CALIFICACIÓN DE IMDb
5.1/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaLondon based N-gen tests a performance booster on 30000. A month later, agile zombies plague London, spreading the disease with a bite. One man has 54 hours to find the cure/immune woman.London based N-gen tests a performance booster on 30000. A month later, agile zombies plague London, spreading the disease with a bite. One man has 54 hours to find the cure/immune woman.London based N-gen tests a performance booster on 30000. A month later, agile zombies plague London, spreading the disease with a bite. One man has 54 hours to find the cure/immune woman.
- Dirección
- Guionista
- Elenco
- Premios
- 3 premios ganados en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I sat through this bum-fluff at the recent GoreZone Festival in London's West End and almost lost the will to live before the opening credits had rolled. The prologue featuring bargain-basement 'action-man' Craig Fairbrass woodenly spouting even more wooden dialogue at the camera as a prep for the sub '28 Days Later' 'Rollercoaster' to come, made my heart sink faster than 'The Detonator' ride at Thorpe Park, and quickly proved its pedigree as a very bad omen for things to come.
Despite the first half hour containing a few nods to the guilty pleasures of Tobe Hooper's 'Lifeforce', there is little to no fun to be derived from this joyless and dispiritingly derivative Brit-Horror that scrapes the bottom of the 'Zombies-what-can-run' barrel into the dirt.
Accomplished camera-work and Sean Pertwee's hilarious cameo stave off some of the boredom, but a hopeless script and Danny Dyer's pathetic attempt at an emphatic hero put debut director Mark McQueen's puny entry into this exhausted genre deservedly into the dustbin of the underachieving undead.
Despite the first half hour containing a few nods to the guilty pleasures of Tobe Hooper's 'Lifeforce', there is little to no fun to be derived from this joyless and dispiritingly derivative Brit-Horror that scrapes the bottom of the 'Zombies-what-can-run' barrel into the dirt.
Accomplished camera-work and Sean Pertwee's hilarious cameo stave off some of the boredom, but a hopeless script and Danny Dyer's pathetic attempt at an emphatic hero put debut director Mark McQueen's puny entry into this exhausted genre deservedly into the dustbin of the underachieving undead.
Stop me if you've heard this before.
A superdrug is tested inadvertently causes the patients to turn into mindless, rage filled ummm aaaaahhhh zombies I guess. Coming into contact with fluids or being bitten by the infected allows the virus/condition/disease to be spread, leading to a massive contagion in the entire nation of Great Britain.
Sound familiar? Well what about this? Only one patient seems immune to the negative symptoms – you know the flesh eating and general insanity – she is on the run, with various parties in pursuit to see if she holds the key to a cure.
OK so Devil's Playground hardly breaks into new territory, but it has a couple of moments, not the least of which is the count the clichés bingo that can be played while watching.
The reporter on the street being interrupted and killed on screen.
The guy who repeats "Mum. Mum. MUM!" as his destiny shuffles ever closer, covered in blood and ready to teach the poor dumb guy a lesson in common sense.
The guy who's infected and needs a cure immediately, only he lasts half the film without one while others who share a glass turn in 45 seconds flat.
The whole 'but she's pregnant' bit.
After the Zompocalypse © starts the infected immediately turn into parkour-ing Reapers from Blade 2, all leaping, snarling, unnecessary wall climbing menaces. They spill lots of blood and cause lots of gore all over the UK, usually with backdrops of carefully constructed carnage reminiscent of the Left 4 Dead video games.
Devil's Playground is uninspired and formulaic and doesn't do much to separate it from a million other similarly bland zombie flicks. As much as I love zombies I can't help but think for the time being they are a little overdone, this isn't the film that will revitalize the genre, but I give a couple bonus points for at least trying to make the film look bigger and flasher than a lot of other low budget efforts.
Final Rating – 4.5 / 10. So you say zombies are threatening the very social fabric of a nation again and it's up to a few individuals to save humanity? Wake me when it's finished will ya?
A superdrug is tested inadvertently causes the patients to turn into mindless, rage filled ummm aaaaahhhh zombies I guess. Coming into contact with fluids or being bitten by the infected allows the virus/condition/disease to be spread, leading to a massive contagion in the entire nation of Great Britain.
Sound familiar? Well what about this? Only one patient seems immune to the negative symptoms – you know the flesh eating and general insanity – she is on the run, with various parties in pursuit to see if she holds the key to a cure.
OK so Devil's Playground hardly breaks into new territory, but it has a couple of moments, not the least of which is the count the clichés bingo that can be played while watching.
The reporter on the street being interrupted and killed on screen.
The guy who repeats "Mum. Mum. MUM!" as his destiny shuffles ever closer, covered in blood and ready to teach the poor dumb guy a lesson in common sense.
The guy who's infected and needs a cure immediately, only he lasts half the film without one while others who share a glass turn in 45 seconds flat.
The whole 'but she's pregnant' bit.
After the Zompocalypse © starts the infected immediately turn into parkour-ing Reapers from Blade 2, all leaping, snarling, unnecessary wall climbing menaces. They spill lots of blood and cause lots of gore all over the UK, usually with backdrops of carefully constructed carnage reminiscent of the Left 4 Dead video games.
Devil's Playground is uninspired and formulaic and doesn't do much to separate it from a million other similarly bland zombie flicks. As much as I love zombies I can't help but think for the time being they are a little overdone, this isn't the film that will revitalize the genre, but I give a couple bonus points for at least trying to make the film look bigger and flasher than a lot of other low budget efforts.
Final Rating – 4.5 / 10. So you say zombies are threatening the very social fabric of a nation again and it's up to a few individuals to save humanity? Wake me when it's finished will ya?
Another plague has broken out in London, causing normal humans to become growling, flesh-chompiing zombies with cat-like quickness.
A small band of survivors hole up in a mechanic's garage, until they're forced to make a run for it.
DEVIL'S PLAYGROUND is one of the better "runner" or "infected" zombie films. Those still insisting that all such creatures must shamble slowly while moaning politely will be disappointed once more.
These biters are hopped up on goofballs! They're "free runners" like that maniac at the beginning of CASINO ROYALE!
An exhilarating experience...
A small band of survivors hole up in a mechanic's garage, until they're forced to make a run for it.
DEVIL'S PLAYGROUND is one of the better "runner" or "infected" zombie films. Those still insisting that all such creatures must shamble slowly while moaning politely will be disappointed once more.
These biters are hopped up on goofballs! They're "free runners" like that maniac at the beginning of CASINO ROYALE!
An exhilarating experience...
Although I imagine this is a straight to DVD affair, I caught this film on the big screen, followed by a Q&A with the director, and other members of cast and crew, who seemed very proud of their work.
During the showing the film got a few unintentional laughs which led a member of the cast to comment afterwards "I didn't know we had made a comedy zombie film" - No you didn't, you made a film which for the most part was extremely dull, with a wafer thin story and unconvincing characters. The laughter in the audience was due to the poor delivery of meagre lines of script and cliché plot developments.
With so many zombie films out there, you need a new angle to stand out from the crowd, and it was the directors belief that this comes from the fact that the zombies are free runners. To be fair, although free running zombies is only one step forward from the speedy zombies of the Dawn of the Dead remake and 28 Days Later, it's not a bad idea and I was fairly enthused with the idea of seeing this slight new twist. However I was soon to be extremely disappointed that although the film was being sold with this as its unique selling point, this wasn't exploited at all. Yes, the zombies (which mostly just looked like young people in hoodies) ran fast, jumped and vaulted over cars and other obstacles in their way a few times, but I was left thinking is that it, could they not jump and twist off a few buildings or do something well a bit more visually exciting?
The fact that this aspect of the film didn't live up to the hype was only compounded by the complete lack of interesting story. I never bought into any of the characters, especially the lead (played by Craig Fairbrass) who for me has no screen presence whatsoever. Within half an hour I couldn't care less whether any of the characters survived, and the zombies were so uninspiring that I couldn't even root for them.
On the plus side, I thought the film was well shot, with some cool images of London just about stopping me nodding off from boredom a couple of times. Plus there was a genuinely funny cameo from Sean Pertwee (the best part of the film). Shame that his character was never to be seen again, his story might have been more interesting!
During the showing the film got a few unintentional laughs which led a member of the cast to comment afterwards "I didn't know we had made a comedy zombie film" - No you didn't, you made a film which for the most part was extremely dull, with a wafer thin story and unconvincing characters. The laughter in the audience was due to the poor delivery of meagre lines of script and cliché plot developments.
With so many zombie films out there, you need a new angle to stand out from the crowd, and it was the directors belief that this comes from the fact that the zombies are free runners. To be fair, although free running zombies is only one step forward from the speedy zombies of the Dawn of the Dead remake and 28 Days Later, it's not a bad idea and I was fairly enthused with the idea of seeing this slight new twist. However I was soon to be extremely disappointed that although the film was being sold with this as its unique selling point, this wasn't exploited at all. Yes, the zombies (which mostly just looked like young people in hoodies) ran fast, jumped and vaulted over cars and other obstacles in their way a few times, but I was left thinking is that it, could they not jump and twist off a few buildings or do something well a bit more visually exciting?
The fact that this aspect of the film didn't live up to the hype was only compounded by the complete lack of interesting story. I never bought into any of the characters, especially the lead (played by Craig Fairbrass) who for me has no screen presence whatsoever. Within half an hour I couldn't care less whether any of the characters survived, and the zombies were so uninspiring that I couldn't even root for them.
On the plus side, I thought the film was well shot, with some cool images of London just about stopping me nodding off from boredom a couple of times. Plus there was a genuinely funny cameo from Sean Pertwee (the best part of the film). Shame that his character was never to be seen again, his story might have been more interesting!
"Devil's Playground" is basically a complete rip-off of Danny Boyle's 2002 horror masterpiece "28 Days Later". Same basic concept; fast-moving infected (not actually zombies as such)on the loose in modern day London and a group of individuals trying to escape the horror, fighting amongst themselves on the way. The one thing it doesn't borrow from it's source material is any level of intelligence. The characters are melodramatic clichés and way too good-looking and well-groomed to be in any way realistic; even though it's a low-budget British film it unfortunately follows the crap Hollywood template of shallow, unbelievable, glamorous leads stuck in an increasingly over-the-top set of action-based scenarios. Still, if you just want to watch something empty-headed and fun then it's not all bad. The stunt sequences are well done and the movie is nicely shot, with some fantastic views of London on display. Don't take it too seriously and you'll have a good time.
¿Sabías que…?
- TriviaSean Pertwee makes his cameo as a favor to producer Jonathan Sothcott after having to drop out of Dead Cert at the last minute.
- ErroresNatalie Quye is credited as "Infected Doctor-eating Man", but since she is a woman, that credit should be "Infected Doctor-eating Woman".
- ConexionesReferenced in Cinemassacre's Monster Madness: Dawn of the Dead (1978) (2013)
- Bandas sonorasBringing London To A Standstill
By James Edward Barker
Performed by James Edward Barker
Copyright 2010
Published by Veneration Music 2010
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Sân Chơi Của Quỷ
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 2,400,000 (estimado)
- Tiempo de ejecución
- 1h 36min(96 min)
- Color
- Relación de aspecto
- 2.35 : 1
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