The Sketch Artist (Portrait - Robot)

The trouble is though that the prémisses and the characters are not particularly believable. Remy Girard playing seasoned detective Bernard Dupin was seventy when the series was filmed and admits to being that age as part of a plot in Season Two. It's inconceivable that he'd be on field work as he's grossly overweight and can barely walk. And he's way past the age for retirement. Even worse, he subdues fit young thugs and hitmen without any trouble at all. In real life these guys would have pulverised him.

As for Eve Garance, the sketch artist, it just isn't credible that she gets witnesses to remember small details such as a mole or an earring, or even eye colour, in the contest of a rapid set of events or just a glimpse of the perp.

Maryse and Anthony have important supporting rôles as the head of the unit and CSI boy respectively. The writers seem to have woken up to the fact that they should have written in a techy IT person from the beginning so Elektra had a far more prominent place in the action in season two.

In the background, we have not particularly convincing human interest stories about the five main characters.

The crimes they deal with are over the top even for north America.

I admit I binge-watched but it's still pretty rubbishy. However, the actors and the tight direction kept it together for the main part.

We had three major cliffhangers at the end of season two. I assume a third one will come next year.

Like the other reviewer mentioned, this is a very watchable show. Yes, there are obvious choices in characters and surroundings, but that's because it works! Just like how I hate it when they implement all sorts of weird or new factors to a romantic comedy, when all we always want to see is girl meets boy, something happens that keeps them apart, but they find eachother in the end. With detectives it's the same. And does it have to be completely credible? No, then I'll watch the news for what actually happens in the world.

What I also like is how they combine old detective work with new methods, exact with less exact science, and use electronics and social media like they are actually used nowadays.

The only downside to this old (en new) skool detective show is that they always have to use grewsome storylines. And since having a baby my mind does not want to handle this anymore while watching a show for fun. But this show kept me fascinated enough to overrule that feeling. Hoping to see the next season soon.

It took me a while to warm to this original crime drama series about a police sketch artist who helps to solve crimes investigated by the Montreal Police by using all her skills and emotional intelligence to create electronic 'identikit' profiles of both victims and suspects. Éve Garance (played by Rachel Graton) is surrounded by a rather oddball bunch of colleagues, but while they all contribute something interesting, her civilian background and kind of superpower of 'reading' people make Éve central to solving each crime. The final 'piece' in the 'jigsaw', if you like, and in that sense 'Portrait-Robot' AKA 'The Sketch Artist' is reminiscent of CBS's wonderful 'The Mentalist' in the noughties.

Credit to all the actors and production staff involved, particularly Sophie Lorain who plays Maryse Ferron, Éve's logic-obsessed wheelchair-bound boss and Alexis Durand-Brault who directs the action (Lorain and Durand-Braul also wrote the series), and the other co-stars Rémy Girard as the moribund veteran 'hack' detective Bernard Dupin and his rookie sidekick crime scene technician Anthony Kamal (Adrien Bélugou) add a bit of intrigue and humour to the proceedings. It wouldn't be 'noir', of course, if Éve didn't have some sort of personal issues, but the on the whole the 2-episode story arcs steer clear of the worst clichés and I felt there was enough by the end of Series 1 to want more. I watched 'Portrait-Robot' on British television as part of the 'Walter Presents ...' features of mainly foreign language crime dramas on Channel 4, but would imagine the series is widely available. Give it a go, why don't you?

I love this series!

I do not know why I hope to see, I don't usually see series in French. I am one big fan of the crime series, investigation and judicial cases.

This series is very emotional, thrillish and tense, with many messages , from those to learn and think, and the characters are very interesting.

I hope for a next season.

This French Canadian crime drama is set in Montreal and opens with Anthony Kamal starting his first day forking for a special unit of the local police. Here he meets his new boss, Maryse Ferron; veteran officer Bernard Dupin and sketch artist Eve Garance. Eve has the ability to 'read' people and coax them to reveal details they didn't realise they'd seen to come up with accurate likenesses of suspects and the crime scene. She is also bi-polar and haunted by the disappearance of her baby son many years previously. Other characters have their own problems too. Most cases last two episodes but there are elements that run through the series.

I've watched many series in French but I think this is the first French Canadian show I've watched. On the strength of this I wouldn't mind checking out a few more. The cases are interesting and our protagonists are varied and likeable. It also manages to provide some interesting surprises. Having two episode cases alongside longer running stories is effective; giving satisfaction each time one is solved while keeping one interested in the longer plot arcs. It does inevitably require some suspension of disbelief... I couldn't describe somebody I see every day in the detail witnesses recall following a glimpse some time ago. The cast does a solid job bringing their characters to life. Overall I'd recommend this to fans of subtitled crime dramas.

These comments are based on watching the series in French with English subtitles.