White Elephant

White Elephant (2022) is a Heartfelt Send Off For Bruce Willis. After announcing earlier this year that Bruce Willis would be stepping away from acting, due to his Aphasia diagnosis, it is hard not the watch White Elephant with that in mind. However, White Elephant is much more than a swan song to this beloved action star, it is a very good action romp.

The film is the long delayed brain child of former stunt man, writer, and Director Jesse V. Johnson. The plot is simple-"When two cops witness an assassination attempt, a ruthless crime boss orders Gabriel Tancredi, an ex-Marine turned mob enforcer, to eliminate any and all threats." However, like many Johnson films the plot is just the pretext for showcasing the rich characters and launching point for great action and violence.

Johnson has a penchant for broken characters with characteristics that make it hards not to look past their awful deeds, and be romanced by them in their quasi-redemption. This is true whether he is is the writer and Director of his own material like Savage Dog, Accident Man, or the brilliant Debt Collector films; or whether he is Directing someone else's story, like Nina Bergman in the masterful, Hell Hath No Fury. Michael Rooker has the distinction of filling these shoes in White Elephant as the nearly retired, mob enforcer faced with a dramatic choice to do what he was hired to do, or do what he believes is right. This is his best performance, by far. He is very memorable in this role.

Olga Kuryenko is equally broken as the subject of the mob's pursuit, and she does a good job holding her own as the tough cop fighting to survive. While not a true buddy film, she is a good compliment to Rooker.

The supporting characters are well supported by a strong cast, many that afficionados of Johnson's films might recognize. Vadhir Derbez is very watchable as the young upstart looking to make a name for himself in the mob world. I couldn't help being reminded of Ross McCall's performance as another Gabriel Tancredi in Johnson's The Beautiful Ones, a very underrated film. John Malkovich has a small role as a mob lawyer, but not one second he is on the screen is wasted-this is Malkovich in top form.

As for Willis-you can not un-know what you know about his medical condition while making this film. I read a lot of speculation and commentary about his performance in light of it. As for me I will refer to a prior review of a "B" rated, straight to video performance by Willis; "When Bruce Willis is in the movie you almost always know what you are going to get and even when the film is bad there is still Bruce Willis." Nothing has changed my opinion in this good film about Willis's performance.

The cinematography, action, and violence is at the level you can expect from a Jesse V. Johnson film. No modern filmmaker can do more with a modest film budget (reported at $15 million) than Johnson. His films are fun to watch and White Elephant is no exception. Violence, gun play, and bloodshed abound, and is well placed.

While I have been fortunate enough to interview Johnson twice I am still amazed at how deep his appreciation and homage to good film runs. This film has homage to other great films, old and newer, classics, and even to Johnson's prior films. Derbez's character opines, late in the film, that it "is like a f@cking Western." Yes, I would agree, White Elephant (2022) is a modern western, or, at least, a tribute to Westerns.

I love Johnson films. I recommend White Elephant.

White Elephant premiered on AMC+ and is streaming on multiple PPV services.

This film isn't a masterpiece at all, it's not terrible, but not good either. I enjoyed John Malkovich's two scenes which both included with his Ancient Greek history lessons, but didn't really see why he was even in the film whatsoever, his scenes were pretty pointless.

The actual story is a bit of a mess, but also somewhat simplistic, and the dialogue was pretty poor throughout, its like an amature wrote half of what the cast were saying.

Few too many plot contravenes throughout. The action, although comical at times, was actually good. Good action with a decent amount of gore, and a flying head near the end.

Sadly though,Bruce Willis is just a shell of his former self, how the mighty have fallen, and it's quite sad. You could tell he just filmed his scenes in about 60 minutes, and didn't really do a good job delivering his lines, just pretty much said them.

Went into this film with really low expectations but it turned out to be a silly yet slightly amusing action film. Wouldn't exactly go out of my way to watch it or recommend it to anyone, but I wasn't exactly bored for 90 minutes.

Unfortunately, Bruce Willis' health problems are very prominent in his performance in this movie, which is a significant distraction and breaks the flow of the story. He obviously struggles to portray his character and deliver lines. Such a shame.

Otherwise, the movie is an OK action movie. The performances are solid with believable characters portrayed well by the cast.

The story is fairly standard for an action movie and there is nothing particularly memorable about it.

If you are a Bruce Willis fan you may find this difficult to watch, so best give it a miss.

But when you have sub-par writers and director, even the all star casting of John Malkovich and Michael Rooker couldn't save this film. It was your typical inane B film with a cliched story and nonsense constant gun fights. Stuntman turned seasoned writer and director Jesse Johnson gave us a typical bad B production with annoyingly loud and unfitting typical B film score, a lazy script (jointly written by three writers) and terrible directing. Even casting Olga Kurylenko as the tough-gal was cringe and unconvincing, and I'm sure part of that blame falls on Johnson's failure to direct his cast properly. You can tell this is the film where Willis started having health issues, but a good director could've easily hidden that. It's an ok one time watch, especially if you're a fan of the leads. It's a generous 6/10 from me, mostly for Rooker's outstanding performance and Malkovich's small but welcoming contribution.

This is not just another B-movie. And it aint another Bruce Willis flop either. Seriously. I have been watching ALL of Bruce Willis' movies lately and this one is actually not too bad. Not great either...but enjoyable enough for the Bruce Willis fans.

Director Jesse V Johnson has proven to be able to make lots of solid, tough and enjoyable B-movies throughout the last years and this is another decent one.

Excellent acting performance by Michael Rooker, who performs a leading role (baddie AND good guy in one), sharing a leading credit with Olga Kurlyenko, who is a highly skilled soldier.

The story: Bruce Willis is a mobster boss who orders a cop (Olga Kurylenko) to be killed. All hell breaks loose after that, WITH LOTS AND LOTS OF SHOOTOUTS.

This movie stands a bit out (in a good way) from other B-movies, because of the attention for detail, with good photography, a decent soundtrack and a story about family bonds.

Any bad? It it a bit slow now and then. And there are some credibility issues in the story and direction. But I am nitpicking, because in the end this is simply a mindless action B-movie, with great actors starring in it. It'll do...

At an important end note: This is one of Bruce Willis' LAST movies he will EVER make, because Bruce is retiring from acting, due to severe bad health, because he is suffering from a neurological disease which affects his speech and facial expressions. Really tragic!

Let us not forget WHY we are watching Bruce Willis movies to begin with. We watch Bruce Willis movies because of DIE HARD (1988). THE ONE AND ONLY BIGGEST ACTION AMERICAN ACTION CLASSIC OF THE CENTURY.

This classic is still standing strong after more than 30 years. Millions of people still REwatch it during every Christmas holiday. Recently a petition was launched to rename Nakatomi Plaza into DIE HARD plaza.

A life time achievement award for Bruce Willis is in the making as well, so I have heard...

DIE HARD (1988) NEVER DIES but is still ALIVE AND KICKING in 2022.

Let's celebrate that...