's works. So the movie starts off with an ailing director and his family dealing with the situation and their relationships. Then there's a sad actress who is on her way to visit. Soon after this tension builds between the characters...and that's it. The movie does not move beyond this.

            Ghosh seems to have been inspired by 'Les Invasions Barbares' but his movie isn't near as effective. His direction and screenplay are below average. The cinematography is poor even though there are many photographic visuals. Only the art direction seems adequate. The editing is terrible. There is plenty of rambling on and the only bits that I enjoyed were the poetic recitations of Tagore. This is perhaps Ghosh's most boring movie.

            Dipankar Dey delivers a transcendent performance, stealing the show with his restraint and quietness. He definitely more than manages to rise above the lacklustre writing while the rest of the actors' performances suffer mostly due to poor dialogue delivery. However, Ananya Chatterjee is competent.

            'Abohomaan' has been one disappointing movie. It's hard to sit through such films while trying to stay awake.
            9smkbsws

            "inspired by the story of the relationship between the thespians Binodini Dasi and Girish Chandra Ghosh"

            Slightly inspired by the story of the relationship between the thespians Binodini Dasi and Girish Chandra Ghosh, from the bengali renaissance era, this film castes people in very much unorthodox roles. We never saw Mamata Shankar so cold or Dipankar Dey so less vocal. I will not mention about the art, camera, music and edit departments in Ghosh's films. They will remain in their prime till his last feature film. And one of my favourite actresses, Ananya Chatterjee just rocked, in both of its meaning.
            10anjumhaz

            Unconventional

            In literature and films, there is no scarcity of plots on extra-marital affairs. It's used in many films like the way light is used to attract bugs. But there is another way to look at this plot. To discover the reality in it. Rituporno Ghosh brought this plot with an unconventional view to us.

            I am not gonna go into details. Like Rituporno's most of the films, it carried me deep into the story. The screenplay had simultaneous scenes from two different timelines and it was so synchronous. The palpability of this whole film left me mesmerized.
            10raul-dell

            Beyond Comparison

            ABOHOMAN is a movie which could have become another extra-marital tale out of Rituparno's arsenal but instead it leaves you spellbound. Rituparno created magic with an extremely powerful cast and a screenplay that can be well contested with any Hollywood movies of recent times. There has been a rumor that the movie is loosely based on the relationship between the stalwart Satyajit Ray and actress Madhabi Mukherjee but I think he has been able to manage a far more deeper channel of thought than just to please his audience with just a mere affair. We have seen a movie being portrayed inside a movie a lot of times but never have we been not able to understand the difference when one blends into the other. The way the character SHIKHA moulds into BINODINI and comes out of it, is just unimaginable as they possibly share the same pain without being born decades apart. Mamata Shankar playing the role of DIPTI creates an enigma that you cannot solve till the end. Holding the family together single-handedly while not compromising the value of good talent for the sake of family is something that keeps us stupefied and glued to our seats. Dipankar De once again proves to do more than justice to a role and yet again show to the world why ManikDa (Satyajit Ray) preferred him so much in his movies. Jishu Sengupta is perfectly sketched to fit the character of APRATIM which also means Beyond Comparison. A son going an extra step to share his father's personal affairs with the world with a niche that even surprises the father himself. The scene where the keyring drop out of the hand of an ailing Dipankar aka ANIKET and being picked by Jishu aka APRATIM is really beyond comparison. Rituparno has once again made us travel a whole new world of his own thoughts and expressions by just switching rooms. A prolific use of the word SOPHISTICATION added an extra wing to our flight of thoughts which starts taking off as the story evolves and finally flies away with winning accolades. I am none to decide whether a film should be called GOOD or BAD, but the sheer warmth and emotional influence that movie wraps us in is just APRATIM (Beyond Comparison).
            1grinchluver-1

            Snoozefest

            I hardly write reviews. This one warranted a review. I've been on a kick watching regional movies (since Bollywood movies suck) since the pandemic started. This kept popping up on various lists and I thought I should give it a try. What a mistake.

            There is so much wrong with this movie the good reviews don't make sense. The story line is nonexistent, acting is mostly pathetic and the camera work/editing is very very poor.

            It took me almost 40 minutes to understand what the story was and then nothing really happened for the remainder of the movie. The random switching between scenes is very choppy and makes no sense. There is art work and this movie is not that. The music and poetry was poorly inserted throughout the movie and there was no real attempt at telling a solid story. In the attempt of trying to come off artistic and deep the story and acting all suffers.

            SAVE YOUR TIME. If you're looking for an offbeat movie try Titli instead. Simple yet much better told story.

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            Detalles

            Editar
            • Fecha de lanzamiento
              • agosto de 2009 (Canadá)
            • País de origen
              • India
            • Idioma
              • Bengalí
            • También se conoce como
              • The Eternal
            • Locaciones de filmación
              • Calcuta, Bengala Occidental, India
            • Productora
              • Reliance Big Pictures
            • Ver más créditos de la compañía en IMDbPro

            Especificaciones técnicas

            Editar
            • Tiempo de ejecución
              2 horas 2 minutos
            • Color
              • Color

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