Mute

When I saw the initial reviews, I immediately prepared for disappointment. Turns out, the movie was great. Easily 7 to 7.5 and maybe a narrow 8/10 for me. It is technically above average, 3/10 is plain ridiculous.

I have to say this film is more drama than thriller. And yes, it can use a bit of refinement on pacing, and does lack a bit of punch. However, it did tug on my heartstrings on certain spots, and showcased a range of complex relationships and emotions between the characters. It's great fun because in the end, its hard to tell who the villain is. I say this as a person who appreciates Drama and slow tempo Art films.

This film is not meant to be: 1) a blockbuster thriller 2) a hard Sci Fi that pushes philosophical questions

Rather, it is more of a drama / tragedy that effectively uses the Sci Fi backdrop to highlight the contrasting character of the protagonist Leo. Who is a sensitive soul and a man pure at heart who is unaffected by all the neon signs and the madness that surrounds him.

I think this is a film for people who enjoy actually watching films rather that picking apart themes, time periods and futuristic gadgets. Just sit back and enjoy it. It's a slow paced film but has some great side plots to keep you interested.

I think the low reviews are way too harsh.

'Mute had one of the best premises of any film from this early part of this year. One of the year's most unique and daring and of my recent film viewings and it was hard for me not want to see it or miss it with it being so heavily promoted. It also had a good cast on board as well as director Duncan Jones, responsible for two great films 'Source Code' and especially 'Moon', in a passion project.

It made me sad and somewhat angry that such a fabulous concept was pretty much wasted by very wanting execution. 'Mute' is not a bad film, or a terrible one, it is much better than the negative reputation it's got. It's just that it's not a good one either, with the concept it had, the cast and the director one cannot help feeling it should have been much more. Easily Jones's worst film ('Moon' being his best) and his only less than decent one. Saw 'Mute' some weeks back on Netflix, but have been behind with my reviewing and film watching and it took some time to gather my thoughts.

The best thing about 'Mute' is the production values. The film does look wonderful with some of the most beautiful and atmospheric visuals of the year thus far. The photography and production design are sheer beauty while technical aspects are just as eye catching and used wisely. The music is both hypnotic and haunting.

First half had some great moments in atmosphere, emotion and character interaction. The most interesting aspect narratively is the chemistry between Justin Theroux and Paul Rudd. The characters are the only fully rounded ones, especially Rudd's who serves the most point to the narrative and the chemistry is suitably nuanced.

Was not impressed by the cast generally, but Theroux and Rudd come off best, the only ones in fact, rising above the material. Both are great, Rudd gives his all in an against-type role but for me Theoux's intense and nuanced performance was even better.

Didn't care for the rest. The support struggle in underwritten, shallow and often pointless, while Alexander Skargaard, even for a character that's mute, is a stiff and lifeless lead. Couldn't get behind his subplot at all. If anybody wants an example of a truly great lead performance as a mute character, look to Sally Hawkins in 'The Shape of Water'.

Furthermore, while the first half was actually not perfect but with a good deal to like, the second half was a mess. How can such a unique concept be treated in such a derivative and far from creative way? The further 'Mute' progressed the duller, more muddled and more confusing the film got. If it tried to take on less story-wise and in themes had less characters, things would have been more intriguing and clearer. Character motivations are vague and introduced out of the blue, the themes and ideas are too often under-explored or muddled, tonally it's unfocused and too many elements go nowhere or take too long to get there.

Jones's direction has passion and ambition and there are good intentions here, he just didn't seem to know what to do with the concept or different elements. The pace does drag and the film did feel too long by about 20-25 minutes.

Overall, didn't love it. Didn't hate it. More like was indifferent towards it. 5/10 Bethany Cox

2/23/18. Not too bad if you are into sci-fi movies. Shades of Bladerunner ambience made this a watchable film noirish murder mystery. Stellar cast lived up to their reputations.

What would have otherwise been a 4/10 movie is elevated by the 10/10 performances of Skarsgård, Rudd, and Theroux - with Rudd, in particular, like you've never experienced him.

Once you've waded through rehashed cyberpunk dystopia (for too long a stretch), this trio of characters might reward you by film's end, and in high Greco-Shakespearean fashion.