Los Pilares de la Tierra

Set in England during medieval times, this is a fictional account of what happens after a dying king's proper heir dies in a shipwreck. There are many characters(including a family that seek to construct a grand cathedral, two siblings who lose their nobility and try to regain it, and several men of God with more or less pure intentions… and granted, not everyone is actually necessary) and a lot of plot, and it can be dizzying at first, but it is worth your attention(if you like what you see early on… it ain't gonna change). While I have not read the novel and can make no comparisons, I watched this with two people who love it and they both said that it wasn't the exact same and that they still enjoyed it a lot. This is gripping right off the bat, and it keeps to an intense pace throughout. There are many developments, and while it can at times come off as just going back and forth between the same couple of options, you tend to follow them with interest surpassing that of the best banks. The tension and suspense are great. This has good and well-delivered dialog, with many memorable lines(and razor-sharp points about what it was like back then). The exploration of the awful situations that people could be and were stuck in back then, on account of the system, religion and their lack of rights is excellent and chilling. This is realistic(a lot of the way), authentic and has an incredible richness of detail. The strong feminist behavior of the women in this would not have been tolerated as we see here. This has mostly credible psychology, including for the villains(if one or two are black and white in depiction). The acting, writing and direction are marvelous, and the music is as well. This has amazing production values. No one is sacred, anyone could die at any time in this. The twists and unexpected turns of events keep you guessing how it will end, and it is fairly satisfying. There are power struggles, deception, politics and manipulation aplenty. This does seem to think itself Shakespeare at times, using effects right out of Macbeth and Hamlet. There is dramatic license leading to things that couldn't happen… happening. This has some humor. There is some action, and it works well. You can tell this was executive produced by the Scott brothers. The atmosphere is fitting, this always builds the right mood. This can be called a soap opera to some extent, though I would classify it as one of the better ones. Redmayne is a Christian Bale wannabe once he starts talking(he does thankfully refrain from the pitiful Eastwood impersonation). There is a lot of disturbing content, a bit of blood and violence, sexuality, nudity and a little strong language(largely it isn't gratuitous). I recommend this to any fan of epics. 8/10

One of my favorite books of all time turned into a TV series that shows up out of no where. I was expecting something truly disappointing. After watching the first two episodes I can honestly say this is beyond my highest expectations. The plot development is different from the book, but the emotional impact of the story is fully present. The character development draws you in just like the book did. Your desire to know what happens next will surpass that of reading the book. It is such a wonderful thing to see an adaptation that captures it's source so fully and even surpasses it at times. I can't wait for the remaining episodes. This show will win many awards. Addendum after Episode #3: Things dipped a bit in this episode. If I was rating this show using the 10 stars that IMDb uses, I would have gone from 9 previously to 7 now. There were some overly cheesy moments in this episode that seemed to dilute the storytelling skill from the first two episodes. Hopefully this is a rare occurrence.

Now I did not have the good fortune of reading Ken Follet's book, but when I saw the promos and previews for this, I know I wanted to watch it. The characters are so well done, every one of them has a story element to bring to play and not one of them is poorly written. Everything that happened, and the way it happened, made it believe that it really happened. There was not a single dull moment in the entire miniseries. I never knew that building a church could be the basis for such a gripping storyline riddled with events that never stopped entertaining me. It has a little bit for everyone. For those who enjoy romance, there are several love triangles and paradoxes, for those who enjoy action, there are plenty of bloody sword-wielding fight scenes, there are laughs, there are cries, its not just a miniseries, but an experience; a life. Its absolutely wonderful and I will hope to see it amongst television classics someday.

Very good, it is always difficult to find 'drama' that is quality and not overdone, over-the-top or tired. The acting in this is excellent all around and it is definitely worth watching; at least from the two episodes that I have seen thus far. Considering I haven't heard hardly a thing about this until I watched it I am very impressed.

The storyline seems to contain fairly valid historical accounts of the time if not the lives of individuals. Keeping in mind it is not as mystical as I would have thought from the title and even the previews I've now seen since I began to watch it - it has made up for that with a strong story and lovely backgrounds for visual appeal and 'time proper' settings. Can't wait for more.

I have read everything Ken Follett has written, but I pretty much had him pegged as a writer of extraordinarily readable suspense potboilers. Better than Stephen King, but no Cormac McCarthy. Then, in 1989 he unveiled "Pillars of the Earth" and I was stunned. Follett gave full rein to his incredibly vivid and compelling storytelling abilities. When I finished I was sad. I could no longer follow the adventures of these heroic and scheming English men and women in the the tumultuous 12th Century, a time of uncertainty over who should be on the throne.

I have now watched the first six episodes (available on Netflix for instant viewing) and am dying to see the final two when they come available. I didn't know what to expect, but I can declare myself fully satisfied.

What worried me most going in was the series was what the tone would be. Follett is a master of grand, operatic gestures. The mini-series captures that.

He also is far from shy about sex, barbarism and vulgarity. There's a scene when the monks put Ellen on trial as a witch that made my jaw drop. No F-bombs, but one startling c**t bomb. The incest theme between William and his mother is not explicitly shown, but very clear.

Occasionally, it's a bit "stagey" and the CGI is good, but not state of the art.

Still, "Pillars" is a triumph of epic storytelling.